Multiple exposure, or multiple printing are procedures that, with a little practice, allow the making of some very impressive pictures. Most modern cameras, including compact types, are equipped with a multiple exposure device. This is due to the electronic nature of these cameras making it quite easy to cock the shutter without winding on the film. Looking at the use of a camera first - it will be found difficult to make much use of the device on a compact due to the relatively inaccurate viewfinder. Positioning of the subject matter is crucial. I use a ruled screen in an SLR when intending to do multiple exposures, and it is best to PLAN to do them !. The ruled screen, whilst not obligatory, is a great help in positioning the different elements of a picture. It can only be of use if the camera has interchangeable viewing screens of course. The effect is also generally more predictable if the background of each element is BLACK. This means that only the subject appears each time the shutter is pressed, the image then being re-composed and exposed onto a previously unexposed area of the film. For example, a person, against a black background can be photographed talking to themselves ! Set the camera up on a good, solid tripod and arrange the first element. Light it and compose carefully, using a master sketch if that helps - it often does. Make the first exposure with the ME device set. The shutter will cock, but the film not move. Replace the subject as necessary, re-compose and light, then make the second exposure. Continue until all elements are added, resetting the ME device before the last exposure to wind on to a new frame. Hope for the best ! This can also be done with a slide copier, where different slides are photographed using ME. You could also put 2 suitable slides into the SAME mount, then copy in the copying device to produce a single slide of the `sandwich`. That can fool a judge ! DARKROOM ..... There are many possibilities at the printing stage. As with slides, 2 or more negatives can be put in the enlarger together, and be printed as if they were one. Pictures can be shot against strong WHITE backgrounds - the opposite of in the camera - prints being made in turn onto the same piece of paper - the strong white areas will remain unexposed on the paper. A sketch to work to, full size and placed under the enlarger as necessary can be a great help here - the red safety swing filter being used to prevent paper exposure whilst setting up. Negatives can be printed whilst areas of the paper are masked from light by a gently moving piece of card/cotton wool/Blu-tak on a wire. The movement gives a graduated edge from exposed to unexposed. Other images can then be added and blended into the unexposed areas. Imagination is the only necessary skill ! - well, not quite !