double bucky

This term originated on the Stanford extended-ASCII keyboard, and was later taken up by users of the space-cadet keyboard at MIT. A typical MIT comment was that the Stanford bucky bits (control and meta shifting keys) were nice, but there weren't enough of them; you could type only 512 different characters on a Stanford keyboard. An obvious way to address this was simply to add more shifting keys, and this was eventually done; but a keyboard with that many shifting keys is hard on touch-typists, who don't like to move their hands away from the home position on the keyboard. It was half-seriously suggested that the extra shifting keys be implemented as pedals; typing on such a keyboard would be very much like playing a full pipe organ. This idea is mentioned in a parody of a very fine song by Jeffrey Moss called "Rubber Duckie", which was published in "The Sesame Street Songbook" (Simon and Schuster 1971, ISBN 0-671-21036-X). These lyrics were written on May 27, 1978, in celebration of the Stanford keyboard:

                        Double Bucky

        Double bucky, you're the one!
        You make my keyboard lots of fun.
            Double bucky, an additional bit or two:
        (Vo-vo-de-o!)
        Control and meta, side by side,
        Augmented ASCII, nine bits wide!
            Double bucky!  Half a thousand glyphs, plus a few!
                Oh,
                I sure wish that I
                Had a couple of
                    Bits more!
                Perhaps a
                Set of pedals to
                Make the number of
                    Bits four:
                Double double bucky!
        Double bucky, left and right
        OR'd together, outta sight!
            Double bucky, I'd like a whole word of
            Double bucky, I'm happy I heard of
            Double bucky, I'd like a whole word of you!

        --- The Great Quux (with apologies to Jeffrey Moss)