; Edit 2.0 ; Template for E-mu Proteus - Preset Patch ; ; Edit is a file editor driven by a text-based screen and database ; definition. It currently handles "files" of only one record, which is ; just fine for single Sysex patches. The template file (this file, for ; example) defines the screen layout (fields, literals, messages) and the ; data buffer (positions of data within the file). ; In general, blank lines and lines starting with a semicolon are comment ; lines. Lines starting with a period are command lines, and the rest are ; data lines. WARNING: THE CURRENT VERSION OF EDIT DOES NOT HAVE FAILSAFE ; EDITING FEATURES... FOLLOW THE RULES CAREFULLY. ; Screen definition ; A template file has two basic sections: the screen definition section ; and the data definition section. The screen definition section defines ; the layout of fields and literals on the screen. Currently, Edit only ; handles a single screen and only 150 input-capable fields. This is ; enough for the synthesizers I am currently working with (the Proteus and ; the Kawai K4), but will be expanded as time goes on. The screen definition ; section is bracketed by the dot-commands .SCREEN and .ENDSCREEN; be sure to ; enter these commands or unpredicted results will occur. .SCREEN .VIDEO ;@MODE 0 ;Remove the comment on this line for monochrome monitors .ENDVIDEO ; The first section of a template file defines the literals that will ; display on the screen. These are normally prompts. Each literal has ; three parameters: ; ; Row......: The row where the literal will display ; (rows 1 and 24 are reserved for Edit) ; Column...: The column where the literal will display ; Literal..: The literal string enclosed in double quotes. ; There is no way to display a double quote at this ; time. ; ; The literal section is bracketed by the dot-commands .LITERALS and ; .ENDLITERALS; be sure to enter these commands or unpredicted results ; will occur. .LITERALS 3,1,"Preset Number:" 3,21,"Preset Name:" 3,51,"Preset Links:" 4,51,"Low Key:" 5,51,"High Key:" 7,1,"Primary" 8,1,"Secndry" 10,1,"Crossfade......" 11,1,"LFO 1.........." 12,1,"LFO 2.........." 13,1,"Auxiliary......" 14,1,"Key/Vol Source." 15,1,"Key/Vol Dest..." 16,1,"Key/Vol Amount." 17,1,"Realtime Source" 18,1,"Realtime Dest.." 20,1,"Footswitch Dest:" 20,39,"Controller Amount:" 21,1,"Pressure Amount:" 21,27,"Pitch Bend Range:" 21,58,"Velocity Curve:" 22,1,"Keyboard Center:" 22,33,"Mix Output:" 22,57,"Keyboard Tuning:" .ENDLITERALS ; The second section defines the input capable fields as they will appear ; on the screen. Each field is assigned a number, a location, field type ; and length, and message numbers. The field number is used by the data ; section and is the only link between the two sections. It must be unique ; for each field. The field number also determines the sequence that fields ; are cycled through via the cursor movement keys. The message numbers are ; used to display help text on line 24. One or two message numbers may be ; specified; these message numbers relate to the numbers specified in the ; message section below. The messages are concatenated and displayed on ; line 24. Optional minimum and maximum values can be placed after the ; second message number (enter "0" for the secon message number if only one ; message is used). The parameters for a field, then, are as follows: ; ; Field Number......: The reference number for this field ; Row...............: The row this field is displayed on ; Column............: The column this field is displayed on ; Type..............: A=Alpha, D=Decimal (numeric) ; Message Number 1..: First message number for help text ; Message Number 2..: Optional second message number ; Minimum Value.....: Optional minimum value ; Maximum Value.....: Optional maximum value ; ; After each field definition, you may include optional editing clauses. ; Edit commands are "at-sign-commands", which start with the "@" character. ; The currently supported clauses are @VALID and @RANGE, as follows: ; ; Valid values list: ; ------------------ ; @VALID row,col,0,{value:"text"} ; @VALID row,col,fieldnum ; ; The @VALID statement allows the user access (via F4) to a popup window of ; valid values. The current value is highlighted, and the user may use the ; cursor keys to position to the desired value (or use the highlighted letter). ; Note that the first upper-case letter is the select character. The first ; form specifies the values and corresponding text for each value (see field ; number 055 below for an example). The second form allows the user to point ; to another field's valid clause (thus eliminating alot of keying). Please ; make sure to put the "0" in the third parameter of the first form. The row ; and column parameters specify the upper left hand corner of the popup window. ; ONLY AVAILABLE FOR NUMERIC PARAMETERS. ; ; Range checking ; -------------- ; @RANGE low,high ; ; Specifies the high and low values available for this field. ONLY AVAILABLE ; FOR NUMERIC PARAMETERS. Note that high and low can also be set using the ; minimum and maximum values on the field definition. ; ; Note also that comments are allowed after the field parameters. This ; allows better readability. The field definitions are bracketed by the ; dot-commands .FIELDS and .ENDFIELDS; be sure to enter these commands ; or unpredicted results will occur. .FIELDS 001,03,16,D,03,01,00 ; Preset Number (Uses low,high from @RANGE) @RANGE 64,127 002,03,34,A,12,02,00 ; Preset Name 003,03,65,D,03,04,07,-1,191 ; Link 1 Preset (Uses minimum and maximum) 004,03,69,D,03,05,07,-1,191 ; Link 2 Preset 005,03,73,D,03,06,07,-1,191 ; Link 3 Preset 006,04,61,D,03,03,08 ; Link 0 High Key (Uses a validation list) @VALID 4,1,0,000:"C -2",001:"C#-2",002:"D -2",003:"D#-2",004:"E -2",005:"F -2"- 006:"F#-2",007:"G -2",008:"G#-2",009:"A -2",010:"A#-2",011:"B -2"- 012:"C -1",013:"C#-1",014:"D -1",015:"D#-1",016:"E -1",017:"F -1"- 018:"F#-1",019:"G -1",020:"G#-1",021:"A -1",022:"A#-1",023:"B -1"- 024:"C 0",025:"C# 0",026:"D 0",027:"D# 0",028:"E 0",029:"F 0"- 030:"F# 0",031:"G 0",032:"G# 0",033:"A 0",033:"A# 0",034:"B 0"- 036:"C 1",037:"C# 1",038:"D 1",039:"D# 1",039:"E 1",040:"F 1"- 042:"F# 1",043:"G 1",044:"G# 1",045:"A 1",045:"A# 1",046:"B 1"- 048:"C 2",049:"C# 2",050:"D 2",051:"D# 2",052:"E 2",053:"F 2"- 054:"F# 2",055:"G 2",056:"G# 2",057:"A 2",058:"A# 2",059:"B 2"- 060:"C 3",061:"C# 3",062:"D 3",063:"D# 3",064:"E 3",065:"F 3"- 066:"F# 3",067:"G 3",068:"G# 3",069:"A 3",070:"A# 3",071:"B 3"- 072:"C 4",073:"C# 4",074:"D 4",075:"D# 4",076:"E 4",077:"F 4"- 078:"F# 4",079:"G 4",080:"G# 4",081:"A 4",082:"A# 4",083:"B 4"- 084:"C 5",085:"C# 5",086:"D 5",087:"D# 5",088:"E 5",089:"F 5"- 090:"F# 5",091:"G 5",092:"G# 5",093:"A 5",094:"A# 5",095:"B 5"- 096:"C 6",097:"C# 6",098:"D 6",099:"D# 6",100:"E 6",101:"F 6"- 102:"F# 6",103:"G 6",104:"G# 6",105:"A 6",106:"A# 6",107:"B 6"- 108:"C 7",109:"C# 7",110:"D 7",111:"D# 7",112:"E 7",113:"F 7"- 114:"F# 7",115:"G 7",116:"G# 7",117:"A 7",118:"A# 7",119:"B 7"- 120:"C 8",121:"C# 8",122:"D 8",123:"D# 8",124:"E 8",125:"F 8"- 126:"F# 8",127:"G 8" 007,04,65,D,03,04,08,0,127 ; Link 1 High Key @VALID 4,1,6 008,04,69,D,03,05,08,0,127 ; Link 2 High Key @VALID 4,1,6 009,04,73,D,03,06,08,0,127 ; Link 3 High Key @VALID 4,1,6 010,05,61,D,03,03,09,0,127 ; Link 0 Low Key @VALID 5,1,6 011,05,65,D,03,04,09,0,127 ; Link 1 Low Key @VALID 5,1,6 012,05,69,D,03,05,09,0,127 ; Link 2 Low Key @VALID 5,1,6 013,05,73,D,03,06,09,0,127 ; Link 3 Low Key @VALID 5,1,6 014,07,09,D,03,28,10,0,125 ; Primary Instrument @VALID 0,0,0,000:"None ",001:"Piano ",002:"PianoPad ",003:"LoosePiano"- 004:"TightPiano",005:"Strings ",006:"LongString",007:"SlowString"- 008:"DarkString",009:"Voices ",010:"SlowVoices",011:"DarkChoir "- 012:"SynthFlute",013:"SoftFlute ",014:"AltoSax ",015:"TenorSax "- 016:"BariSax ",017:"DarkSax ",018:"SoftTrump ",019:"DrkSftTrmp"- 020:"HardTrump ",021:"DrkHrdTrmp",022:"HornFalls ",023:"Trombone1 "- 024:"Trombone2 ",025:"FrenchHorn",026:"Brass1 ",027:"Brass2 "- 028:"Brass3 ",029:"Tromb/Sax ",030:"GuitarMute",031:"ElecGuitar"- 032:"AcouGuitar",033:"RockBass ",034:"StoneBass ",035:"FlintBass "- 036:"FunkSlap ",037:"FunkPop ",038:"Harmonics ",039:"Rock/Harm "- 040:"Stone/Harm",041:"NoseBass ",042:"BassSynth1",043:"BassSynth2"- 044:"SynthPad ",045:"MedEnvPad ",046:"LongEnvPad",047:"DarkSynth "- 048:"PercOrgan ",049:"Marimba ",050:"Vibraphone",051:"BalncPerc "- 052:"UnbalPerc ",053:"StdPerc1 ",054:"StdPerc2 ",055:"StdPerc3 "- 056:"Kicks ",057:"Snares ",058:"Toms ",059:"Cymbals "- 060:"LatinDrums",061:"LatinPerc ",062:"AgogoBell ",063:"Woodblock "- 064:"Conga ",065:"Timbale ",066:"RideCymbal",067:"PercFX1 "- 068:"PercFX2 ",069:"Metal ",070:"Oct1(Sine)",071:"Oct2All "- 072:"Oct3All ",073:"Oct4All ",074:"Oct5All ",075:"Oct6All "- 076:"Oct7All ",077:"Oct2Odd ",078:"Oct3Odd ",079:"Oct4Odd "- 080:"Oct5Odd ",081:"Oct6Odd ",082:"Oct7Odd ",083:"Oct2Even "- 084:"Oct3Even ",085:"Oct4Even ",086:"Oct5Even ",087:"Oct6Even "- 088:"Oct7Even ",089:"LowOdds ",090:"LowEvens ",091:"FourOcts "- 092:"SynthCyc1 ",083:"SynthCyc2 ",094:"SynthCyc3 ",095:"SynthCyc4 "- 096:"FundGone1 ",097:"FundGone2 ",098:"BiteCycle ",099:"BuzzyCycle"- 100:"Metalphon1",101:"Metalphon2",102:"Metalphon3",103:"Metalphon4"- 104:"DuckCycle1",105:"DuckCycle2",106:"DuckCycle3",107:"WindCycle1"- 108:"WindCycle2",109:"WindCycle3",110:"WindCycle4",111:"OrganCyc1 "- 112:"OrganCyc2 ",113:"Noise ",114:"StrayVoic1",115:"StrayVoic2"- 116:"StrayVoic3",117:"StrayVoic4",118:"SynthStr1 ",119:"SynthStr2 "- 120:"Animals ",121:"Reed ",122:"Pluck1 ",123:"Pluck2 "- 124:"Mallet1 ",125:"Mallet2 " 015,07,13,D,03,28,11,0,127 ; Primary Sample Start 016,07,17,D,03,28,12,-36,36 ; Primary Coarse Tuning 017,07,21,D,03,28,13,-64,64 ; Primary Fine Tuning 018,07,25,D,03,28,14,0,127 ; Primary Volume 019,07,29,D,03,28,15,-7,7 ; Primary Pan 020,07,33,D,03,28,16,0,127 ; Primary Delay 021,07,37,D,03,28,17 ; Primary Low Key @VALID 7,1,6 022,07,41,D,03,28,18 ; Primary High Key @VALID 7,1,6 023,07,45,D,03,28,19,0,99 ; Primary Alternate Attack 024,07,49,D,03,28,20,0,99 ; Primary Alternate Hold 025,07,53,D,03,28,21,0,99 ; Primary Alternate Decay 026,07,57,D,03,28,22,0,99 ; Primary Alternate Sustain 027,07,61,D,03,28,23,0,99 ; Primary Alternate Release 028,07,65,D,03,28,24 ; Primary Alternate Envelope Enable @VALID 08,57,0,0:"Disable",1:"Enable" 029,07,69,D,03,28,25 ; Primary Solo Mode @VALID 08,59,0,0:"Normal",1:"Solo Mode" 030,07,73,D,03,28,26 ; Primary Chorus @VALID 08,63,0,0:"No Chorus",1:"Chorus" 031,07,77,D,03,28,27 ; Primary Reverse Sound @VALID 08,66,0,0:"No Reverse",1:"Reverse" 032,08,09,D,03,29,10,0,125 ; Secondary Instrument @VALID 0,0,14 033,08,13,D,03,29,11,0,127 ; Secondary Sample Start 034,08,17,D,03,29,12,-36,36 ; Secondary Coarse Tuning 035,08,21,D,03,29,13,-64,64 ; Secondary Fine Tuning 036,08,25,D,03,29,14,0,127 ; Secondary Volume 037,08,29,D,03,29,15,-7,7 ; Secondary Pan 038,08,33,D,03,29,16,0,127 ; Secondary Delay 039,08,37,D,03,29,17 ; Secondary Low Key @VALID 8,1,6 040,08,41,D,03,29,18 ; Secondary High Key @VALID 8,1,6 041,08,45,D,03,29,19,0,99 ; Secondary Alternate Attack 042,08,49,D,03,29,20,0,99 ; Secondary Alternate Hold 043,08,53,D,03,29,21,0,99 ; Secondary Alternate Decay 044,08,57,D,03,29,22,0,99 ; Secondary Alternate Sustain 045,08,61,D,03,29,23,0,99 ; Secondary Alternate Release 046,08,65,D,03,29,24 ; Secondary Alternate Envelope Enable @VALID 08,57,28 047,08,69,D,03,29,25 ; Secondary Solo Mode @VALID 08,59,29 048,08,73,D,03,29,26 ; Secondary Chorus @VALID 08,63,30 049,08,77,D,03,29,27 ; Secondary Reverse Sound @VALID 08,66,31 050,10,17,D,03,30,00 ; Crossfade Mode @VALID 09,20,0,0:"Off",1:"crossFade",2:"crossSwitch" 051,10,21,D,03,31,00 ; Crossfade Direction @VALID 09,24,0,0:"Primary to Secondary",1:"Secondary to Primary" 052,10,25,D,03,32,00,0,127 ; Crossfade Balance 053,10,29,D,03,33,00,0,255 ; Crossfade Amount 054,10,33,D,03,34,00,0,127 ; Crossfade Switch Point 055,11,17,D,03,40,35 ; LFO 1 Shape @VALID 08,20,0,0:"Random",1:"Triangle",2:"Sine",3:"saWtooth",4:"sQuare" 056,11,21,D,03,40,36,0,127 ; LFO 1 Frequency 057,11,25,D,03,40,37,0,127 ; LFO 1 Delay 058,11,29,D,03,40,38,0,127 ; LFO 1 Variation 059,11,33,D,03,40,39,-128,127 ; LFO 1 Amount 060,12,17,D,03,41,35 ; LFO 2 Shape @VALID 09,20,055 061,12,21,D,03,41,36,0,127 ; LFO 2 Frequency 062,12,25,D,03,41,37,0,127 ; LFO 2 Delay 063,12,29,D,03,41,38,0,127 ; LFO 2 Variation 064,12,33,D,03,41,39,-128,127 ; LFO 2 Amount 065,13,17,D,03,43,16,0,127 ; Auxiliary Delay 066,13,21,D,03,43,19,0,99 ; Auxiliary Attack 067,13,25,D,03,43,20,0,99 ; Auxiliary Hold 068,13,29,D,03,43,21,0,99 ; Auxiliary Decay 069,13,33,D,03,43,22,0,99 ; Auxiliary Sustain 070,13,37,D,03,43,23,0,99 ; Auxiliary Release 071,13,41,D,03,43,42,-128,127 ; Auxiliary Amount 072,14,17,D,03,44,50 ; Key/Velocity Patch 1 Source @VALID 11,20,0,0:"Key",1:"Velocity" 073,14,21,D,03,45,50 ; Key/Velocity Patch 2 Source @VALID 11,24,072 074,14,25,D,03,46,50 ; Key/Velocity Patch 3 Source @VALID 11,28,072 075,14,29,D,03,47,50 ; Key/Velocity Patch 4 Source @VALID 11,32,072 076,14,33,D,03,48,50 ; Key/Velocity Patch 5 Source @VALID 11,36,072 077,14,37,D,03,49,50 ; Key/Velocity Patch 6 Source @VALID 11,40,072 078,15,17,D,03,44,51 ; Key/Velocity Patch 1 Destination @VALID 2,5,0,00:"None"- 01:"Pitch ",02:"Pri Pitch ",03:"Sec Pitch "- 04:"Volume ",05:"Pri Volume ",06:"Sec Volume "- 07:"Attack ",08:"Pri Attack ",09:"Sec Attack "- 10:"Decay ",11:"Pri Decay ",12:"Sec Decay "- 13:"Release ",14:"Pri Release ",15:"Sec Release "- 16:"Crossfade"- 17:"LFO 1 Amount ",18:"LFO 1 Rate ",19:"LFO 2 Amount "- 20:"LFO 2 Rate ",21:"AuxEnv Amount ",22:"AuxEnv Attack "- 23:"AuxEnv Decay ",24:"AuxEnv Release",25:"AuxEnv Attack "- 26:"SampleStr ",27:"Pri Sample Str",28:"Sec Sample Str"- 29:"Pan ",30:"Pri Pan ",31:"Sec Pan "- 32:"Tone ",33:"Pri Tone ",34:"Sec Tone " 079,15,21,D,03,45,51 ; Key/Velocity Patch 2 Destination @VALID 2,5,78 080,15,25,D,03,46,51 ; Key/Velocity Patch 3 Destination @VALID 2,5,78 081,15,29,D,03,47,51 ; Key/Velocity Patch 4 Destination @VALID 2,5,78 082,15,33,D,03,48,51 ; Key/Velocity Patch 5 Destination @VALID 2,5,78 083,15,37,D,03,49,51 ; Key/Velocity Patch 6 Destination @VALID 2,5,78 084,16,17,D,03,44,52,-128,127 ; Key/Velocity Patch 1 Amount 085,16,21,D,03,45,52,-128,127 ; Key/Velocity Patch 2 Amount 086,16,25,D,03,46,52,-128,127 ; Key/Velocity Patch 3 Amount 087,16,29,D,03,47,52,-128,127 ; Key/Velocity Patch 4 Amount 088,16,33,D,03,48,52,-128,127 ; Key/Velocity Patch 5 Amount 089,16,37,D,03,49,52,-128,127 ; Key/Velocity Patch 6 Amount 090,17,17,D,03,53,61 ; Realtime Patch 1 Source @VALID 08,20,0,0:"pitch Wheel",1:"control A",2:"control B",3:"control C"- 4:"control D",5:"Mono Pressure",6:"Poly Pressure"- 7:"lfo 1",8:"lfo 2",9:"auX Envelope" 091,17,21,D,03,54,61 ; Realtime Patch 2 Source @VALID 08,24,090 092,17,25,D,03,55,61 ; Realtime Patch 3 Source @VALID 08,28,090 093,17,29,D,03,56,61 ; Realtime Patch 4 Source @VALID 08,32,090 094,17,33,D,03,57,61 ; Realtime Patch 5 Source @VALID 08,36,090 095,17,37,D,03,58,61 ; Realtime Patch 6 Source @VALID 08,40,090 096,17,41,D,03,59,61 ; Realtime Patch 7 Source @VALID 08,44,090 097,17,45,D,03,60,61 ; Realtime Patch 8 Source @VALID 08,48,090 098,18,17,D,03,53,62 ; Realtime Patch 1 Destination @VALID 7,5,0,00:"None"- 01:"Pitch ",02:"Pri Pitch ",03:"Sec Pitch "- 04:"Volume ",05:"Pri Volume ",06:"Sec Volume "- 07:"Attack ",08:"Pri Attack ",09:"Sec Attack "- 10:"Decay ",11:"Pri Decay ",12:"Sec Decay "- 13:"Release ",14:"Pri Release ",15:"Sec Release "- 16:"Crossfade"- 17:"LFO 1 Amount ",18:"LFO 1 Rate ",19:"LFO 2 Amount "- 20:"LFO 2 Rate ",21:"AuxEnv Amount ",22:"AuxEnv Attack "- 23:"AuxEnv Decay ",24:"AuxEnv Release",25:"AuxEnv Attack " 099,18,21,D,03,54,62 ; Realtime Patch 2 Destination @VALID 7,5,98 100,18,25,D,03,55,62 ; Realtime Patch 3 Destination @VALID 7,5,98 101,18,29,D,03,56,62 ; Realtime Patch 4 Destination @VALID 7,5,98 102,18,33,D,03,57,62 ; Realtime Patch 5 Destination @VALID 7,5,98 103,18,37,D,03,58,62 ; Realtime Patch 6 Destination @VALID 7,5,98 104,18,41,D,03,59,62 ; Realtime Patch 7 Destination @VALID 7,5,98 105,18,45,D,03,60,62 ; Realtime Patch 8 Destination @VALID 7,5,98 106,20,19,D,03,63,66 ; Footswitch 1 Destination @VALID 12,5,0,0:"Sustain ",1:"Primary Sustain ",2:"Secondary Sustain "- 3:"Alt Volume Envelope",4:"Pri Alt Volume Env ",5:"Sec Alt Volume Env "- 6:"Alt Volume Release ",7:"Pri Alt Volume Rel ",8:"Sec Alt Volume Rel "- 9:"Pri/Sec CrossSwitch" 107,20,23,D,03,64,66 ; Footswitch 2 Destination @VALID 12,5,106 108,20,27,D,03,65,66 ; Footswitch 3 Destination @VALID 12,5,106 109,20,58,D,04,67,71,-128,127 ; Controller A Amount 110,20,63,D,04,68,71,-128,127 ; Controller B Amount 111,20,68,D,04,69,71,-128,127 ; Controller C Amount 112,20,73,D,04,70,71,-128,127 ; Controller D Amount 113,21,18,D,04,72,00,-128,127 ; Pressure Amount 114,21,45,D,03,73,00,0,13 ; Pitch Bend Range 115,21,74,D,03,74,00,0,5 ; Velocity Curve 116,22,19,D,03,75,00 ; Keyboard Center @VALID 7,1,6 117,22,45,D,03,76,00 ; Mix Output @VALID 15,48,0,0:"Main",1:"Submix 1",2:"Submix 2" 118,22,74,D,03,77,00 ; Keyboard Tuning @VALID 12,52,0,0:"Equal",1:"Just C",2:"Valotti",3:"19-Tone",4:"Gamelan",5:"User" .ENDFIELDS ; The message section simply defines the messages that are used to display ; help text for each field on line 24. Note that two messages can be ; concatenated. For instance, field 3 specifies messages 4 and 7, which ; have the literals "Link 0 - " and "Preset Number (0 to 191)". This causes ; the message "Link 0 - Preset Number (0 to 191)" to be displayed for field ; number 3. This can significantly reduce the unmber of messages required. ; The layout of the message section is: ; ; Message number....: Message number ; Message text......: Message text, enclosed in double quotes ; ; The message section is bracketed by the dot-commands .MESSAGES and ; .ENDMESSAGES; be sure these commands are entered or unpredicted results ; will occur. .MESSAGES 01,"Preset Number (64-127)" 02,"Preset Name (12 characters)" 03,"Link 0 - " 04,"Link 1 - " 05,"Link 2 - " 06,"Link 3 - " 07,"Preset Number (-1 to 191) [see PROTEUS.DOC for detail]" 08,"Low Key (0 [C-2] to 127 [G8])" 09,"High Key (0 [C-2] to 127 [G8])" 10,"Instrument (0 to 125)" 11,"Sample Start (0 to 127)" 12,"Coarse Tuning (-36 to 36 [+1 is a half-step sharp])" 13,"Fine Tuning (-64 to 64 [+64 is a half-step sharp])" 14,"Volume (0 to 127)" 15,"Pan (-7 [hard left] to 7 [hard right])" 16,"Delay (0 to 127)" 17,"Low Key (0 [C-2] to 127 [G8])" 18,"High Key (0 [C-2] to 127 [G8])" 19,"Alternate Attack (0 to 99)" 20,"Alternate Hold (0 to 99)" 21,"Alternate Decay (0 to 99)" 22,"Alternate Sustain (0 to 99)" 23,"Alternate Release (0 to 99)" 24,"Alternate Envelope Enable [0=Disable, 1=Enable]" 25,"Solo Mode [0=Normal, 1=Solo Mode]" 26,"Chorus [0=No Chorus, 1=Chorus]" 27,"Reverse Sound [0=Normal, 1=Reverse Sound]" 28,"Primary - " 29,"Secondary - " 30,"Crossfade Mode [0=Off, 1=Xfade, 2=Xswitch]" 31,"Crossfade Direction [0=Pri->Sec, 1=Sec->Pri]" 32,"Crossfade Balance (0 to 127)" 33,"Crossfade Amount (0 to 255)" 34,"Crossfade Switch Point (0 to 127)" 35,"Shape [0=Random, 1=Tri, 2=Sine, 3=Saw, 4=Square]" 36,"Frequency (0 to 127)" 37,"Delay (0 to 127)" 38,"Variation (0 to 127)" 39,"Amount (-128 to 127)" 40,"LFO 1 - " 41,"LFO 2 - " 42,"Amount (-128 to 127)" 43,"Auxiliary Envelope - " 44,"Key/Velocity Patch 1 " 45,"Key/Velocity Patch 2 " 46,"Key/Velocity Patch 3 " 47,"Key/Velocity Patch 4 " 48,"Key/Velocity Patch 5 " 49,"Key/Velocity Patch 6 " 50,"Source [0=Key, 1=Volume]" 51,"Destination (0 to 34)" 52,"Amount (-128 to 127)" 53,"Realtime Patch 1 " 54,"Realtime Patch 2 " 55,"Realtime Patch 3 " 56,"Realtime Patch 4 " 57,"Realtime Patch 5 " 58,"Realtime Patch 6 " 59,"Realtime Patch 7 " 60,"Realtime Patch 8 " 61,"Source (0 to 9)" 62,"Destination (0 to 25)" 63,"Footswitch 1 " 64,"Footswitch 2 " 65,"Footswitch 3 " 66,"Destination (0-10)" 67,"Controller A " 68,"Controller B " 69,"Controller C " 70,"Controller D " 71,"Amount (-128 to 127)" 72,"Pressure Amount (-128 to 127)" 73,"Pitch Bend Range (0 to 12 semitones, 13=Global)" 74,"Velocity Curve (0=Off, 1 to 4, 5=Global)" 75,"Keyboard Center" 76,"Mix Output" 77,"Keyboard Tuning" .ENDMESSAGES .ENDSCREEN ; Data Definition ; The second section of the template file is the data definition section. ; Currently, Edit only process a single-record file, so this section is ; not very complex. There is a file definition section, which defines the ; characteristics of the file, and a record definition section, which ; defines the layout of the data record. The data definition section is ; bracketed by the dot-commands .DATA and .ENDDATA; be sure that these ; commands are entered or unpredicted results will occur. .DATA ; The file definition section currently allows only one line with two ; parameters: ; ; Record length.......: The length of the data record ; (Note that in version 1.0 of Edit, this ; is also the file length, since there is ; only one record in a file) ; Default extension...: This is the default extension that ; appears in the Open Patch prompt. ; ; The file definition section is bracketed by the dot-commands .FILE and ; .ENDFILE; be sure these commands are entered or unpredicted results will ; occur. .FILE 265,SYX .ENDFILE ; The record definition section defines the layout of the buffer. In ; general, each line defines an offset into the buffer and the value to ; place at that offset. The value can be a constant, a field from the ; screen, or a checksum. The layout is as follows: ; ; Offset..........: The offset into the buffer. Should be from zero ; to the record length minus one. ; Type of value...: A1 = One-byte alpha ; A2 = Two-byte alpha ; HX = Hex value, stored MSB to LSB ; HR = Reverse hex value, stored LSB to MSB ; CO = One-byte constant ; CS = Checksum ; Field length....: The length of the field in the buffer. ; Parameter 1.....: For A1, A2, HX, HR = field number ; For CO = constant ; For checksum = checksum type ; Parameter 2.....: For HX, HR = operator: 1=+|2=-|3=*|4=/|5=<<|6=>>. ; For checksum = "From" offset. ; Parameter 3.....: For HX, HR = operand. ; For checksum = "To" offset. ; Parameter 4.....: For checksum = modifier. ; ; One byte alpha values are stored in the buffer one byte per character, ; starting at the buffer offset specified. Two-byte alpha values are stored ; in the buffer two bytes per character, the first byte being the character ; and the second being zero, starting at the buffer offset specified. One- ; byte constants are stored at the buffer offset, as are one-byte hex values. ; The operator and operand that can be used on HX and HR fields allows an ; almost unlimited capability for converting buffer values to and from display ; values. ; ; For a better example of the use of operators and operands, please refer ; to MT32PAT.TEM and MT32TIM.TEM. ; ; Checksum is a special type of field. Currently, there is only one type of ; checksum calculation offered, although others will be defined as they are ; needed. Type 01 sums all the values in the buffer between the "from" and ; "to" offsets, adds the modifier value, and then places the low-order seven ; bits (the total modulo 128) into the buffer at the offset specified. ; ; The record definition section is bracketed by the dot-commands .RECORD and ; .ENDRECORD; be sure these commands are entered or unpredicted results will ; occur. .RECORD @LENGTH 265 000,CO,01,240 ; $F0 001,CO,01,024 ; $18 002,CO,01,004 ; $04 003,CO,01,000 ; $00 (device ID forced to 1 for now) 004,CO,01,001 ; $01 005,HR,02,001 ; Preset Number 007,A2,10,002 ; Preset Name (special Proteus alpha storage) 031,HR,02,003 ; Link 1 Preset 033,HR,02,004 ; Link 2 Preset 035,HR,02,005 ; Link 3 Preset 037,HR,02,006 ; Link 0 High Key 039,HR,02,007 ; Link 1 High Key 041,HR,02,008 ; Link 2 High Key 043,HR,02,009 ; Link 3 High Key 045,HR,02,010 ; Link 0 Low Key 047,HR,02,011 ; Link 1 Low Key 049,HR,02,012 ; Link 2 Low Key 051,HR,02,013 ; Link 3 Low Key 053,HR,02,014 ; Primary Instrument 055,HR,02,015 ; Primary Sample Start 057,HR,02,016 ; Primary Coarse Tuning 059,HR,02,017 ; Primary Fine Tuning 061,HR,02,018 ; Primary Volume 063,HR,02,019 ; Primary Pan 065,HR,02,020 ; Primary Delay 067,HR,02,021 ; Primary Low Key 069,HR,02,022 ; Primary High Key 071,HR,02,023 ; Primary Alternate Attack 073,HR,02,024 ; Primary Alternate Hold 075,HR,02,025 ; Primary Alternate Decay 077,HR,02,026 ; Primary Alternate Sustain 079,HR,02,027 ; Primary Alternate Release 081,HR,02,028 ; Primary Alternate Envelope Enable 083,HR,02,029 ; Primary Solo Mode 085,HR,02,030 ; Primary Chorus 087,HR,02,031 ; Primary Reverse Sound 089,HR,02,032 ; Secondary Instrument 091,HR,02,033 ; Secondary Sample Start 093,HR,02,034 ; Secondary Coarse Tuning 095,HR,02,035 ; Secondary Fine Tuning 097,HR,02,036 ; Secondary Volume 099,HR,02,037 ; Secondary Pan 101,HR,02,038 ; Secondary Delay 103,HR,02,039 ; Secondary Low Key 105,HR,02,040 ; Secondary High Key 107,HR,02,041 ; Secondary Alternate Attack 109,HR,02,042 ; Secondary Alternate Hold 111,HR,02,043 ; Secondary Alternate Decay 113,HR,02,044 ; Secondary Alternate Sustain 115,HR,02,045 ; Secondary Alternate Release 117,HR,02,046 ; Secondary Alternate Envelope Enable 119,HR,02,047 ; Secondary Solo Mode 121,HR,02,048 ; Secondary Chorus 123,HR,02,049 ; Secondary Reverse Sound 125,HR,02,050 ; Crossfade Mode 127,HR,02,051 ; Crossfade Direction 129,HR,02,052 ; Crossfade Balance 131,HR,02,053 ; Crossfade Amount 133,HR,02,054 ; Crossfade Switch Point 135,HR,02,055 ; LFO 1 Shape 137,HR,02,056 ; LFO 1 Frequency 139,HR,02,057 ; LFO 1 Delay 141,HR,02,058 ; LFO 1 Variation 143,HR,02,059 ; LFO 1 Amount 145,HR,02,060 ; LFO 2 Shape 147,HR,02,061 ; LFO 2 Frequency 149,HR,02,062 ; LFO 2 Delay 151,HR,02,063 ; LFO 2 Variation 153,HR,02,064 ; LFO 2 Amount 155,HR,02,065 ; Auxiliary Delay 157,HR,02,066 ; Auxiliary Attack 159,HR,02,067 ; Auxiliary Hold 161,HR,02,068 ; Auxiliary Decay 163,HR,02,069 ; Auxiliary Sustain 165,HR,02,070 ; Auxiliary Release 167,HR,02,071 ; Auxiliary Amount 169,HR,02,072 ; Key/Velocity Patch 1 Source 171,HR,02,073 ; Key/Velocity Patch 2 Source 173,HR,02,074 ; Key/Velocity Patch 3 Source 175,HR,02,075 ; Key/Velocity Patch 4 Source 177,HR,02,076 ; Key/Velocity Patch 5 Source 179,HR,02,077 ; Key/Velocity Patch 6 Source 181,HR,02,078 ; Key/Velocity Patch 1 Destination 183,HR,02,079 ; Key/Velocity Patch 2 Destination 185,HR,02,080 ; Key/Velocity Patch 3 Destination 187,HR,02,081 ; Key/Velocity Patch 4 Destination 189,HR,02,082 ; Key/Velocity Patch 5 Destination 191,HR,02,083 ; Key/Velocity Patch 6 Destination 193,HR,02,084 ; Key/Velocity Patch 1 Amount 195,HR,02,085 ; Key/Velocity Patch 2 Amount 197,HR,02,086 ; Key/Velocity Patch 3 Amount 199,HR,02,087 ; Key/Velocity Patch 4 Amount 201,HR,02,088 ; Key/Velocity Patch 5 Amount 203,HR,02,089 ; Key/Velocity Patch 6 Amount 205,HR,02,090 ; Realtime Patch 1 Source 207,HR,02,091 ; Realtime Patch 2 Source 209,HR,02,092 ; Realtime Patch 3 Source 211,HR,02,093 ; Realtime Patch 4 Source 213,HR,02,094 ; Realtime Patch 5 Source 215,HR,02,095 ; Realtime Patch 6 Source 217,HR,02,096 ; Realtime Patch 7 Source 219,HR,02,097 ; Realtime Patch 8 Source 221,HR,02,098 ; Realtime Patch 1 Destination 223,HR,02,099 ; Realtime Patch 2 Destination 225,HR,02,100 ; Realtime Patch 3 Destination 227,HR,02,101 ; Realtime Patch 4 Destination 229,HR,02,102 ; Realtime Patch 5 Destination 231,HR,02,103 ; Realtime Patch 6 Destination 233,HR,02,104 ; Realtime Patch 7 Destination 235,HR,02,105 ; Realtime Patch 8 Destination 237,HR,02,106 ; Footswitch 1 Destination 239,HR,02,107 ; Footswitch 2 Destination 241,HR,02,108 ; Footswitch 3 Destination 243,HR,02,109 ; Controller A Amount 245,HR,02,110 ; Controller B Amount 247,HR,02,111 ; Controller C Amount 249,HR,02,112 ; Controller D Amount 251,HR,02,113 ; Pressure Amount 253,HR,02,114 ; Pitch Bend Range 255,HR,02,115 ; Velocity Curve 257,HR,02,116 ; Keyboard Center 259,HR,02,117 ; Submix 261,HR,02,118 ; Keyboard Tuning 263,CS,01,01,006,262,000 ; Checksum: Type from 6 to 263, no offset 264,CO,01,247 ; $F7 .ENDRECORD .ENDDATA ; MIDI Definition ; The next section is the MIDI interface section. Currently, the only ; subsection is the DUMPREQ subsection, which defines the format of the ; dump request. ; ; Dump requests look much like buffer fields, except that some (the HR type ; fields) have a minimum, maximum, prompt, and optional operator and operand. ; ; For a better example of the use of operators and operands, please refer ; to MT32PAT.TEM and MT32TIM.TEM. .MIDI .DUMPREQ @LENGTH 8 0,CO,01,240 1,CO,01,24 2,CO,01,4 3,HR,01,0,15,"Device ID (0-15)" 4,CO,01,0 5,HR,02,0,191,"Patch Number" 7,CO,01,247 .ENDDUMPREQ .ENDMIDI