ࡱ> Root Entry FN@'WordDocumentGMCompObjhp@@0j2 SummaryInformation(  Root Entry FN`_'WordDocumentGCompObjhp@@0j2 SummaryInformation(  @j( @K&@<@e'9ࡱ> ՜.+,0HP\dl t|  WoM8  Brendon Hansenࡱ> ܥhW Teuu p pp p p  FMicrosoft Word Document MSWordDocWord.Document.69qࡱOh+'0 ( P \ h tBrendon Hansen Loren HansenNormal Loren Hansen74nMicrosoft Word for Windows 95ࡱ> ܥhW eu p p2"2222 < 2A1FFFFFFFF{}}})d dnrX:FFFFFPFFܥhW teuMH p p!!!!!wK,wwww  w1)dOdX:!!! !!Tm&5=!!!!+Brendon Hansen March 29, 1996 Period 3 I there was anyone to put two meanings behind one object it is Edgar Allan Poe. In the short story The Fall of the House of Usher, Poe deals with duality in all objects. Throughout this story, the reader experiePPPF FF{@'F{P+PBrendon Hansen March 29, 1996 Period 3 I there was anyone to put two meanings behind one object it is Edgar Allan Poe. In the short story The Fall of the House of Usher, Poe deals with duality in all objects. Throughout this story, the reader experiences subtle ways in which most things around our world represent two things entirely different. Two such examples of duality are the wicked waters of the tarn and the tiny, yet significant fissure on the house. Approaching the house, the narrator looks deep into the tarn and notices that the house is very clear and inverted. This indicated a different house, and the family occupying it, and possibly a dangerous situation for the unsuspecting narrator. The house is turned upside-down over the narrator anDocumentSummaryInformation8 Ѐd now he has no choice but to go to meet his friend. After observing the tarn and the harshness of the circumstances, he quickly notices a tiny fissure running along side the wall before disappearing into the tarn. The fissure divides the house into two parts, Roderick and Madeline, who are the last remaining Ushers who live in a pitiless and a rocky relationship. /=Because the shallow crack ends in the sinister tarn this m9u ӺJוt* _-4:g#x5$G4Z(@3rnces subtle ways in which most things around our world represent two things entirely different. Two such examples of duality are the wicked waters of the tarn and the tiny, yet significant fissure on the house. Approaching the house, the narrator looks deep into the tarn and notices that the house is very clear and inverted. This indicated a different house, and the family occupying it, and possibly a dangerous situation for the unsuspecting narrator. The house is turned upside-down over the narrator and now he has no choice but to go to meet his friend. After observing the tarn and the harshness of the circumstances, he quickly notices a tiny fissure running along side the wall before disappearing into the tarn. The fissure divides the house into two parts, Roderick and Madeline, who are the last remaining Ushers who live in a pitiless and a rocky relationship. /=Because the shallow crack ends in the sinister tarn this m9u ӺJוt* _-4:g#x5$G4Z(@3rup < ~ !u'(`up !!!!(!(!(!hup < ~ !"#8WXp~u'(`up !!!!(!(!(!hK @ Normal ]a c"A@"Default Paragraph Fonteased great pressure from the narrator and he decided to go to see his friend, like turning two half turns to end up the same way you started. Two very vile and harsh reasons to leave could equal out to a perfectly good reason to go visit an old friend. As mentioned above, the narrator brings to our attention representation of objects into a much more wicked meaning then first thought. Although Poe never comes straight out and mentions a key point, he subtly aims for the same, leaving the reader unsuspecting. Perhaps all readers are sub-consciencely victim to all of Poes techniques to frighten and horrify without knowing the knowing the final outcome. /=f,, in the short story The Fall of the House of Ushere disappearing into the waters of the tarn. the last remaining Ushers and decided to go to see his friendeason to go visit an old friend, .  (b!!!p + Loren HansenC:\Brendon\Files\8ePoe2.doc@Canon BJC-600LPT1:BJC600Canon BJC-600Canon BJC-600 dD  odhh Canon BJC-600 dD  odhh FFh*+bca   j>} K @ Normal ]a c"A@"Default Paragraph Fonteased great pressure from the narrator and he decided to go to see his friend, like turning two half turns to end up the same way you started. Two very vile and harsh reasons to leave could equal out to a perfectly good reason to go visit an old friend. As mentioned above, the narrator brings to our attention representation of objects into a much more wicked meaning then first thought. Although Poe never comes straight out and mentions a key point, he subtly aims for the same, leaving the reader unsuspecting. Perhaps all readers are sub-consciencely victim to all of Poes techniques to frighten and horrify without knowing the knowing the final outcome. /=H  H(`H!!!!!p J+ Loren HansenC:\Brendon\Files\8ePoe2.doc@Canon BJC-600LPT1:BJC600Canon BJC-600Canon BJC-600 dD  odhh Canon BJC-600 dD  odhh GGEEGGh_ty6-GHPP_QQQp P< Q Q Q Q~QQQPt1Times New Roman Symbol &Arial"hI@  $:Brendon Hansen Loren Hansen Loren Hansen,_z6qPQ!Q*Q"QaP_Q#Q8QQWQQXQpQ~QQQFQQQp QQ Q< QQ QPn Q Q Q Q~QQQPt1Times New Roman Symbol &Arial"hJG9 $:Brendon Hansen Loren Hansen Loren Hansen