*I
  Patch Name; Osc 1 WaveformY
 Osc 1 Octaveç Osc 1 Levelh Osc 2 Waveform9 Osc 2 Octaveg Osc 2 LevelH	 Osc 2 Interval
 Osc 2 Detune& VCF EG Intensity VCF EG Attackα
 VCF EG Decays VCF EG Break Point√  VCF EG Slope∞# VCF EG Sustain█& VCF EG Releaseô) VCF Cutoff, VCF Resonance. VCA EG Attacka1 VCA EG DecayΩ3 VCA EG Break Pointq6 VCA EG Slope39 VCA EG Sustain< VCA EG Release┼> MG Frequency~A MG DelayδB MG OscπD MG VCFTF Polarity╗G Keyboard TrackingöJ  Pitch BendyM! VCF Bend.O" Noise LevelxQ# Portamento{S$ Chorus─T% Assign Mode▒V& Dummy1╓X' Dummy2■X( Receiving Patches1Y) Uploading Patches'[* Save Patches₧]+ Load PatchesY`, Moving Patchesb- Display Patch"d. Print Patch	g/ Print Blank Chartsπh0 DW6000 InformationΦj1 Quit DW6000pr1 Quit DW6000    
>>>
DW6000.HLP
<<<
DW6000 Editor / Librarian (c) Copyright 1991, 1992, All Rights Reserved.
Author:      Tracy Barber
Date:        08/18/90, 01/04/92
Description: This file contains all the help text used in the DW6000
             Editor / Librarian.

*B 1
 Dummy!
*E

*B 2, Patch Name

                          Patch Name
                          ──────────

 This field allows you to enter a name for the current patch.
 Korg does not allow names to be stored in the DW6000.  The
 name is stored in saved patch files for your reference only.
 Every time that you download from the DW6000, all patch
 names in your RAM memory will be defaulted to "Patch nn" due
 to this fact.  nn is the patch location 11 - 88.






                                                     ESC=Exit
*E

*B 3, Osc 1 Waveform

                     Oscillator 1 Waveform
                     ─────────────────────

 This parameter lets you set the timbre (tone color) of
 Oscillator 1.

                     1 - Brass & Strings
                     2 - Violin
                     3 - Acoustic Piano
                     4 - Electric Piano
                     5 - Synth-Bass
                     6 - Saxophone
                     7 - Clavi
                     8 - Bell & Gong

                                                     ESC=Exit
*E

*B 4, Osc 1 Octave

                      Oscillator 1 Octave
                      ───────────────────

 This parameter lets you select the basic pitch range of
 Oscillator 1.  The higher the value, the lower the pitch.
 You have 3 choices which correspond to 16', (16 foot),
 8', 4'.

                           1 - 16'
                           2 -  8'
                           3 -  4'




                                                     ESC=Exit
*E

*B 5, Osc 1 Level

                      Oscillator 1 Level
                      ──────────────────

 This parameter lets you set the output level (volume) of
 Oscillator 1.  This is useful for adjusting overall volume
 to match other patches and for balancing Oscillator 1 with
 Oscillator 2 and / or Noise as desired.

             No Sound  0 ───> 31 Maximum Volume






                                                     ESC=Exit
*E

*B 6, Osc 2 Waveform

                     Oscillator 2 Waveform
                     ─────────────────────

 This parameter lets you set the timbre (tone color) of
 Oscillator 2.

                     1 - Brass & Strings
                     2 - Violin
                     3 - Acoustic Piano
                     4 - Electric Piano
                     5 - Synth-Bass
                     6 - Saxophone
                     7 - Clavi
                     8 - Bell & Gong

                                                     ESC=Exit
*E

*B 7, Osc 2 Octave

                      Oscillator 2 Octave
                      ───────────────────

 This parameter lets you select the basic pitch range of
 Oscillator 2.  The higher the value, the lower the pitch.
 You have 3 choices which correspond to 16', (16 foot),
 8', 4'.

                           1 - 16'
                           2 -  8'
                           3 -  4'




                                                     ESC=Exit
*E

*B 8, Osc 2 Level

                      Oscillator 2 Level
                      ──────────────────

 This parameter lets you set the output level (volume) of
 Oscillator 2.  This is useful for adjusting overall volume
 to match other patches and for balancing Oscillator 1 with
 Oscillator 2 and / or Noise as desired.

              No Sound 0 ───> 31 Maximum Volume






                                                     ESC=Exit
*E

*B 9, Osc 2 Interval

                     Oscillator 2 Interval
                     ─────────────────────

 This parameter lets you transpose or offset the pitch of
 Oscillator 2 so that it is a constant interval above
 Oscillator 1.  Choices are:

                       1 - Unison
                       2 - Minor 3rd
                       3 - Major 3rd
                       4 - Perfect 4th
                       5 - Perfect 5th



                                                     ESC=Exit
*E

*B 10, Osc 2 Detune

                      Oscillator 2 Detune
                      ───────────────────

 This parameter lets you make fine pitch adjustments of
 Oscillator 2 relative to Oscillator 1.  The higher the
 value, the greater the pitch difference between the 2
 oscillators.  Detuning can help achieve a fatter, more
 animated sound.

        No Detuning 0 ───> 6 Maximum (about 25 cents)





                                                     ESC=Exit
*E

*B 11, VCF EG Intensity

                       VCF EG Intensity
                       ────────────────

 The "EG Intensity" parameter determines how much the VCF
 (Filter) Envelope Generator (EG) will affect the cutoff
 frequency.  The higher the value, the more obvious the
 change in the tone color (timbre).

      No effect 0 ───> 31 Maximum change in tone color






                                                     ESC=Exit
*E

*B 12, VCF EG Attack

                         VCF EG Attack
                         ─────────────

 This parameter controls how long it takes the cutoff
 frequency to rise from 0 to its maximum level after a note
 is played on the keyboard.


                            Envelope         
                                             V
                          /\    _______      o
              Attack   ─@/  \  /       \     l
                        /    \/         \    u
                       /________________ \   m
                           Time ───@         e
                                                     ESC=Exit
*E

*B 13, VCF EG Decay

                         VCF EG Decay
                         ────────────

 This parameter determines how long it takes for cutoff
 frequency to fall from its maximum attack level to the
 break point level.


                            Envelope         
                                             V
                          /\    _______      o
               Decay     /─@\  /       \     l
                        /    \/         \    u
                       /________________ \   m
                           Time ───@         e
                                                ESC=Exit
*E

*B 14, VCF EG Break Point

                      VCF EG Break Point
                      ──────────────────

 This parameter determines the level at which the cutoff
 frequency stops dropping during the decay.  If this is set
 to the same value as the sustain level, the envelope is a
 conventional ADSR (attack / decay / sustain / release).

                            Envelope         
                                             V
                          /\    _______      o
                         /  \  /       \     l
               Break    /    \/         \    u
               Point   /____─@__________ \   m
                           Time ───@         e
                                                     ESC=Exit
*E

*B 15, VCF EG Slope

                         VCF EG Slope
                         ────────────

 This parameter determines how long it takes the cutoff
 frequency to change from the break point level to the
 sustain level. If the break point is lower than the sustain
 level, the slope functions as a second attack.  If the break
 point is higher than sustain, the slope is a second decay.

                          Envelope         
                                           V
                        /\    _______      o
                Slope  /  \─@/       \     l
                      /    \/         \    u
                     /________________ \   m
                         Time ───@         e         ESC=Exit
*E

*B 16, VCF EG Sustain

                        VCF EG Sustain
                        ──────────────

 This parameter determines the level at which the cutoff
 frequency is held after the attack, decay, and slope phases
 are completed, as long as the note is held down on the
 keyboard.

                           Envelope         
                 Sustain                    V
                         /\    ______      o
                        /  \  /       \     l
                       /    \/         \    u
                      /________________ \   m
                          Time ───@         e
                                                     ESC=Exit
*E

*B 17, VCF EG Release

                        VCF EG Release
                        ──────────────

 This parameter determines how long it takes for the sound to
 fade away after you release the note on the keyboard.


                            Envelope         
                                             V
                          /\    _______      o
                         /  \  /       \     l
              Release   /    \/      ─@ \    u
                       /________________ \   m
                           Time ───@         e

                                                     ESC=Exit
*E

*B 18, VCF Cutoff

                          VCF Cutoff
                          ──────────

 This parameter determines the cutoff frequency of the low-
 pass filter.  The higher that the cutoff frequency is, the
 less effect the filters have on the basic wave forms (since
 most frequencies are passed).  At the highest value, 63, all
 harmonics are passed.  The lower the value, the more the
 harmonics are cutoff, so the sound becomes progressively
 rounder or less bright.

      Dull or rounded 0 ──> 63 Bright, unchanged timbre



                                                     ESC=Exit
*E

*B 19, VCF Resonance

                         VCF Resonance
                         ─────────────

 This parameter emphasizes the harmonics near the cutoff
 frequency, producing a characteristic peaky or bandpass
 type of sound.  The higher the value, the higher the
 resonance peak and the more obvious the effect.  At or
 near the maximum value, 31, the VCFs go into self-oscill-
 ation producing a pure sine wave, which can be used as an
 additional sound source for special effects.  The pitch of
 the VCF tone is affected by the Cut Off, Keyboard Tracking,
 EG Int, and MG VCF parameters.

        No Effect 0 ──> Self-oscillation (very peaky)

                                                     ESC=Exit
*E

*B 20, VCA EG Attack

                         VCA EG Attack
                         ─────────────

 This parameter controls how long it takes the volume to rise
 from 0 to its maximum level after a note is played on the
 keyboard.


                            Envelope         
                                             V
                          /\    _______      o
              Attack   ─@/  \  /       \     l
                        /    \/         \    u
                       /________________ \   m
                           Time ───@         e
                                                     ESC=Exit
*E

*B 21, VCA EG Decay

                         VCA EG Decay
                         ────────────

 This parameter determines how long it takes for the volume
 to fall from its maximum attack level to the break point
 level.


                            Envelope         
                                             V
                          /\    _______      o
               Decay     /─@\  /       \     l
                        /    \/         \    u
                       /________________ \   m
                           Time ───@         e
                                                     ESC=Exit
*E

*B 22, VCA EG Break Point



                      VCA EG Break Point
                      ──────────────────

 This parameter determines the level at which the volume
 stops dropping during the decay.  If this is set to the same
 value as sustain level, the envelope is a conventional ADSR.

                            Envelope         
                                             V
                          /\    _______      o
                         /  \  /       \     l
               Break    /    \/         \    u
               Point   /____─@__________ \   m
                           Time ───@         e

                                                     ESC=Exit
*E

*B 23, VCA EG Slope

                         VCA EG Slope
                         ────────────

 This parameter determines how long it takes the volume to
 change from the break point level to the sustain level.  If
 the break point is lower than the sustain level, the slope
 functions as a second attack.  If the break point is higher
 than sustain, the slope is a second decay.

                          Envelope         
                                           V
                        /\    _______      o
                Slope  /  \─@/       \     l
                      /    \/         \    u
                     /________________ \   m
                         Time ───@         e         ESC=Exit
*E

*B 24, VCA EG Sustain

                        VCA EG Sustain
                        ──────────────

 This parameter determines the level at which the volume is
 held after the attack, decay, and slope phases are
 completed, as long as a note is held down on the keyboard.

                           Envelope         
                  Sustain                   V
                         /\    ______      o
                        /  \  /       \     l
                       /    \/         \    u
                      /________________ \   m
                          Time ───@         e

                                                     ESC=Exit
*E

*B 25, VCA EG Release

                        VCA EG Release
                        ──────────────

 This parameter determines how long it takes for the sound
 to fade away after you release the note on the keyboard.


                             Envelope         
                                              V
                           /\    _______      o
                          /  \  /       \     l
              Release    /    \/       ─@\    u
                        /________________ \   m
                            Time ───@         e
                                                       
                                                     ESC=Exit
*E

*B 26, MG Frequency

                  Modulation Frequency Speed
                  ──────────────────────────

 This parameter determines the speed of the cyclic pitch or
 tonal variation. The higher the value, the faster the speed.

                     Slow 0 ──> 31 Fast








                                                     ESC=Exit
*E

*B 27, MG Delay

                       Modulation Delay
                       ────────────────

 This parameter determines the amount of delay following key
 depression prior to the onset of vibrato or other modulation
 effects.  At 0, there is no delay, and modulation begins
 immediately when the first note is played.  The higher the
 value, the longer the delay.

                No delay 0 ──> 31 Long delay





                                                     ESC=Exit
*E

*B 28, MG Osc

                     Oscillator Modulation
                     ─────────────────────

 This parameter controls the amount of pitch variation in
 the vibrato effect (that is, the depth of frequency
 modulation).

             No effect 0 ──> 31 Deep modulation







                                                     ESC=Exit
*E

*B 29, MG VCF

                    VCF (Filter) Modulation
                    ───────────────────────

 This parameter controls the cyclic wah-wah effects (that is,
 the depth of VCF cutoff frequency modulation).

             No effect 0 ──> 31 Deep modulation








                                                     ESC=Exit
*E

*B 30, Polarity

                           Polarity
                           ────────

 This parameter determines how the VCF cutoff frequency is
 affected by the VCF EG (Envelope Generator).  With normal
 Polarity, value = 1, the cutoff frequency rises during the
 EG's attack and falls during decay (as with most musical
 instruments); use "inverted" polarity, value = 2, for
 special sounds where you want the opposite effect.

                                             ___
              /|                             \  |
             / |    1 - Normal envelope       \ |
           /___|    2 - Inverted envelope      \|

                                                     ESC=Exit
*E

*B 31, Keyboard Tracking

                       Keyboard Tracking
                       ─────────────────

 Keyboard Tracking affects how the cutoff frequency changes
 as you play notes higher or lower on the keyboard.  At full
 tracking, value = 2, cutoff rises in exact proportion to
 keyboard pitch, maintaining the same relative timbre for all
 notes, as is the case with most musical instruments.  At
 half tracking, value = 1, it rises a half octave for every
 full octave on the keyboard.  The difference will be obvious
 if resonance is set to a high value.

              0 - No change in cutoff frequency
              1 - 50%
              2 - 100%
                                                     ESC=Exit
*E

*B 32, Pitch Bend

                          Pitch Bend
                          ──────────

 This parameter determines the maximum change in pitch
 produced by moving the joystick to the left or right, in
 exact semitone steps.  The higher the value, the greater
 the pitch change.  Up to 1 octave.

                No change 0 ──> 12  1 Octave






                                                     ESC=Exit
*E

*B 33, VCF Bend

                           VCF Bend
                           ────────

 The parameter enables "sweeping" of the VCF cutoff frequency
 via the joystick.  When this is on, you can use the joystick
 to change the brightness of sounds while playing.  When the
 VCF parameter is 1 (on) then moving the joystick to the
 right produces a brighter sound; moving it to the left
 produces a darker or duller sound.

                           0 - Off
                           1 - On



                                                     ESC=Exit
*E

*B 34, Noise Level

                          Noise Level
                          ───────────

 This parameter adjusts the noise volume.  Provides white
 noise (a mixture of all frequencies) as a separate sound
 source.  This is useful for adding "breath noise" to
 simulated acoustic instruments and for creating special
 effect sounds such as wind, surf, gunshot sounds, etc.

                  No noise 0 ──> 31 Maximum





                                                     ESC=Exit
*E

*B 35, Portamento

                          Portamento
                          ──────────

 This parameter lets you produce a polyphonic note gliding
 effect at various rates.

 No glide 0 ──> 31 Slow glide in pitch from 1 note to next








                                                     ESC=Exit
*E

*B 36, Chorus

                            Chorus
                            ──────

 The built-in stereo chorus can be used to add warmth and
 ambience to sounds.  It is especially effective when both
 outputs (R and L) are used for stereo reproduction, or
 listening through stereo headphones.  Chorus can be set on
 or off.

                           0 - Off
                           1 - On




                                                     ESC=Exit
*E

*B 37, Assign Mode

                     Keyboard Assign Mode
                     ────────────────────

 The DW6000 offers the user 3 different ways to assign voices
 from the keyboard.

 1 ─ Poly 1 ── Standard polyphonic keyboard mode for playing
               chords and melody lines.

 2 - Poly 2 ── Intended particularly for portamento chord
               work.

 3 - Unison ── Combines all voices and one note, for rich and
               fat soloing sounds.

                                                     ESC=Exit
*E

*B 38, Dummy1
     Hi There #1!
*E

*B 39, Dummy2
     Hi There #2!
*E

*B 40, Receiving Patches

             Receiving 64 Patches From The DW6000
             ────────────────────────────────────

 This selection will allow your P.C. to receive (download) an
 entire bank of 64 patches from the DW6000 into RAM memory.
 From there you can edit and / or save these patches to disk.
 You will be shown the patch number of each patch on the
 screen as it is being stored in memory.







                                                     ESC=Exit
*E

*B 41, Uploading Patches

       Uploading 64 Patches From The P.C. To The DW6000
       ────────────────────────────────────────────────

 This selection will allow your DW6000 to receive an entire
 bank of 64 patches from RAM memory.  These patches will
 overwrite whatever patches are presently in the DW6000.

 Two steps must be made to insure that this procedure will
 function normally:

 1) The Write enable switch on the back of the DW6000 must be
    in the enable position.  To the right ───>.

 2) Parameter 83 ( OMNI ) must be set to 1.

                                                     ESC=Exit
*E

*B 42, Save Patches

                 Saving A Patch Bank To Disk
                 ───────────────────────────

 This selection will allow you to save the current bank in
 RAM memory bank to disk.  A bank of patches must already
 be loaded for this procedure to work.

 You will be asked if you want a new file.  If Yes, you will
 type in the new bank's name.  If No, a window will open and
 ask you to select a file to overwrite.  Hit ESC to exit to
 the Main Menu.
       
 If there are ANY problems with saving the file, you will be
 returned to the Main Menu after being given an explanation
 of the problem.
                                                     ESC=Exit
*E

*B 43, Load Patches

               Loading A Patch Bank From Disk
               ──────────────────────────────

 This selection will you to load a patch bank from disk.  A
 window will pop up and allow you to select a file from it.
 Hit ESC to exit to the Main Menu.

 If there are ANY problems with loading a file, you will be
 returned to the Main Menu after being given an explanation
 of the problem.

 Be careful not to overwrite any work in progress.



                                                     ESC=Exit
*E

*B 44, Moving Patches

          Moving Patches Around In The Current Bank
          ─────────────────────────────────────────

 This selection will allow you to move patches around within
 the current RAM memory bank.  You may completely overwrite
 patches with another or swap locations of patches within
 the current bank.








                                                     ESC=Exit
*E

*B 45, Display Patch

                       Editing A Patch
                       ───────────────

 This selection will allow you to pick a patch from the
 currently loaded RAM memory bank and edit its contents,
 audition it on the DW6000, graph the VCF / VCA envelopes,
 or save the patch.  If you hit F10, pass the last field
 on the screen, or graph the envelopes, the edited version
 of the patch will overwrite the original patch data.

 When auditioning patches, patch number 88 on the DW6000
 will be overwritten temporarily.  The DW6000 will then be
 repositioned at patch location 11 after auditioning the
 patch and replacing the previous patch.

                                                     ESC=Exit
*E

*B 46, Print Patch

                        Print Patches
                        ─────────────

 This selection will allow you to print your patches to a
 standard printer.  You will be able to print a range of
 patches.  If you need to print one patch, enter the same
 patch number in both fields.

 Make sure your printer is on and on-line when selecting
 this procedure.
 




                                                     ESC=Exit
*E

*B 47, Print Blank Charts

                   Print Blank Patch Charts
                   ────────────────────────

 This selection will allow you to print blank patch charts so
 you can write your own patches on paper.  An alternative to
 typing patch parameters on your P.C. until you get the patch
 worked out on paper.  You can print from 1 to 99 in one run.

 Make sure your printer is on when selecting this procedure.






                                                     ESC=Exit
*E

*B 48, DW6000 Information

                 DW6000 Editor / Librarian
                 ─────────────────────────

            (c) Copyright 1991, By Tracy Barber.
                    All Rights Reserved.

 If you find this program useful and wish to purchase the
 full featured version, a registration fee of $25.00 is
 required for the full featured version of the program.
 This program will allow you to save to the DW6000 and to
 disk.  This will also allow you to receive a free upgrade,
 when the next one is written.  Any comments on this program,
 possible enhancements, or just plain good ideas should be
 made either to the address below or by calling this phone
 number ─── (518) 438-3656.  Be kind to my answering machine.
                                                     ESC=Exit
*P

 You may also post E-Mail on GEnie under the name T.BARBER
 and I will reply to all inquiries.

 Registration  ───  $ 25.00 + 7% NYS Tax =  $26.75 US

 Mailing Address:   Tracy Barber
                    471 West Street
                    Albany, New York  12206
                    USA


 Credits:
 ──────────────────────────────────────────────────────────
 Basic Input /          Quick C Version 2.0
 Output Routines:       (c) Microsoft Corp.  1987-1989
                                                     ESC=Exit
*P

 Credits:
 ──────────────────────────────────────────────────────────
 MIDI Hints And         Jim Conger 'C Programming For MIDI'
 Suggestions:           (c) M & T Books  1988
                        Telephone: 1-800-533-4372
                        Telephone: 1-800-356-2002

 Windows And Wonders!   CXL Library Version 5.2
                        (c) Innovative Data Concepts  1990
                        Telephone: 1-800-926-4551


              THANK YOU FOR TRYING THIS PROGRAM!


                                                     ESC=Exit
*E

*B 49, Quit DW6000

              Quit The DW6000 Editor / Librarian
              ──────────────────────────────────

 This selection will exit the DW6000 editor / librarian.  You
 will NOT be asked if you want to save your RAM memory or to
 upload the patches.

 You will be asked if you want to leave, though...







                                                     ESC=Exit
*E

EOF

