Lighting is a critical environmental '; factor. '; '; Lighting that is too bright or that causes a '; series of harsh shadows can overwhelm and con- '; fused a young mind and eyes that have a hard '; time focusing. '; '; Soft lighting, from a single source that pro- '; vides a predictable environment might help. '; What happens in a child's world can '; be either soothing or upsetting. '; '; Often the key to whether it is a source of com- '; fort or alarm sets on how predictable or expect-'; ed the interaction is. '; '; Constancy is the key to being able to handle the'; environment. Unexpected noise or rapid changes '; in the amount going on can be upsetting. '; Things going on outside of the child's '; direct line of sight are part of the '; environment to be dealt with. '; '; Cutting down on what a child has to deal with by'; closing the door is one way to help make things '; more manageable. '; '; Isolation, in this way, is a way of helping '; rather than punishing. '; Stimulation can be exciting but only '; when the child has the ability to control it. '; '; When more comes in than can be handled, the re- '; sult is often a physical upset that triggers '; colic. '; '; Minimizing the amount of stimulation during the '; time for colic can be one way of assuring that '; the child will be able to handle it. '; Predictability, manageability and '; constancy are the keys to keeping things '; under control internally. '; '; Most families interact with a baby at times '; throughout the day. This results in periods of '; high stimulation, followed by times of no inter-'; action. This is hard for some children to cope '; with. Scheduling interaction in a predictable '; way can help these children handle their world. '; Children, like most people, '; respond to the subtle vibrations of music. '; '; It goes beyond liking or disliking a particular '; piece of music. Music sets up internal patterns'; that can help regulate many functions of a young'; system. '; '; Often, the music need not be loud or powerful to'; work-- quiet background music may be enough. '; The powerful vibrations of some '; music can take hold of the internal patterns '; and help re-establish a balance. '; '; For some children, internal upset does not res- '; pond to quiet background music. For them, the '; response to music is still there but the music '; must be strong enough to make a difference. '; '; Loud should never hurt, but rather dominate. '; Repetitious, monotonous sounds '; can help reset or maintain an '; internal clock. '; '; The influence of external sound, particularly '; when there is not a lot of complexity to deal '; with can help smooth out the internal patterns. '; '; The predictable pattern of a clock or a metro- '; nome can often provide this form of stimulation.'; What is in a child's room can provide '; opportunities for growth or overwhelm. '; '; Too busy an environment, even a large number of '; different colors or textures as well as things '; can present more than a young child can manage. '; '; Even the subtle vapors released by many man-made'; fabrics can be more than delicate systems can '; manage. Often reducing what is there is enough.'; '; ';