From ucsd!ucbvax!tut.cis.ohio-state.edu!bloom-beacon!athena.mit.edu!paul Tue May 2 16:14:09 PDT 1989 In article <2155@wpi.wpi.edu> eeciii@wpi.wpi.edu (Ed Chernosky) writes: >I read an article recently that asked for CZ patches to be sent over the net >in some Opcode format or something or other. This seems likes quite an >exclusive group! What if I don't own a Mac? It's okay. I don't either. I don't even own any CZ's anymore, unless I didn't fish them all out of the sock drawer. >Should I post a few of my favorite CZ and SQ patches? Not only that, Edwin, but you've just become the involuntary keeper of the CZ patches. You can have the honor of sorting out the duplicates below and forwarding them to anyone else who ever asks again. One request: please don't try any of mine -- I did them three years ago, they're probably pretty lame. :-? -Paul ___________________________________________________________________________ --------------------------------------------------------------------------- Article 2487 of rec.music.synth: Path: bloom-beacon!husc6!bbn!rochester!PT.CS.CMU.EDU!andrew.cmu.edu!bader+ >From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: cz.patches Message-ID: <4VyXJZy00jaBcy00=5@andrew.cmu.edu> Date: 24 Jan 88 18:03:18 GMT Organization: Carnegie Mellon University Lines: 3473 Since a bunch of people asked for them, here they are... These have mostly seen this group before; but there's been a lot of redundancy taken out... [I hope files >65k don't still break things...] ---------------------------------------------------------------- Name: synth organ >From: Paul Boutin line mod detune vibrato octave 1+2 + (1,2) 00 06 +1 DCO 1 wave 2 4 rate level 99 33 33 00 e DCW 1 key 0 rate level 80 99 47 96 37 52 s 26 00 50 00 e DCA 1 key 0 rate level 99 90 78 65 83 95 70 75 70 99 s 79 59 33 00 e DCO 2 wave 3 5 rate level 99 33 33 00 e DCW 2 key 0 rate level 80 99 47 96 37 52 s 26 00 50 00 e DCA 2 key 0 rate level 99 90 78 65 83 95 70 75 70 99 s 79 59 33 00 e Comments: Boring but useful. ---------------------------------------------------------------- Name: drum hit >From: Paul Boutin line mod detune vibrato octave 2 + 1 10 25 0 DCO 1 wave 5 2 rate level 50 00e DCW 1 key 0 rate level 99 99 99 99e DCA 1 key 0 rate level 93 55 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: If you don't have a drum machine, put some of this under your drum noise. I boost 200hz for extra umph. ---------------------------------------------------------------- Name: drum wash >From: Paul Boutin line mod detune vibrato octave 1+1' noise + (1,2,3) 03 08 1 00 38 15 -1 DCO 1 wave 5 0 rate level 99 62 76 00e DCW 1 key 0 rate level 99 83 99 00e DCA 1 key 6 rate level 99 99 38 51 53 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I put the three different versions (different detune octave settings) on adjacent Internal memory keys , and by switching back and forth between beats (it takes practice) I got a "drum kit", and even gated off some of the hits by switching to the next sound before the note had died out. Primitive, but it got on the local college station a few times. This is one of those sounds that sounds really big on tape. ---------------------------------------------------------------- Name: Simmons SDS-7 >From: Paul Boutin line mod detune vibrato octave 1+1 noise +1 03 00 -1 DCO 1 wave 1 5 rate level 99 70 42 00e DCW 1 key 0 rate level 99 99 99 00e DCA 1 key 9 rate level 99 99 43 00s 50 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I tried to duplicate the sound on Duran Duran's "Rio". ---------------------------------------------------------------- Name: Phil-in-a-box >From: Paul Boutin line mod detune vibrato octave 1+1' noise + 0 10 00 -1 DCO 1 wave 1 4 rate level 99 70 54 00s 50 00e DCW 1 key 0 rate level 99 99 99 00e DCA 1 key 9 rate level 99 99 43 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I was trying to emulate the big crashes on "In the Air Tonight" and "I Don't Care Anymore". Having heard it on CD last week, there's no comparison. However, SOMEONE on the net (I lost the message) claims to have improved it. ??? ---------------------------------------------------------------- Name: Trevor Horns >From: Paul Boutin line mod detune vibrato octave 1+1' - 0 02 24 3 06 02 99 +1 DCO 1 wave 3 0 rate level 99 33 33 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 82 99 36 91s 79 59 55 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Everybody likes this one, but you have to play it a certain way or it sounds stupid. Turn your reverb WAY up and playing three or four octaves in unison, tap short horn-punch chords. Ha ha ha, five people have mistaken it for a Fairlight on tape so far! ---------------------------------------------------------------- Name: organ brass >From: Paul Boutin line mod detune vibrato octave 1+1' + 1 00 06 +1 DCO 1 wave 3 5 rate level 99 33 68 00e DCW 1 key 0 rate level 80 99 47 96 37 52s 26 00 50 00e DCA 1 key 0 rate level 99 90 78 65 83 95 70 75 70 99s 79 59 33 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I forget what this sounds like. I'll have to try it again. Probably an organ set to "brass". ---------------------------------------------------------------- Name: Herbie Scratch >From: Paul Boutin line mod detune vibrato octave 1+1' + 0 02 00 1 00 54 88 +1 DCO 1 wave 3 4 rate level 47 99 99 00e DCW 1 key 0 rate level 80 99 47 96 38 85s 26 00e DCA 1 key 2 rate level 99 90 85 65 85 95 78 75 78 99 01 98 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: In lieu of having a record to scratch... ---------------------------------------------------------------- Name: Fuzzy bass >From: Paul Boutin line mod detune vibrato octave 1+1' ring + 1 00 00 1 33 55 23 +1 DCO 1 wave 2 3 rate level 00 00e DCW 1 key 7 rate level 97 99 43 79 50 74s 52 00e DCA 1 key 0 rate level 99 99 21 00s 61 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Only so-so, but here it is. ---------------------------------------------------------------- Name: fat synth bass >From: Paul Boutin line mod detune vibrato octave 1+1' ring + 0 07 04 1 33 55 23 0 DCO 1 wave 2 3 rate level 50 00e DCW 1 key 7 rate level 97 99 43 79 50 74s 52 00e DCA 1 key 0 rate level 99 99 21 89s 61 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Modified version of Casio "Electric bass" that sustains. I play Wham tunes on it -- drives my roommates *nuts*! ---------------------------------------------------------------- Name: 1-Octave bass >From: Paul Boutin line mod detune vibrato octave 1+2 + 1 00 05 1 54 11 04 -1 DCO 1 wave 1 2 rate level 66 58 72 00 43 05 65 00e DCW 1 key 9 rate level 82 88 42 63 00 00e DCA 1 key 9 rate level 99 99 28 00 56 00 DCO 2 wave 5 4 rate level 00 00e DCW 2 key 7 rate level 92 80 44 62 00 00e DCA 2 key 0 rate level 90 99 30 86s 86 00e Comments: I put this under other bass patches (via tone mix) to get more bottom end. ---------------------------------------------------------------- Name: 2-Octave bass (Tony Levin) >From: Paul Boutin line mod detune vibrato octave 1+2 + 0 00 05 1 54 11 04 -1 DCO 1 wave 1 2 rate level 66 58 72 00 43 05 65 00e DCW 1 key 9 rate level 82 83 42 63 00 00e DCA 1 key 9 rate level 99 99 28 00 56 00e DCO 2 wave 3 4 rate level 00 00e DCW 2 key 7 rate level 92 80 44 62 00 00e DCA 2 key 0 rate level 90 99 30 86s 86 00e Comments: I used this to add bottom to bass parts played in higher registers until someone pointed out that it sounds just like Tony Levin's Chapman Stick. "I wanna be.... your Sledgehammer..." It does have a nice voice of its own. ---------------------------------------------------------------- Name: ArtoNoise Trumpet (#3) >From: Paul Boutin line mod detune vibrato octave 1+2 ring 1 27 49 11 +1 DCO 1 wave 3 0 rate level 00 00e DCW 1 key 4 rate level 67 79 00 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 56 00e DCO 2 wave 4 0 rate level 00 00e DCW 2 key 4 rate level 72 79 00 00e DCA 2 key 2 rate level 70 91 70 67 70 97 70 77 70 99s 48 00e Comments: Mix with Casio Preset turmpet. You can set Bend Range to 12 and go a whole octave higher still sounding great. ---------------------------------------------------------------- Name: Lazy Trumpet (#4) >From: Paul Boutin line mod detune vibrato octave 1+1' + 0 00 07 0 DCO 1 wave 1 0 rate level 99 33 68 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 70 90 70 65 70 95 70 75 70 99s 50 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I mix this with the Casio Trumpet, set Bend Range to 2, and get some pretty cool leads with this (a long echo helps). ---------------------------------------------------------------- Name: snap percussion >From: Paul Boutin line mod detune vibrato octave 1+2 noise + 1 00 00 0 DCO 1 wave 1 0 rate level 99 82 99 00e DCW 1 key 0 rate level 99 99 28 00e DCA 1 key 0 rate level 99 99 99 00e DCO 2 wave 1 0 rate level 00 00e DCW 2 key 0 rate level 00 00e DCA 2 key 0 rate level 99 99 58 00e Comments: Four notes within an octave with a slapback echo make realistic handclaps. ---------------------------------------------------------------- Name: Star Trek noise >From: Paul Boutin line mod detune vibrato octave 1+1' 1 00 60 98 + 1 DCO 1 wave 3 4 rate level 63 99s 99 00e DCW 1 key 0 rate level 80 99 47 96 38 85s 26 00 50 00e DCA 1 key 2 rate level 99 90 85 65 85 95 78 75 78 99 01 98s 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Just another stupid noise. Doesn't sound like anything on Star Trek per se, or does it? I guess it depends on how Trekkie you are... ---------------------------------------------------------------- Name: Woh-Wow-Yeh >From: Barry Kirsch line mod detune vibrato octave 1+2' + 00 00 07 -1 DCO 1 wave 6 0 rate level 51 33 68 00e DCW 1 key 2 rate level 58 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 62 71 36 91s 79 59 55 00e DCO 2 wave 7 0 rate level 53 33 68 00e DCW 2 key 2 rate level 33 99 47 96 37 52s 26 00e DCA 2 key 2 rate level 82 99 36 91s 79 59 55 00e Comments: "All at once, the clouds are parting, light streams down in bright unbroken beams..." Is this a Rush sound or WHAT, I ask? I love it anyway :) . ---------------------------------------------------------------- Name: Flutelight >From: Eric Persing, _Keyboard_ magazine line mod detune vibrato octave 1+2 noise - 1 00 00 1 46 52 17 +1 DCO 1 wave 1 0 rate level 52 50 15 00e DCW 1 key 9 rate level 72 88 99 53s 50 00e DCA 1 key 0 rate level 99 17 70 91 59 99 12 83s 65 00e DCO 2 wave 5 0 rate level 83 67 50 00e DCW 2 key 8 rate level 60 57 00 00e DCA 2 key 2 rate level 76 67 61 00e Comments: Yes, THAT sound again.... play happy major thirds and see. ---------------------------------------------------------------- Name: background swell >From: Paul Boutin line mod detune vibrato octave 1+2 - + 0 00 07 1 11 51 23 0 DCO1 wave 1 0 rt lv 0 0e DCO1 key 2 rt lv 99 97s 40 00e DCA1 key 2 rt lv 72 15 31 93s 31 0e DCO2 wave 2 0 rt lv 00 00e DCW2 key 2 rt lv 99 99s 40 00e DCA2 key 2 rt lv 72 15 31 93s 31 00e Comments: turn down DCW1 sustain level if using without tons of processing ---------------------------------------------------------------- Name: Ministry horns >From: Paul Boutin line mod detune vibrato octave 1+2 - + 1 00 14 3 00 40 11 +1 DCO1 wave 4 1 rt lv 86 99 99 33 68 00e DCO1 key 2 rt lv 67 99 47 96 37 52s 26 00e DCA1 key 2 rt lv 82 99 36 91s 79 59 55 00e DCO2 wave 1 0 rt lv 97 99 89 00e DCW2 key 7 rt lv 97 87 43 79 50 74s 52 00e DCA2 key 0 rt lv 99 99 21 97 61 00e Comments: Again, use tons of chorus & reverb. Guaranteed to sound like Alain Jourgensen in short punches. Play parallel ocatves for bigger sound. ---------------------------------------------------------------- Name: popcorn >From: Paul Boutin line mod detune vibrato octave 1+2 ring + 1 00 00 4 00 97 27 -1 DCO1 wave 5 2 rt lv 95 91 99 00e DCO1 key 0 rt lv 99 78 47 79s 50 00 47 00e DCA1 key 4 rt lv 97 99 56 49 99 00e DCO2 wave 8 3 rt lv 99 99 93 00e DCW2 key 0 rt lv 99 81s 64 00e DCA2 key 0 rt lv 99 99 56 00e Comments: Great for adding attack to sequencer bass lines. ---------------------------------------------------------------- Name: Kick #1 (extender for TR505) >From: Paul Boutin line mod detune vibrato octave 1+1 noise - 3 00 06 4 00 53 90 -1 DCO1 wave 4 1 rt lv 98 67 99 00e DCO1 key 0 rt lv 99 99 99 00e DCA1 key 0 rt lv 99 99 45 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to TR505 bass drum, pick a low note (25-40). ---------------------------------------------------------------- Name: kick #2 (TR505 extender) >From: Paul Boutin line mod detune vibrato octave 1+1 - - 1 00 00 4 04 63 89 -1 DCO1 wave 5 4 rt lv 90 76 90 00e DCO1 key 0 rt lv 99 15s 50 00e DCA1 key 0 rt lv 99 99 49 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to TR505 bass drum, has different sounds in different octaves ---------------------------------------------------------------- Name: snare #1 (TR505 extender) >From: Paul Boutin line mod detune vibrato octave 1+1 noise + 2 04 08 3 00 56 88 -1 DCO1 wave 4 7 rt lv 99 62 76 00e DCO1 key 0 rt lv 00 00e DCA1 key 0 rt lv 99 99 38 51 53 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to snare drum. I use notes in the lower half of the keyboard. ---------------------------------------------------------------- Name: Snare #2 >From: Paul Boutin line mod detune vibrato octave 1+2 noise + 1 10 0 - -1 DCO1 wave 1 4 rt lv 99 70 54 00s 50 00e DCO1 key 0 rt lv 99 99 99 00e DCA1 key 9 rt lv 99 99 51 00e DCO2 wave 1 4 rt lv 99 70 54 00s 50 00e DCW2 key 0 rt lv 99 99 99 00e DCA2 key 9 rt lv 99 99 43 00e Comments: For those of us without an SPX-90. ---------------------------------------------------------------- Name: Rayz >From: Paul Boutin line mod detune vibrato octave 1+2 - + 1 07 10 1 07 61 23 +1 DCO1 wave 1 4 rt lv 00 00e DCO1 key 0 rt lv 88 99s 47 25 44 00e DCA1 key 0 rt lv 93 87s 39 00e DCO2 wave 6 0 rt lv 00 00e DCW2 key 0 rt lv 99 99s 47 25 44 00e DCA2 key 0 rt lv 92 99 85 97 92 99 99 98s 32 00e Comments: Sounds even cooler if you use the pitch wheel for glissandi. (Did I really use the word "glissandi"?) ---------------------------------------------------------------- Name: Whistlin >From: Paul Boutin line mod detune vibrato octave DCO1 wave rt lv DCO1 key rt lv DCA1 key rt lv DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Take the preset "Whistle" and change the detune to + 0 0 20 ---------------------------------------------------------------- Name: Bowp/Industrial [Bass] >From: Paul Boutin line mod detune vibrato octave 1 +2 * + 3 05 00 - -1 DCO1 wave 6 * rt lv 0 0e DCO1 key 0 rt lv 72 53 52 00e DCA1 key 0 rt lv 99 99 44 00e DCO2 wave 4 0 rt lv 00 00e DCW2 key 2 rt lv 99 10 48 00e DCA2 key 0 rt lv 99 81 42 00e Comments: * This is one of my most-used sounds. There are four variations according to the following matrix: Bowp Industrial Regular ring mod noise mod DCO1 6 0 DCO1 6 0 Bass ring mod noise mod DCO1 6 2 DCO1 6 2 ---------------------------------------------------------------- Name: Pan Pipes / Danger Sound >From: Paul Boutin line mod detune vibrato octave DCO1 wave rt lv DCO1 key rt lv DCA1 key rt lv DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Take the "Internal #3" setting and change DCO1 to 2 0 for pan pipes 7 0 for Dangersound "Dangersound" on the low D note is something like Ministry opened their show with last time I saw them. Excuse me for making fun of those Casio Sound Data book names like "Dangerous Sound #2". ---------------------------------------------------------------- Name: Traffic Doppler (Barry Kirsch, modified by me) >From: Paul Boutin line mod detune vibrato octave 1+1 noise + 00 03 00 1 00 00 97 -1 DCO1 wave 7 0 rt lv 99 15s 16 00e DCO1 key 0 rt lv 00 00e DCA1 key 0 rt lv 35 99 00 00 30 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Hold the key down and wait. I like clusters of low notes best ---------------------------------------------------------------- Name: Sampled Snap >From: Paul Boutin line mod detune vibrato octave 1+2 noise + 1 07 00 1 00 67 09 0 DCO1 wave 5 0 rt lv 96 75 99 00e DCO1 key 0 rt lv 91 66 93 00e DCA1 key 0 rt lv 93 99 54 00e DCO2 wave 2 0 rt lv 97 74 93 00e DCW2 key 0 rt lv 93 41 64 00e DCA2 key 0 rt lv 94 99 49 00e Comments: Any resemblance to snare #1 is purely intentional. ---------------------------------------------------------------- Name: Kalimba #3,452,156 >From: Paul Boutin line mod detune vibrato octave 1+2 ring + 2 10 00 1 60 50 03 0 DCO1 wave 5 0 rt lv 96 75 99 00e DCO1 key 9 rt lv 97 24 88 00e DCA1 key 2 rt lv 95 99 43 00e DCO2 wave 2 0 rt lv 97 74 93 00e DCW2 key 9 rt lv 95 82 64 00e DCA2 key 0 rt lv 96 99 49 00e Comments: Yup, more Afro-percussion. This one has radically different timbres in different octaves (the second octave on the 101 keyboard is my favorite). Noise percussion makes some interesting sounds too. ---------------------------------------------------------------- Name: Helicopter (Glenn Bruns, modified) >From: Paul Boutin line mod detune vibrato octave 1+2 ring + 2 00 08 3 00 70 99 -1 DCO1 wave 6 5 rt lv 00 00e DCO1 key 8 rt lv 60 57s 00 00e DCA1 key 0 rt lv 99 93s 66 00e DCO2 wave 1 0 rt lv 00 00e DCW2 key 8 rt lv 60 57s 00 00e DCA2 key 1 rt lv 99 93 66 00e Comments: Noise modulation makse a meaner helicopter, and a machine gun in the upper range. ---------------------------------------------------------------- Name: Reverb Flute >From: Electronics & Music Maker, Sep 1986 Line: 1+2' Mod: Noise on Detune: +,0,0,0 Vibrato: Wave=1,delay=26,rate=55,depth=9 Octave: +1 DCO1: 1st wave = 2, 2nd wave = 0 Rate=70,level = 66 (sus) 00 00 (end) DCW1: Key follow = 0 Rate=60, Level = 35 (sus) 00, 00 (end) DCA1: Key follow =1 rate=82 Level = 99 (sus) 58 89 71 54 44 30 63 66 44 30 61 51 50 00 (end) DCO2: 1st wave = 1, 2nd wave = 0 rate = 00, level = 0 (end) DCW2: Key follow = 9 rate = 99, level = 00 (sus) 00 00 (end) DCA2: Key follow = 1 rate = 92, level = 64 56 00 (end) ---------------------------------------------------------------- Name: Guitar with distortion >From: Robert Lansdale Detune: +, oct=2,note=7, fine=8 Vibrato: wave=1,delay=0,rate=99,depth=24 Octave=-1 Line: 1+1' mod: ring DCO1: 1st wave = 8, 2nd wave = 4 rate =00, level = 00 (end) DCW1: Key follow = 0 Rate = 99, level = 21 (sus) 33 00 (end) DCA1: Key follow = 0 rate = 99, level = 99 (sus) 31 83 52 00 (end) ---------------------------------------------------------------- Name: Mean Electric Guitar >From: Robert Lansdale Detune: +,1,2,4 Vibrato: 1,53,0,0 Octave:+1 Line:1+1' Mod:Ring DCO1: 1st wave = 3, 2nd wave = 4 Rate = 19, Level = 00 (End) DCW1: Key follow = 1 Rate = 86, Level = 64 07 00 (End) DCA1: Key follow = 4 Rate = 94, Level = 96 (sus) 92 00 (End) Comments: Try small amount of glide or portamento to make it more of a realistic guitar sound. ---------------------------------------------------------------- Name: YABS (Yet Another Bass Sound) >From: Robert Lansdale Line: 1+1' Detune: +,0,0,1 Vibrato: Wave=1,delay=0,rate=50,depth=0 Octave: +0 DCO1: 1st wave = 2, 2nd wave = 3 Rate=99,level = 99 99 00 (end) DCW1: Key follow = 0 Rate=99, Level = 99 50, 00 (end) DCA1: Key follow =0 rate=99 Level = 99 (sus) 50 00 (end) ---------------------------------------------------------------- Name: NOISE SWEEP >From: Robert Lansdale Noise: On Line: 1+1' Detune: +,0,0,1 Vibrato: Wave=1,delay=0,rate=50,depth=2 Octave: +0 DCO1: 1st wave = 2, 2nd wave = 3 Rate=99,level = 99 49 00 (end) DCW1: Key follow = 0 Rate=99, Level = 99 50, 00 (end) DCA1: Key follow =0 rate=99 Level = 99 02 98 53 00 (end) ---------------------------------------------------------------- Name: Bushy >From: Glenn Bruns line mod detune vibrato octave 1+2 + 0 00 03 0 00 00 00 0 DCO 1 wave 5 0 rate level 99 65 38 66s 00 00e DCW 1 key 2 rate level 99 99s 40 00e DCA 1 key 2 rate level 72 92s 45 00e DCO 2 wave 1 0 rate level 99 66 00 00e DCW 2 key 2 rate level 99 99s 40 00e DCA 2 key 2 rate level 72 92s 45 00e Comments: Reminds me of Kate Bush. ---------------------------------------------------------------- Name: Spacious >From: Glenn Bruns line mod detune vibrato octave 1+1' - 0 00 02 0 00 00 00 0 DCO 1 wave 2 6 rate level 00 00e DCW 1 key 4 rate level 99 60 30 75s 50 80 00 00e DCA 1 key 0 rate level 99 90 40 93s 45 30 60 00e Comments: ---------------------------------------------------------------- Name: Wild Kingdom >From: Glenn Bruns line mod detune vibrato octave 1+2 ring + 1 00 01 1 15 28 06 0 DCO 1 wave 2 0 rate level 99 33 68 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 90 99 36 91s 79 59 55 00e DCO 2 wave 5 0 rate level 99 33 68 00e DCW 2 key 2 rate level 63 99 66 96 37 52s 26 00e DCA 2 key 2 rate level 70 99 36 75s 79 55 55 00e Comments: I called this "Wild Kingdom" because it's sounds like a nature TV show patch. The patch is based on CZ-101 patch #1 (Brass ens. 1). The slow vibrato is critical for this patch. ---------------------------------------------------------------- Name: Rising resonance >From: Glenn Bruns line mod detune vibrato octave 1+2' + 0 00 04 0 00 00 00 0 DCO 1 wave 3 0 rate level 00 00e DCW 1 key 6 rate level 99 90s 40 00e DCA 1 key 9 rate level 72 92s 50 00e DCO 2 wave 6 0 rate level 99 95 27 66s 00 66 00 00e DCW 2 key 9 rate level 99 40s 40 00e DCA 2 key 0 rate level 80 80 60 90s 55 00e Comments: Try different waveforms, esp. on DCO 2. ---------------------------------------------------------------- Name: Chunky Blocks >From: Glenn Bruns line mod detune vibrato octave 1+1' ring - 3 03 08 1 00 38 15 -1 DCO 1 wave 2 1 rate level 99 62 76 00e DCW 1 key 0 rate level 99 83 51 00e DCA 1 key 6 rate level 99 99 52 00e Comments: Use tone mix if you're using this patch for bass line. Also, I'm not sure if the detune is supposed to be "-". ---------------------------------------------------------------- Name: Electric bubbles >From: Glenn Bruns line mod detune vibrato octave 1+2' ring + 2 00 08 3 00 75 99 0 DCO 1 wave 6 5 rate level 00 00e DCW 1 key 8 rate level 60 57s 00 00e DCA 1 key 0 rate level 99 36 70 91 59 99 12 93s 66 00e DCO 2 wave 1 8 rate level 00 00e DCW 2 key 8 rate level 60 57 00 00e DCA 2 key 1 rate level 99 36 70 91 59 99 12 93s 66 00e Comments: Strictly for special effects. High notes sound like a ray gun (don't ask what kind of ray); low notes sound like a helicopter. Based on CZ-101 patch #7 (flute) -- which explains the gratuitous detail in the DCA's. ---------------------------------------------------------------- Name: Woody metal. >From: Truls Ellefsen line mod detune vibrato octave 1+1' ring + 2 00 06 1 50 65 07 0 DCO 1 wave 1 0 rate level 00 00 end DCW 1 key 9 rate level 83 27 37 10 sus 88 00 end DCA 1 key 5 rate level 99 99 38 85 21 78 31 65 32 60 40 55 17 00 37 00 end Comments: Detune, octave=3 also useful. Expriment with vibrato. ---------------------------------------------------------------- Name: Scratchy Trumpet >From: Alan Bland <..!ihnp4!druak!mab> line mod detune vibrato octave 1+2' + 0 00 00 1 19 50 14 0 DCO 1 wave 4 0 rate level 00 00e DCW 1 key 0 rate level 99 99s 27 00e DCA 1 key 4 rate level 70 99 20 89s 49 00e DC0 2 wave 3 5 rate level 00 00e DCW 2 key 0 rate level 51 77 39 00e DCA 2 key 4 rate level 99 79 32 00e Comments: ---------------------------------------------------------------- Name: harpsichord #2 (originally by Mark Schmeider) >From: Bill Wake PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 3 | 6 | | 3 | 7 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | | | levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | | | s/e | | s | e | | | | | | s/e | | e | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 5 |(0-9) | 3 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | | | levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | | | s/e | s | e | | | | | | | s/e | | e | | | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 9 |(0-9) | 3 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |33 |57 |99 | | | | |0-99 rate|76 |94 |58 |44 |99 | | | | levl|90 |16 |00 |00 | | | | |0-99 levl|02 |99 |90 |00 |00 | | | | s/e | | | s | e | | | | | s/e | | | | s | e | | | | _____________________________________ _____________________________________ ---------------------------------------------------------------- Name: swept reed >From: Michael Schaeffer COMMENT: modified casio reed ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 3.4-99.29-72e DCW1 (key-env): 9-74.93-93.86s-50e DCA1 (key-env): 1-86.99-63.93-65.94-29e DCO2 (wave-env): 6.4-99.66-73e DCW2 (key-env): 2-43.60-24.49-26e DCA2 (key-env): 0-62.94-18.85-24.77-26e DETUNE (+- oct - semi - fine): (-)0-0-7 MODULATION (1'or 2' - ring or noise): either 1' or 2' VIBRATO (wave-delay-rate-depth): 4-81-41-99 KEYBOARD OCTAVE (+ o -): 0 ---------------------------------------------------------------- Name: minor vox chorus >From: Michael Schaeffer COMMENT: fairly modal based on casio human voice ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 1.4-55.65-40.66s-2e DCW1 (key-env): 0-99e DCA1 (key-env): 0-79.99-21.74s-31.75-60e DCO2 (wave-env): 5.0-50e DCW2 (key-env): 8-46.65-35.20s-54e DCA2 (key-env): 0-67.77-21.77-12.90s-35e DETUNE (+- oct - semi - fine): (-)0-7-10 MODULATION (1'or 2' - ring or noise): 2' VIBRATO (wave-delay-rate-depth): 1-72-46-19 KEYBOARD OCTAVE (+ o -): 0 ---------------------------------------------------------------- Name: Synth Bass II >From: Michael Schaeffer COMMENT: modified casio ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 2.3-0e DCW1 (key-env): 7-97.99-43.79-50.74s-52e DCA1 (key-env): 0-99.99-21e DETUNE (+- oct - semi - fine): (-)1-0-3 MODULATION (1'or 2' - ring or noise): 1' - ring VIBRATO (wave-delay-rate-depth): 1-33-55-23 KEYBOARD OCTAVE (+ o -): 0 ---------------------------------------------------------------- Name: swept mute ens. >From: Michael Schaeffer ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 2.1-67.55-42.60-54.6-50e DCW1 (key-env): 0-52.99-28.90-30.97-31.93-22.71s-50.52-50e DCA1 (key-env): 0-71.99s-38.82-30.75-49e DCO2 (wave-env): 2.4-53.15-49e DCW2 (key-env): 0-53.99-79.72-50.70s-50e DCA2 (key-env): 0-89.91-49.86-18.73(?s?)-20.70-22e DETUNE (+- oct - semi - fine): +1-0-2 MODULATION (1'or 2' - ring or noise): 2' ring VIBRATO (wave-delay-rate-depth): 1-42-31-20 KEYBOARD OCTAVE (+ o -): 0 ---------------------------------------------------------------- Name: Bright electric piano >From: Michael Schaeffer COMMENT: I could really use some nice pianos ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 5.2-99.66-99e DCW1 (key-env): 0-99.99s-0e DCA1 (key-env): 0-92.99-95.87-92.99-99.88s-43e DCO2 (wave-env):3.1-99.66-99e DCW2 (key-env): 0-99.99s-0e DCA2 (key-env): 0-92.99-95.87-92.99-99.88-44e DETUNE (+- oct - semi - fine):+0-0-10 MODULATION (1'or 2' - ring or noise): 2' VIBRATO (wave-delay-rate-depth): 1-45-52-11 KEYBOARD OCTAVE (+ o -): +1 ---------------------------------------------------------------- Name: Bird call #1 >From: Wayne Wylupski Line Modulation Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range ------ ---------- -------------------- --------------------- --------- 1 off off 0 0 0 0 1 00 80 68 + 1 -- DCO 1 -- -- DCW 1 -- -- DCA 1 -- Wave Form Key Follow Key Follow First Second ---------- ---------- ------------ 4 0 4 0 ENV (pitch) ENV (wave) ENV (amp) ------------- ---------- ------------------ Step 1 2 Step 1 Step 1 2 3 Rate 99 40 Rate 00 Rate 69 46 64 Level 65 0 Level 00 Level 88 99 00 End End End NOTES : Built from the "whistle" preset. Play around with portamento, and quickly a notes followed by their third or fourth. ---------------------------------------------------------------- Name: Bird call #2 >From: Wayne Wylupski Line Modulation Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range ------ ---------- -------------------- --------------------- --------- 1 off off 0 0 0 0 1 00 48 49 + 1 -- DCO 1 -- -- DCW 1 -- -- DCA 1 -- Wave Form Key Follow Key Follow First Second ---------- ---------- ------------ 4 0 4 0 ENV (pitch) ENV (wave) ENV (amp) ---------------- ---------- ------------------ Step 1 2 3 Step 1 Step 1 2 3 Rate 52 00 00 Rate 00 Rate 69 46 64 Level 66 00 00 Level 00 Level 88 99 00 End End End NOTES : Built from the "whistle" preset. Vibrato can be taken off. Short repeated key strokes work well. ---------------------------------------------------------------- Name: MASSIVE BASS >From: Tom Benson PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| off | | + | 0 | 0 | 4 | | 1 |33 |23| 06| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 4 | 4 | | 3 | 4 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|50 | | | | | | | |0-99 rate|50 | | | | | | | | levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | | | s/e | e | | | | | | | | s/e | e | | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 7 |(0-9) | 7 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|97 |43 |50 |50 | | | | |0-99 rate|97 |43 |50 |50 | | | | | levl|99 |79 |87 | 0 | | | | |0-99 levl|99 |79 |87 | 0 | | | | | s/e | | | s | e | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 9 |(0-9) | 9 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |21 |61 | | | | | |0-99 rate|99 |21 |61 | | | | | | levl|99 |88 | 0 | | | | | |0-99 levl|99 |88 | 0 | | | | | | s/e | | s | e | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on Elec Guitar preset C-5. Play in the second octave. ***************************************************************************** ---------------------------------------------------------------- Name: THWACK DRUMS >From: Tom Benson PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| on | | + | 0 | 10 | 0 | | 3 | 0 |55| 85| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 5 | 1 | | 6 | 4 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|92 |99 | | | | | | |0-99 rate|99 |99 |13 | | | | | | levl|93 | 0 | | | | | | |0-99 levl|99 |53 | 0 | | | | | | s/e | | e | | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 8 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |99 |99 | | | | | |0-99 rate|99 |94 |50 | | | | | | levl|99 |86 | 0 | | | | | |0-99 levl|99 |99 | 0 | | | | | | s/e | | | e | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 1 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |41 |52 | | | | | |0-99 rate|99 |53 |52 | | | | | | levl|99 | 0 | 0 | | | | | |0-99 levl|81 |35 | 0 | | | | | | s/e | | s | e | | | | | | s/e | | | e | | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on "Tom toms 1" from Casio "Pro-tone data book." Play octaves 2+3. ***************************************************************************** ---------------------------------------------------------------- Name: BELL ORGAN >From: Tom Benson PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| off| | + | 3 | 07 | 08 | | 1 |49 |50| 10| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 2 | 5 | | 2 | 2 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|50 | | | | | | | |0-99 rate|50 | | | | | | | | levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | | | s/e | e | | | | | | | | s/e | e | | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 7 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 | | | | | | | |0-99 rate|99 |50 |52 |50 | | | | | levl| 0 | | | | | | | |0-99 levl|70 |68 |97 | 0 | | | | | s/e | e | | | | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 0 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |55 |31 |31 | | | | |0-99 rate|99 |81 |31 |31 | | | | | levl|99 |89 |65 | 0 | | | | |0-99 levl|90 |86 |29 | 0 | | | | | s/e | | | s | e | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on "fairy tale" preset, B-8. ***************************************************************************** ---------------------------------------------------------------- Name: ???? >From: Tom Benson Line Select Modulation Detune Vibrato Octave +/- Octave Note Fine Wave Delay Rate Depth +/- Range 1+1' + 1 8 1 38 60 4 0 DCO 1 Wave Form First Second 2 3 Step 1 2 Rate 99 68 Level 33 0 END DCW 1 Key Follow 9 Step 1 2 3 4 Rate 73 99 99 00 Level 88 96 99 00 SUS END DCA 1 Key Follow 0 Step 1 2 3 4 Rate 82 99 88 62 Level 81 99 96 00 SUS END * Use it at the extreme low end for a fat slightly distorted deep organy sound. I don't know how else to explain it. ---------------------------------------------------------------- Name: Marimba >From: John Pritchard line mod detune vibrato octave 1+2 + 2 00 01 1 51 60 05 -1 DCO 1 wave 1 0 rate level 50 00e DCW 1 key 5 rate level 99 27 48 00e DCA 1 key 6 rate level 94 99 32 00s 45 00e DCO 2 wave 2 0 rate level 50 00e DCW 2 key 1 rate level 99 12 12 00e DCA 2 key 3 rate level 95 99 54 36 28 00s 60 00e ---------------------------------------------------------------- Name: Space Shots >From: Chris Malley <..!ucbvax!ihnp4!daimler!cvm> line mod detune vibrato octave 1+1' off/off - 0 00 06 3 0 35 93 (whatever you like best) DCO 1 wave 8 0 rate level 99 33 33 0 END DCW 1 key 0 rate level 99 99 46 99 37 52 SUS 26 0 END DCA 1 key 0 rate level 99 50 77 99 67 91 SUS 79 92 26 0 END Comments: This sounds kind of like the laser fire in a cheap video game. To change the number of shots fired each time you push a key, change the rate of DCA 1, STEP 5. To vary the speed at which shots are fired, vary the vibrato rate (most effective if you do this while playing.) ---------------------------------------------------------------- Name: Glissando Filter Sweep >From: Chris Malley <..!ucbvax!ihnp4!daimler!cvm> line mod detune vibrato octave 1+1' off/off - 0 00 06 1 0 0 6 - 1 DCO 1 wave 8 0 rate level 99 33 70 0 END DCW 1 key 0 rate level 99 99 46 99 37 52 SUS 26 0 END DCA 1 key 0 rate level 99 50 77 99 67 91 SUS 79 59 33 0 END Comments: This sound creates a "high-to-low" filter sweep in discrete increments (hence, glissando) each time a key is pressed. The sweep is most noticable in the lower range of the keyboard. For really gothic song intros, try setting DETUNE OCTAVE to -1 and playing single notes going slowly >from high to low on the keyboard. (Notice that the parameter values of this sound are very similar to those of Space Shots. By tweaking the vibrato, DCO1, DCA1 it becomes a semi-musical sound.) ---------------------------------------------------------------- Name: Diva Harmonic >From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien> An ethereal third harmonic fades in as the fundamental fades out. Play slowly & hold down the keys for several seconds for full effect. Reminiscent of some of the music in the film _Diva_. Line 1+2' Octave 0 Detune + OCT 1, NOTE 7 FINE 0 Vibrato: Wave 1 Delay 0 Rate 0 Depth 0 Modulation: None DCO 1 Wave 1 Env 0/0/END DCW 1 Key 0 Env 53/5 37/0/END DCA 1 Key 0 Env 38/99 30/0/END DCO 2 Wave 1 Env 0/0/END DCW 2 Key 0 Env 32/5 25/0/END DCA 2 Key 0 Env 32/99 30/0/END ---------------------------------------------------------------- Name: Landing 747 >From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien> The best sound comes from keys at the low end of the keyboard, I think. Hold down the key to let the effect complete its cycle. Holding several adjacent keys works well, too. Line 1+2' Octave -1 Detune - OCT 1, NOTE 0 FINE 0 Vibrato: Wave 1 Delay 31 Rate 36 Depth 0 Modulation: Noise DCO 1 Wave 5 Env 99/95 9/43/SUS 8/0/END DCW 1 Key 0 Env 99/73/SUS 9/62 9/0/END DCA 1 Key 6 Env 56/88/SUS 10/28 37/0/END DCO 2 Wave 5 Env 99/80 24/43/SUS 8/0/END DCW 2 Key 0 Env 99/81/SUS 9/62 9/0/END DCA 2 Key 2 Env 53/81/SUS 10/37 30/0/END ---------------------------------------------------------------- Name: Thompson Bass >From: Tom O'Brien <..!cbosgd!bpa!swatsun!obrien> Similar to the plucked bass sound used on several Thompson Twins records. After an initial transient, the note fades to a muted drone. Line 1+2' Octave -1 Detune - OCT 0, NOTE 0 FINE 0 Vibrato: Wave 1 Delay 0 Rate 0 Depth 0 Modulation: None DCO 1 Wave 3 Env 0/0/END DCW 1 Key 9 Env 99/94 55/23/SUS 37/0/END DCA 1 Key 0 Env 99/99 63/70/SUS 50/0/END DCO 2 Wave 3 Env 0/0/END DCW 2 Key 9 Env 99/94 55/23/SUS 37/0/END DCA 2 Key 0 Env 99/99 63/70/SUS 50/0/END ---------------------------------------------------------------- Name: Brass Strings >From: Brian Yamauchi Line Select: 1+2' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +6 Vibrato: Wave = 1 Delay = 28 Rate = 52 Depth = 11 Octave: DCO1 DCO2 ---- ---- First = 1 Second = 5 First = 1 Second = 3 Rate: 99 99 Rate: 99 68 Level: 66 00 Level: 33 00 Sus/End: E Sus/End: E DCW1 DCW2 ---- ---- Key Follow: 0 Key Follow: 0 Rate: 99 00 Rate: 80 47 37 26 Level: 90 00 Level: 99 96 52 00 Sus/End: S E Sus/End: S E DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: 0 Rate: 92 95 92 99 45 Rate: 99 77 67 79 33 Level: 99 87 99 88 00 Level: 50 99 91 59 00 Sus/End: S E Sus/End: S E Comment: This patch started as a combination of the Synth Strings preset and Synth Brass 1. It works well for lead lines on the upper half of the keyboard. ---------------------------------------------------------------- Name: Ice Blue >From: Brian Yamauchi Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = -7 Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0 Octave: DCO1 DCO2 ---- ---- First = 2 Second = 0 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 5 Key Follow: Rate: 99 50 Rate: Level: 85 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 50 50 40 Rate: Level: 80 99 50 00 Level: Sus/End: S E Sus/End: Comment: Sounds almost like a synth clarinet. ---------------------------------------------------------------- Name: Pseudosilk >From: Brian Yamauchi Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +7 Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0 Octave: DCO1 DCO2 ---- ---- First = 1 Second = 0 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 7 Key Follow: Rate: 93 60 42 Rate: Level: 99 90 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 75 55 40 Rate: Level: 68 99 00 Level: Sus/End: S E Sus/End: Comment: This patch was designed to sound like the lead synth in Pseudosilk Kimono by Marillion. ---------------------------------------------------------------- Name: Oracle >From: Brian Yamauchi Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +7 Vibrato: Wave = 2 Delay = 0 Rate = 60 Depth = 30 Octave: DCO1 DCO2 ---- ---- First = 2 Second = 7 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 40 Rate: Level: 99 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 30 Rate: Level: 99 00 Level: Sus/End: E Sus/End: Comment: An exotic-sounding tone. ---------------------------------------------------------------- Name: Choral oooh >From: David Coleman Line Select: 1 + 2' Modulation: none Detune (-) oct: 0 Note: 00 fine: 07 Vibrato wave: 1 delay: 40 rate: 26 depth: 03 Octave -1 DCO1 wave 1st: 1 2nd: 0 step 1 2 3 rate 86 00 74 level 66 10 00 sus/end sus end DCW1 key follow: 6 step 1 2 3 rate 70 00 50 level 24 79 00 sus/end sus end DCA1 key follow: 0 step 1 2 3 4 rate 85 36 40 50 level 99 40 00 00 sus/end sus end DCO2 wave 1st: 2 2nd: 0 step 1 2 3 rate 59 81 00 level 66 62 00 sus/end sus end DCW2 key follow: 5 step 1 2 3 rate 70 69 50 level 28 79 00 sus/end sus end DCA2 key follow: 9 step 1 2 3 rate 85 83 50 level 99 37 00 sus/end sus end Comments: "Choral oooh" was a semi-successful experiment to see if something close to vocals could be obtained. As you CZ owners know, the "human voice" preset sounds ok, but not at all like a human voice. "Choral oooh" sounds something like a person singing "oooh" (long u sound). It is not perfect, but I think you will find it outclasses the human voice preset by far. This voice sounds best when you play major chords on the middle-high octave range. Try playing with the line select, too. ---------------------------------------------------------------- Name: Reverb Strings >From: David Coleman Line Select: 1 + 1' Modulation: none Detune (+) oct: 0 Note: 00 fine: 10 Vibrato wave: 1 delay: 28 rate: 52 depth: 11 Octave +1 DCO1 wave 1st: 1 2nd: 3 step 1 2 rate 99 99 level 66 00 sus/end end DCW1 key follow: 0 step 1 2 rate 99 00 level 99 00 sus/end sus end DCA1 key follow: 4 step 1 2 3 4 5 6 7 rate 64 95 75 75 79 63 26 level 99 99 76 76 33 87 00 sus/end sus end DCO2 wave 1st: 1 2nd: 3 step 1 2 rate 99 99 (Same as DCO1) level 66 00 sus/end end DCW2 key follow: 0 step 1 2 rate 99 00 (Same as DCW1) level 99 00 sus/end sus end DCA2 key follow: 0 step 1 2 3 4 5 rate 92 95 92 99 32 level 99 87 99 88 00 sus/end sus end Comments: "Reverb Strings" is a modification of the preset "Synth Strings". The "reverb" comes from playing the note not only when a key is pressed, but also when the key is released. Try holding a chord and then letting off the keys one at a time, and you will hear the effect. With a little practice on the timing of pressing and releasing the keys, you can get some interesting effects such as eight eighth notes when only when four eighth notes separated by eighth rests are played. ---------------------------------------------------------------- Name: Buzzing Fly >From: Glenn Bruns line mod detune vibrato octave 1+1' ring + 3 06 11 1 00 11 44 -1 DCO 1 wave 2 7 rate level 50 00s 50 00e DCW 1 key 0 rate level 99 80 35 57 41 96 40 47 41 79 39 62 40 95 30 00e DCA 1 key 0 rate level 99 80 33 67 33 86 34 64 32 78 33 65 35 79s 28 00e Comments: An annoying patch to enter manually, but amusing. ---------------------------------------------------------------- Name: Drill >From: Glenn Bruns line mod detune vibrato octave 1+1' noise + 2 00 40 1 36 66 62 0 DCO 1 wave 1 2 rate level 55 82s 54 39 00 00e DCW 1 key 4 rate level 82 92s 26 45 00 00e DCA 1 key 0 rate level 63 99s 47 68 70 00e Comments: ---------------------------------------------------------------- Name: Dropped Bomb >From: Glenn Bruns line mod detune vibrato octave 1+2' noise - 0 05 07 1 24 54 00 -1 DCO 1 wave 5 0 rate level 99 86 38 00e DCW 1 key 4 rate level 99 40 50 80s 99 00e DCA 1 key 0 rate level 99 20 36 40s 99 00e DCO 2 wave 3 3 rate level 99 65 40 66s 00 00e DCW 2 key 4 rate level 99 99 40 75 40 77 40 51 44 00e DCA 2 key 0 rate level 99 20 36 40s 99 00e Comments: Press key to drop bomb, release to explode. Best range seems to be in the octave above middle C. I have yet to get a decent explosion sound out of the CZ -- this explosion is weak. ---------------------------------------------------------------- Name: OIL-DRUM / JARS / TOY PIANO >From: J. Peter Alfke Comments: Sound depends on what octave you play at. Very nice ringy metallic sounds; the piano in particular is *perfect*. Then plug in distortion [I'm using an Arion Metal Master] and get twisted wicked sounds with intense feedback sustain. Twiddle the pitch-bend knob and be your own Jimi Hendrix or Thurston Moore! [Based on Casio Synth. Harp] Line: 1+1' Mod: Ring Detune: +0 5 18 Vibrato: none Octave: +1 DCO 1: Wave 2 0 99 99 67 00 END DCW 1: Key 0 99 55 99 00 END DCA 1: Key 7 99 31 16 99 98 00 END ---------------------------------------------------------------- Name: HAMBURGER LADY >From: J. Peter Alfke Comments: Very Throbbing Gristle. Sounds like the background grind to "Hamburger Lady"; play one or two low notes. Not perfect, but pretty good. You can also turn off the vibrato and hit crashing atonal chords in the low octave; another very T.G sound. [Based on Casio Bass Guitar] Line: 1+1' Mod: Ring Detune: +1 11 34 Vibrato: 1 30 2 66 Octave: -1 DCO 1: Wave 3 4 50 00 END DCW 1: Key 9 99 45 40 41 80 45 30 00 SUS END DCA 1: Key 1 99 25 35 42 90 80 75 00 SUS END ---------------------------------------------------------------- Name: newhorn >From: Paul Boutin line mod detune vibrato octave 1+2 ring + 0 00 12 1 27 49 11 (0,+1) DCO 1 wave 3 2 rate level 00 00e DCW 1 key 4 rate level 67 79 15 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 44 00r DCO 2 wave 3 2 rate level 00 00e DCW 1 key 4 rate level 72 79 15 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 35 00r Comments: Tone mix one voice in octave 0 with one in octave +1 ---------------------------------------------------------------- Name: Drilling >From: Glenn Bruns line mod detune vibrato octave 1+1' noise - 2 00 40 1 36 66 62 0 DCO 1 wave 1 2 rate level 55 82s 54 39 00 00e DCW 1 key 4 rate level 82 92s 26 45 00 00e DCA 1 key 0 rate level 63 99s 47 68 70 00e Comments: High notes sound like dentist's drill; low notes sound more like 3/8" drill into wood. ---------------------------------------------------------------- Name: Nightporter >From: Steve Conti line mod detune vibrato octave 1+2 + 0 00 12 0 DCO 1 wave 1 0 rate level 00 00e DCW 1 key 9 rate level 60 60 12 00e DCA 1 key 0 rate level 95 30 99 00e DCO 2 wave 2 0 rate level 50 00e DCW 2 key 9 rate level 77 50 12 00e DCA 2 key 5 rate level 95 30 99 00e Comments: "'Nightporter' was programmed (surprise, surprise) in an attempt to recreate the mood of the Satie-influenced Japan song of the same name. If the sound comes across too sweet for your taste, reduce the Fine Detune to around 09 for a more piano-like sound. Some slow modulation delayed to the tail-end of the sound adds a different dimension, too." -_MT_ ---------------------------------------------------------------- Name: ???? >From: Chris Cuthbert LINE RING NOISE +/- OCTV NOTE FINE WAVE DELAY RATE DPTH OCTV 1+2 OFF OFF + 0 00 07 1 00 00 00 -1 LINE 1 LINE 2 WAVEFORMS WAVEFORMS 3 0 4 0 PITCH ENVELOPE PITCH ENVELOPE RATE 50 50 RATE 50 LEVL 00 00 LEVL 00 S E E DCW KEYFOLLOW DCW KEYFOLLOW 0 0 WAVE ENVELOPE WAVE ENVELOPE RATE 72 20 RATE 87 56 33 89 72 57 LEVL 41 00 LEVL 98 76 58 61 30 00 S E E DCA KEYFOLLOW DCA KEYFOLLOW 0 0 AMPLITUDE ENVELOPE AMPLITUDE ENVLOPE RATE 99 50 RATE 99 50 LEVL 99 00 LEVL 99 00 S E E ---------------------------------------------------------------- Name: Real fat Oberheim-like moan >From: Paul Boutin line 1+1' octave 0 or -1 vibrato w1 d28 r49 d21 det + 1 00 10 DCO 1 DCW 1 DCA 1 wave key fol key fol 4 3 0 0 rt lv rt lv rt lv 99 66 91 67s 77 60 99 00e 00 00e 48 68 39 99 68 99s 32 00e ---------------------------------------------------------------- Name: Snare double for drum machine >From: Paul Boutin line 1+2' octave 0(?) vibrato off noise detune + 3 11 60 DCO 1 DCW 1 DCA 1 wave key fol key fol 2 2 0 0 rt lv rt lv rt lv 99 99 95 29 88 99 77 00e 41 00 36 91 79 60 54 00 55 00 \ 51 00 > Hey, do these do anything? 47 00 / 50 00e DCO 2 DCW 2 DCA 2 wave key fol key fol 2 2 0 2 rt lv rt lv rt lv 99 99 96 34 89 99 77 00 41 00e 36 91 79 59 55 00 50 00 50 00 50 00 49 00e Note: I didn't write down the octave setting, but when set up correctly there will be this surprise "clank" somewhere in the second octave of the keyboard, and a more electronic-drum-like bash on the low C. Reuben had this timed to go with the snare on his TR-707, and the resulting clank sounded like a Depeche Mode sample. In fact, I *thought* he was doing this on his Prophet 2000, it sounded so good. ---------------------------------------------------------------- Name: ROUGH EDGE >From: Martin Sant Line Ring Noise +/- Octv Note Fine Wave Delay Rate Depth Octv 1+1 OFF OFF + 0 00 08 1 45 49 02 0 Line 1 Line 2 ------ ------ DCO Waveforms DCO Waveforms 4 3 1 0 Pitch Envelope Pitch Envelope Rate 67 87 00 00 00 00 00 00 Rate 00 00 00 00 00 00 00 00 Level 33 00 00 00 00 00 00 00 Level 00 00 00 00 00 00 00 00 E E DCW Keyfollow DCW Keyfollow 1 2 Wave Envelope Wave Envelope Rate 99 34 40 04 00 00 00 00 Rate 99 50 50 50 50 50 50 50 Level 99 24 17 13 00 00 00 00 Level 99 00 00 00 00 00 00 00 E E DCA Keyfollow DCA Keyfollow 3 2 Amplitude Envelope Amplitude Envelope Rate 97 52 14 39 00 00 00 00 Rate 72 38 00 00 00 00 00 00 Level 99 98 65 00 00 00 00 00 Level 92 00 00 00 00 00 00 00 S E E ---------------------------------------------------------------- Name: BOWR BASS >From: Martin Sant Line Ring Noise +/- Octv Note Fine Wave Delay Rate Depth Octv 1+1 OFF OFF + 0 00 07 1 11 51 18 0 Line 1 Line 2 ------ ------ DCO Waveforms DCO Waveforms 4 3 1 0 Pitch Envelope Pitch Envelope Rate 00 00 00 00 00 00 00 00 Rate 00 00 00 00 00 00 00 00 Level 00 00 00 00 00 00 00 00 Level 00 00 00 00 00 00 00 00 E E DCW Keyfollow DCW Keyfollow 7 2 Rate 74 47 00 00 00 00 00 00 Rate 99 40 00 00 00 00 00 00 Level 78 00 00 00 00 00 00 00 Level 99 00 00 00 00 00 00 00 E E DCA Keyfollow DCA Keyfollow 2 2 Rate 72 38 00 00 00 00 00 00 Rate 72 38 00 00 00 00 00 00 Level 92 00 00 00 00 00 00 00 Level 92 00 00 00 00 00 00 00 S E E Article 2885 of rec.music.synth: Path: bloom-beacon!mit-eddie!ll-xn!ames!pasteur!agate!ig!uwmcsd1!bbn!rochester!PT.CS.CMU.EDU!andrew.cmu.edu!bader+ >From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: 2 cz patches Message-ID: <8W=WMzy00UkazIs15Y@andrew.cmu.edu> Date: 4 Mar 88 03:36:31 GMT Organization: Carnegie Mellon University Lines: 41 Here are two patches I made for the casio cz. The first one evolved from Casio's cello (and so sounds sort of slowly bowed), the second was originally an attempt to make a plucked version of the first (but doesn't sound all that much like that). I like to split the keyboard between them. Name: coolstring By: Miles Bader Vibr: W: 1 Del: 50 R: 53 Dep: 12 Oct: 0 Line: 1+2' Mod: none DCO1: WF: 1,4 Env: 50/0/e DCW1: KF: 0 Env: 99/99, 64/66/s, 31/48, 85/0, 50/0/e DCA1: KF: 2 Env: 62/68, 34/99, 25/70/s, 50/0/e DCO2: WF: 4,0 Env: 50/0/e DCW2: KF: 0 Env: 99/99, 64/66/s, 31/48, 85/0, 50/0/e DCA2: KF: 2 Env: 62/68, 45/99, 25/70/s, 50/0/e Vel1: A: 3 W: 0 P: 0 Vel2: A: 3 W: 0 P: 0 Detune: -1,0,13 Comments: envelopes orig from Casio's cello Name: Fat Pluck By: Miles Bader Vibr: W: 1 Del: 50 R: 53 Dep: 12 Oct: 0 Line: 1+2' Mod: none DCO1: WF: 5,4 Env: 50/0/e DCW1: KF: 0 Env: 99/99, 38/0/e DCA1: KF: 2 Env: 80/99, 40/60, 30/0/s, 43/0/e DCO2: WF: 4,0 Env: 50/0/e DCW2: KF: 0 Env: 99/99, 38/0/e DCA2: KF: 2 Env: 80/99, 40/60, 30/0/s, 50/0/e Vel1: A: 3 W: 0 P: 0 Vel2: A: 3 W: 0 P: 0 Detune: -1,0,7 Comments: Enjoy! -Miles Article 3079 of rec.music.synth: Path: bloom-beacon!husc6!uwvax!rutgers!topaz.rutgers.edu!mrichter >From: mrichter@topaz.rutgers.edu (Madprog) Newsgroups: rec.music.synth Subject: CZ patches Keywords: patches, CZ Message-ID: Date: 18 Mar 88 00:38:33 GMT Organization: Rutgers Univ., New Brunswick, N.J. Lines: 69 Okay, here are two patches for my fellow CZ owners. The first, called BRASS!, was developed by myself shortly after I got my synth. I wanted a euphonium and ended up with a very fat brassy sound. The second, Steinway, is a pretty good piano patch I picked up from a friend of mine. No, it won't fool anyone, but it works for me... Tone name: BRASS! Line select: 1 + 1' Ring:ON Noise:OFF Detune - Octave:0 Note:0 Fine:-1 Vibrato - Wave:2 Delay:0 Rate:75 Depth:5 Octave:-1 DCO1 DCO2 Wave Form - First:1 Second:0 Wave Form - First: Second: Env: 70/30 70/00 70/30 70/00S Env: 00/00 00/00 00/00 00/00 50/00 50/00 50/00 50/00E 00/00 00/00 00/00 00/00 DCW1 DCW2 Key Follow:0 Key Follow: Env: 99/99S50/00E00/00 00/00 Env: 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 DCA1 DCA2 Key Follow:0 Key Follow: Env: 99/99S40/00E00/00 00/00 Env: 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 Comments:Very fat, brassy analog type sound. Crank it. Tone name: Steinway Line select: 1 + 2' Ring:OFF Noise:OFF Detune - Octave:0 Note:0 Fine:-1 Vibrato - Wave:1 Delay:0 Rate:0 Depth:0 Octave:0 DCO1 DCO2 Wave Form - First:4 Second:0 Wave Form - First:3 Second:0 Env: 00/00E00/00 00/00 00/00 Env: 00/00E00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 DCW1 DCW2 Key Follow:9 Key Follow:9 Env: 95/93 64/80 37/00E00/00 Env: 94/93 20/86 37/00E00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 DCA1 DCA2 Key Follow:0 Key Follow:6 Env: 99/99 30/80 16/02S50/00E Env: 99/99 30/75 20/00S50/00E 00/00 00/00 00/00 00/00 00/00 00/00 00/00 00/00 Comments:Piano patch --- sounds pretty good Well, enjoy... Marc (MadProg) "FISH!" e2m Article 3274 of rec.music.synth: Path: bloom-beacon!husc6!bbn!rochester!PT.CS.CMU.EDU!andrew.cmu.edu!bader+ >From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: cz patch Message-ID: Date: 31 Mar 88 04:18:57 GMT Organization: Carnegie Mellon University Lines: 20 Yum! Name: Fuzzy By: Miles Bader Vibr: None Oct: 0 Line: 1+2' Mod: None DCO1: WF: 5,0 Env: 0/e DCW1: KF: 9 Env: 81/92/s, 20/0/e DCA1: KF: 1 Env: 70/50, 66/99, 49/91/s, 33/0/e DCO2: WF: 3,5 Env: 0/e DCW2: KF: 9 Env: 81/92/s, 20/0/e DCA2: KF: 1 Env: 70/50, 66/99, 49/91/s, 33/0/e Vel1: -- Vel2: -- Detune: +1,0,4 Comments: Organ-y, string-y, neat-o -Miles Article 3486 of rec.music.synth: Path: bloom-beacon!tut.cis.ohio-state.edu!mailrus!nrl-cmf!ames!pasteur!ucbvax!decwrl!pyramid!voder!tolerant!procase!bauer >From: bauer@procase.UUCP (Jerry Bauer) Newsgroups: rec.music.synth Subject: ESQ1 and CZ-x patches Keywords: patches, we don't NEED no STINKIN' patches!! Message-ID: <3b93e6ca.14dd6@c> Date: 20 Apr 88 16:55:00 GMT Organization: proCASE Corporation, Santa Clara, CA Lines: 117 We need GOOD patches. Here are a couple of contributions. (Are they GOOD? Well, I like them.) Here is one for the ESQ'1. This is a wire-strung celtic harp. It layers nicely with the HARP patch for the CZ-101, below program: CELTIC oct semi fine wave mod1 depth mod2 depth osc1 1 7 2 bell env2 +63 ------ 0 osc2 0 0 2 bell env2 +2 ------ 0 osc3 0 0 4 synth2 env1 +41 ------ 0 level output mod1 depth mod2 depth dca1 63 off ------ --- ------ --- dca2 63 off ------ --- ------ --- dca3 61 on env1 +24 ------ --- freq q keybd mod1 depth mod2 depth filter 20 2 25 env3 40 kbd2 -1 final vol. pan pan mod. depth dca4 63 5 kbd 63 freq reset human wav L1 delay L2 mod lfo1 --- --- --- --- -- -- -- ------ lfo2 --- --- --- --- -- -- -- ------ lfo3 --- --- --- --- -- -- -- ------ L1 L2 L3 LV T1V T1 T2 T3 T4 TK env1 63 0 0 22 0 0 0 19 45 1 env2 63 0 0 0 0 0 6 0 40 9 env3 63 49 1 48 0 0 24 38 30 10 env4 63 45 0 27 0 0 44 51 30 27 sync am mono glide vc env osc cyc modes off on off 0 off on off on s/l s/l prog. lay lay prog. spl. spl prog key splits off ------ off ------ off ------ --- comment: I built this one after a celtic harp concert. (Patrick Ball, September, 1987) I subsequently purchased a cassette of Mr. Ball, playing his harp. >From the album notes: The uniquely clear and resonant sound of the traditional wire-strung Celtic folk harp has been heard only rarely since its playing became a lost art nearly two centuries ago. An ancient instrument, it is played with the fingernails and demands far greater playing skill than the more familiar "neo-irish" harp with its softer gut or nylon strings. The instrument featured on this album is an outstanding modern re-creation by the master harp builder Jay Witcher. The synthesized sound described here is subjectively (to me) close to the sound of the harp on the album. __________________________________________________________________ Here it is - one of my favorite sounds for the CZ-101. Tone name: HARP line select: 1 detune: + 0 0 0 (+/-, octave, note, fine) vibrato: 1 0 0 0 (wave, delay, rate, depth) octave: 0 dco1 wave: 2 0 dco1 env: 50/0/e (rate/level{/sustain|end})* dcw1 keyfollow: 9 dcw1 env: 99/99, 50/0/e dca1 keyfollow: 9 dca1 env: 90/99, 20/0/e comment: gut or nylon harp, pluck envelope on dcw/dca This is a reasonable approximation of a gut-strung or nylon- strung harp. It is done on dcx1, only, so it is octophonic - I find this valuable because of the longish sustain (from 99 to 0 @ 20.) __________________________________________________________________ I have done a couple other interesting sounds for these instruments (ESQ'1 and CZ-101,) and I might share them, too, if there is expressed interest sufficient to overcome my inertia. So, if you like these, let me know. I place them in the public domain - you may use them any way you like, including public performance for profit, without ever mentioning where you got them, or from whom. Inasmuch as I do not share in the benefits of such use, I shall be held blameless of any damages resulting from their use. Reading this notice constitutes your agreement to abide by these restrictions. So there. (Copyright by Jerry Randal Bauer, in perpetuity, forever and ever, AMEN, until H - E - double toothpicks freezes over and some after that. Ipso Facto, Habeas Corpus, et al.) (this copyright and the preceeding copyright notice are the exclusive property of Jerry Randal Bauer, and it is strictly ILLEGAL to even read them.) (Oh, NO! You didn't read them did you?) (Also, I am unsure of my ability to post. If you get this, please drop me a line at one of the addresses below.) JRBauer (Jerry) ...!tolerant!procase!bauer ...!hpda!procase!bauer ...!cae780!procase!bauer <-- I'm not sure of this one Article 3959 of rec.music.synth: Path: bloom-beacon!gatech!mcnc!uvaarpa!virginia!maxwell.acc.Virginia.EDU!smm7l >From: smm7l@maxwell.acc.Virginia.EDU (Steven M. Michelson) Newsgroups: rec.music.synth Subject: CZ Patches Message-ID: <912@virginia.acc.virginia.edu> Date: 6 Jun 88 14:14:09 GMT Sender: acc@virginia.acc.virginia.edu Reply-To: smm7l@maxwell.acc.Virginia.EDU (Steven M. Michelson) Distribution: na Organization: Academic Computing Center, University of Va. Lines: 100 I seem to recall seeing a few postings for Casio CZ patches on this net, so I will assume that there is at least _some_ audience for these patches. Here are a few of my own, which I think some of you might enjoy: ---------------------- "Space" (Couldn't think of a better name. Can you?) Line Select: 1 + 1' Modulation: None Detune: (+) Oct: 00 Note: 00 Fine: 07 Octave: +1 Vibrato: Wave: 1 Delay: 23 Rate: 52 Depth: 05 DCO 1: Wave: 2 0 Env: 99 00 (E) DCW 1: Key Follow: 0 Env: 89 99 68 00 (E) DCA 1: Key Follow: 3 Env: 94 99 55 93 21 10 (S) 33 00 (E) This one also works well with line select set to 1, which gives you 8 voice polyphony. --------------------------------------- "Crazy" Line Select: 1 + 2' Modulation: None Detune: (-) Oct: 01 Note: 00 Fine: 06 Octave: +1 Vibrato: Wave: 1 Delay: 62 Rate: 39 Depth: 06 DCO 1: Wave: 2 4 DCO 2: Wave: 4 2 Env: 99 66 (S) Env: 00 00 (E) 00 65 00 64 00 63 00 00 (E) DCW 1: Key Follow: 2 DCW 2: Key Follow: 8 Env: 99 81 Env: 99 81 55 23 (S) 55 23 (S) 37 00 (E) 37 00 (E) DCA 1: Key Follow: 0 DCA 2: Key Follow: 0 Env: 99 99 Env: 99 99 63 90 (S) 63 90 (S) 40 00 (E) 33 00 (E) (If you play and hold a C Major chord, it sounds like the opening chord of Prince's song "Let's Go _Crazy_". You know: "Dearly beloved, we are gathered here today to talk about this thing called life....") ----------------------------------------- "Choral" Line Select: 1 + 2' Modulation: None Detune: (-) Oct: 01 Note: 00 Fine: 07 Octave: +1 Vibrato: Wave: 1 Delay: 38 Rate: 51 Depth: 08 DCO 1: Wave: 5 0 DCO 2: Wave: 3 5 Env: 00 00 (E) Env: 00 00 (E) DCW 1: Key Follow: 8 DCW 2: Key Follow: 7 Env: 30 28 Env: 40 40 50 00 (E) 42 57 00 56 15 00 (E) DCA 1: Key Follow: 1 DCA 2: Key Follow: 1 Env: 80 36 Env: 88 36 70 91 70 91 59 99 59 99 12 93 (S) 12 93 (S) 32 00 (E) 23 00 (E) (If you want 8 voice polyphonic, use Line Select 2, but this is not nearly as good as the whole thing.) ------------------------------- If anyone else has patches, I would love to try them out! I would also like to hear your comments. -Steve Michelson Article 4024 of rec.music.synth: Path: bloom-beacon!tut.cis.ohio-state.edu!mailrus!ames!lll-lcc!well!csz >From: csz@well.UUCP (Carter Scholz) Newsgroups: rec.music.synth Subject: Re: Doing Gamelan Noises Keywords: gamelan microtuning harpsichords Message-ID: <6237@well.UUCP> Date: 10 Jun 88 06:15:28 GMT References: <3274@whutt.UUCP> <30946@yale-celray.yale.UUCP> <223@heurikon.UUCP> Reply-To: csz@well.UUCP (Carter Scholz) Organization: Whole Earth 'Lectronic Link, Sausalito, CA Lines: 104 As the estimable G Taylor points out, the playing technique is what makes or breaks any synthesis. I have spent some time fiddling with FM "equivalents" to authentic Javanese instruments, and have decided it's fruitless. Nonetheless, here are a few patches which are not terribly far off. ========================================================== BONANG -- DX7 algorithm 5 feedback=5 op1 op2 op3 op4 op5 op6 frequency 1.00 2.70 1.76 79.43 Hz 1.00 2.74 output 99 89 87 80 91 53 eg rate 1 78 99 77 99 78 99 eg rate 2 48 47 55 53 50 50 eg rate 3 13 29 25 13 22 09 eg rate 4 46 55 48 42 47 99 eg level 1 99 99 99 99 99 99 eg level 2 99 77 87 99 96 94 eg level 3 0 0 0 0 0 0 eg level 4 0 0 0 0 0 97 vel sens 1 5 4 7 1 3 7 ============================================================== GAMBANG -- DX7 algorithm 11 feedback=0 op1 op2 op3 op4 op5 op6 frequency 1.00 1.63 97.72Hz 1.00 1.00 1.00 output 99 66 99 60 99 93 eg rate 1 78 80 99 67 99 99 eg rate 2 99 99 99 94 99 99 eg rate 3 30 63 99 32 99 99 eg rate 4 30 21 99 26 99 99 eg level 1 99 99 99 99 99 99 eg level 2 99 86 99 99 99 94 eg level 3 0 0 0 0 0 0 eg level 4 0 0 0 0 0 0 vel sens 1 5 7 2 7 0 0 ================================================= ================================================= TX81Z: name:Gong Ageng TX81Z Editor, (c) 1987, Ross Sponholtz o A D1 D1 D2 R EG Out Lvl Rte EG Amp Vel Fix/ Rng/ Crs Fin De Wave p R R L R R Sf put Scl Scl bias Mod Sens Rat Mul Tune Form 1 24 24 14 3 1 0 94 0 2 0 off 3 rat 0 4 0 -3 1 2 7 4 13 0 1 0 71 0 2 0 off 4 rat 0 5 0 3 1 3 16 6 7 4 2 0 99 0 2 0 off 3 rat 0 4 0 3 1 4 11 4 11 1 1 0 67 22 0 0 off 4 rat 0 5 10 0 1 Algorithm 5 ================================================================== name:Gender TX81Z Editor, (c) 1987, Ross Sponholtz o A D1 D1 D2 R EG Out Lvl Rte EG Amp Vel Fix/ Rng/ Crs Fin De Wave p R R L R R Sf put Scl Scl bias Mod Sens Rat Mul Tune Form 1 31 18 13 3 6 0 99 0 0 0 off 1 rat 0 4 0 -3 1 2 31 14 12 4 6 0 74 0 1 0 off 4 rat 0 6 11 3 1 3 24 19 12 3 8 0 89 0 0 0 off 4 rat 0 16 2 3 1 4 21 19 10 5 6 0 84 0 1 0 off 4 rat 0 25 14 3 2 Algorithm 8 ================================================================ name:Saron TX81Z Editor, (c) 1987, Ross Sponholtz o A D1 D1 D2 R EG Out Lvl Rte EG Amp Vel Fix/ Rng/ Crs Fin De Wave p R R L R R Sf put Scl Scl bias Mod Sens Rat Mul Tune Form 1 31 17 15 7 6 0 99 0 2 0 off 2 rat 0 4 0 -3 1 2 31 12 12 6 6 0 93 0 2 0 off 5 rat 0 6 12 3 1 3 31 13 15 8 3 0 94 0 3 0 off 5 rat 0 17 2 3 2 4 29 9 10 5 6 0 80 0 1 0 off 5 rat 0 25 15 3 1 Algorithm 8 ================================================================== ================================================================== Note that I've left lots of parameters blank. These are the "fine-tuning". Most of the bar instruments can be approximated using additive synthesis. On a DX7 (6-op) instrument choose algorithm 32. On a 4-op instrument, choose algorithm 8. In any case, the first six frequency ratios should be, roughly, 1.00, 2.76, 5.40, 8.94, 13.36, 18.60. Make decaying envelopes and mess with the output levels and keyboard scalings. And listen. Listen to what you've made. Then listen to the world. Then listen to what you've made. Et cetera. Article 4080 of rec.music.synth: Path: bloom-beacon!tut.cis.ohio-state.edu!husc6!bbn!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+ >From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: cz pateches Message-ID: Date: 15 Jun 88 21:08:15 GMT Organization: Carnegie Mellon Lines: 56 These are for the cz1, so just ignore the velocity data if you don't have one. Name: jangly By: Miles Bader Vibr: W: 1 Del: 0 R: 53 Dep: 12 Oct: 0 Line: 1+1' Mod: - DCO1: WF: 1,0 Env: 0/e DCW1: KF: 0 Env: 99/99, 40/74/s, 47/48, 0/0/e DCA1: KF: 2 Env: 80/99/s, 34/0/e Vel1: A: 3 W: 0 P: 0 Detune: -0,0,13 Comments: If released quickly, sounds very "jangly", otherwise, quickly becomes more breathy sounding, and sustains that way. One of my favorites. Name: swerl By: Miles Bader Vibr: - Oct: -1 Line: 1+2' Mod: - DCO1: WF: 3,2 Env: 0/e DCW1: KF: 9 Env: 35/90/s, 35/80, 0/0/e DCA1: KF: 0 Env: 99/99/s, 33/0/e DCO2: WF: 2,3 Env: 0/e DCW2: KF: 4 Env: 85/70, 30/76/s, 30/0/e DCA2: KF: 2 Env: 99/99/s, 33/0/e Vel1: A: 3 W: 0 P: 0 Vel2: A: 3 W: 0 P: 0 Detune: +2,0,7 Comments: Initially sounds bell-like, swelling to a much fatter sound, more so the lower the note. Started out as "octavibrato" from Keyboard magazine. Name: aaaho [just need uuullman now] By: Miles Bader Vibr: - Oct: -1 Line: 1+2' Mod: - DCO1: WF: 3,0 Env: 80/66, 75/0/e DCW1: KF: 3 Env: 85/99/s, 51/0/e DCA1: KF: 2 Env: 80/99/s, 33/0/e DCO2: WF: 4,0 Env: 0/e DCW2: KF: 3 Env: 85/85, 30/76/s, 30/0/e DCA2: KF: 2 Env: 80/99/s, 33/0/e Vel1: A: 3 W: 4 P: 0 Vel2: A: 3 W: 0 P: 0 Detune: +1,0,7 Comments: Sounds more voice-like the harder you hit. If you don't have a cz1, you'll have to decrease the sustain level of dcw1 to a point that sounds good. -Miles Article 4170 of rec.music.synth: Path: bloom-beacon!gatech!udel!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+ >From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: cz patch Message-ID: Date: 23 Jun 88 16:04:41 GMT Organization: Carnegie Mellon Lines: 17 Name: solostring By: Miles Bader Vibr: W: 1 Del: 28 R: 56 Dep: 10 Oct: -1 Line: 1+2' Mod: none DCO1: WF: 4,0 Env: 0/e DCW1: KF: 0 Env: 81/92, 56/86, 30/80/s, 0/0/e DCA1: KF: 1 Env: 70/50, 66/99, 49/91/s, 43/0/e DCO2: WF: 1,0 Env: 48/1, 40/0/e DCW2: KF: 0 Env: 81/80/s, 0/0/e DCA2: KF: 1 Env: 70/50, 66/99, 49/91/s, 40/0/e Vel1: A: 7 W: 0 P: 0 Vel2: A: 7 W: 0 P: 0 Detune: 0,0,0 Comments: A pretty good clean single string sound. Sounds good over the whole keyboard. Play with the chorus. Article 4278 of rec.music.synth: Path: bloom-beacon!tut.cis.ohio-state.edu!mailrus!uwmcsd1!bbn!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+ >From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: cz patches Message-ID: <8Wmk12y00UkaE6uNpR@andrew.cmu.edu> Date: 1 Jul 88 03:00:18 GMT Organization: Carnegie Mellon Lines: 37 Name: fen By: Miles Bader Vibr: - Oct: -1 Line: 1+2' Mod: - DCO1: WF: 5,0 Env: 80/66, 75/0/e DCW1: KF: 0 Env: 85/87/s, 51/0/e DCA1: KF: 2 Env: 80/99/s, 33/0/e DCO2: WF: 5,0 Env: 0/e DCW2: KF: 0 Env: 85/36, 67/89/s, 30/0/e DCA2: KF: 2 Env: 80/99/s, 33/0/e Vel1: A: 7 W: 0 P: 0 Vel2: A: 7 W: 0 P: 0 Detune: +0,0,7 Comments: This is what a synthesizer is SUPPOSED to sound like! A bit harsh on the high end... Line 2 sounds alright by itself too. Name: swamp By: Miles Bader Vibr: W: 1 Del: 0 R: 53 Dep: 7 Oct: 0 Line: 1+2' Mod: - DCO1: WF: 1,0 Env: 0/e DCW1: KF: 3 Env: 85/50/s, 30/0/e DCA1: KF: 2 Env: 80/99/s, 33/0/e DCO2: WF: 3,0 Env: 0/e DCW2: KF: 0 Env: 85/85, 30/0/e DCA2: KF: 2 Env: 80/99/s, 33/0/e Vel1: A: 3 W: 2 P: 0 Vel2: A: 3 W: 0 P: 0 Detune: +0,0,7 Comments: A sort of ethereal sound. The name is 'cause it made me think of the songs on Stratos-fear (sp?) [Tangerine Dream] -Miles Article 4599 of rec.music.synth: Path: bloom-beacon!mit-eddie!rutgers!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+ >From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: cz patches Message-ID: Date: 29 Jul 88 05:04:08 GMT Organization: Carnegie Mellon Lines: 34 Pianos! Well, these don't REALLY sound like pianos, but they are nice sounds, and closer than any other cz patches I've heard (which isn't saying a whole lot...). And since they're simple, you also get twice as many notes! -Miles Name: Acoustic Piano By: Miles Bader Vibr: - Oct: 0 Line: 1 Mod: - DCO1: WF: 1,0 Env: 0/e DCW1: KF: 9 Env: 99/85/s, 0/0/e DCA1: KF: 5 Env: 99/99, 30/0/s, 40/0/e Vel1: A: 7 W: 0 P: 0 Comments: The low end is too muted sounding; also, you may want a tad more keyfollow & a slower release on dca1. Name: Electric Piano By: Miles Bader Vibr: - Oct: 0 Line: 1 Mod: - DCO1: WF: 1,0 Env: 0/e DCW1: KF: 5 Env: 99/95, 32/85/s, 38/0/e DCA1: KF: 5 Env: 99/99, 30/0/s, 40/0/e Vel1: A: 7 W: 0 P: 0 Comments: It's been years since I've heard a real electric piano, but hey, it sounds "electric" to me! Article 4795 of rec.music.synth: Path: bloom-beacon!gatech!uflorida!haven!rutgers!njin!princeton!udel!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+ >From: bader+@andrew.cmu.edu (Miles Bader) Newsgroups: rec.music.synth Subject: cz patch Message-ID: Date: 16 Aug 88 02:18:58 GMT Organization: Carnegie Mellon Lines: 13 Name: Grand Ethereal By: Miles Bader Vibr: - Oct: 0 Line: 1+1' Mod: - DCO1: WF: 4,0 Env: 0/e DCW1: KF: 6 Env: 99/75/s, 0/0/e DCA1: KF: 0 Env: 90/61, 50/99, 10/0, 25/0/e Vel1: A: 3 W: 0 P: 0 Detune: +0,0,7 Comments: Sounds good with chorus all the way up; also, try other waveforms, like 1. Article 643 of rec.music.synth: Path: bloom-beacon!mit-eddie!ll-xn!cit-vax!alfke >From: alfke@cit-vax.Caltech.Edu (J. Peter Alfke) Newsgroups: rec.music.synth Subject: Here come da CZ patches! Message-ID: <2541@cit-vax.Caltech.Edu> Date: 1 May 87 05:40:42 GMT Reply-To: alfke@cit-vax.UUCP (J. Peter Alfke) Organization: California Institute of Technology Lines: 63 Okay, kids, it's clip'n'save time... ---------------8<------------------------------------------------------------- Name: OIL-DRUM / JARS / TOY PIANO Comments: Sound depends on what octave you play at. Very nice ringy metallic sounds; the piano in particular is *perfect*. Then plug in distortion [I'm using an Arion Metal Master] and get twisted wicked sounds with intense feedback sustain. Twiddle the pitch-bend knob and be your own Jimi Hendrix or Thurston Moore! [Based on Casio Synth. Harp] Line: 1+1' Mod: Ring Detune: +0 5 18 Vibrato: none Octave: +1 DCO 1: Wave 2 0 99 99 67 00 END DCW 1: Key 0 99 55 99 00 END DCA 1: Key 7 99 31 16 99 98 00 END ---------------8<------------------------------------------------------------- Name: HAMBURGER LADY Comments: Very Throbbing Gristle. Sounds like the background grind to "Hamburger Lady"; play one or two low notes. Not perfect, but pretty good. You can also turn off the vibrato and hit crashing atonal chords in the low octave; another very T.G sound. [Based on Casio Bass Guitar] Line: 1+1' Mod: Ring Detune: +1 11 34 Vibrato: 1 30 2 66 Octave: -1 DCO 1: Wave 3 4 50 00 END DCW 1: Key 9 99 45 40 41 80 45 30 00 SUS END DCA 1: Key 1 99 25 35 42 90 80 75 00 SUS END ---------------8<------------------------------------------------------------- That's it ... enjoy! Please post any improvements or interesting modifica- tions. -- MET pEtEr AlfkE "Oh, rocks! HIM @ PIKE Tell it to us cSVAx HOSES in plain talk!" .cAlTEch.EDU Article 295 of rec.music.synth: Path: bacchus!mit-eddie!rutgers!ames!ptsfa!ihnp4!inuxc!pur-ee!j.cc.purdue.edu!k.cc.purdue.edu!ah5 >From: ah5@k.cc.purdue.edu (David Coleman) Newsgroups: rec.music.synth Subject: 2 CZ-series patches Message-ID: <1794@k.cc.purdue.edu> Date: 15 Feb 87 20:45:57 GMT Reply-To: ah5@k.cc.purdue.edu (David Coleman) Distribution: world Organization: Undue Perversity Lines: 143 Keywords: CZ CZ-101 CZ-1000 CZ-5000 CZ101 CZ1000 CZ5000 Casio CASIO Hello! Just thought I would post a couple interesting patches I made for the Casio CZ-series. I have a CZ-5000 and I love it!! --------------------------------------------------------------------- Tone Name: "Choral oooh" Line Select: 1 + 2' Modulation: none Detune (-) oct: 0 Note: 00 fine: 07 Vibrato wave: 1 delay: 40 rate: 26 depth: 03 Octave -1 DCO1 wave 1st: 1 2nd: 0 step 1 2 3 rate 86 00 74 level 66 10 00 sus/end sus end DCW1 key follow: 6 step 1 2 3 rate 70 00 50 level 24 79 00 sus/end sus end DCA1 key follow: 0 step 1 2 3 4 rate 85 36 40 50 level 99 40 00 00 sus/end sus end DCO2 wave 1st: 2 2nd: 0 step 1 2 3 rate 59 81 00 level 66 62 00 sus/end sus end DCW2 key follow: 5 step 1 2 3 rate 70 69 50 level 28 79 00 sus/end sus end DCA2 key follow: 9 step 1 2 3 rate 85 83 50 level 99 37 00 sus/end sus end Comments: "Choral oooh" was a semi-successful experiment to see if something close to vocals could be obtained. As you CZ owners know, the "human voice" preset sounds ok, but not at all like a human voice. "Choral oooh" sounds something like a person singing "oooh" (long u sound). It is not perfect, but I think you will find it outclasses the human voice preset by far. This voice sounds best when you play major chords on the middle-high octave range. --------------------------------------------------------------------- Tone Name: Reverb Strings Line Select: 1 + 1' Modulation: none Detune (+) oct: 0 Note: 00 fine: 10 Vibrato wave: 1 delay: 28 rate: 52 depth: 11 Octave +1 DCO1 wave 1st: 1 2nd: 3 step 1 2 rate 99 99 level 66 00 sus/end end DCW1 key follow: 0 step 1 2 rate 99 00 level 99 00 sus/end sus end DCA1 key follow: 4 step 1 2 3 4 5 6 7 rate 64 95 75 75 79 63 26 level 99 99 76 76 33 87 00 sus/end sus end DCO2 wave 1st: 1 2nd: 3 step 1 2 rate 99 99 (Same as DCO1) level 66 00 sus/end end DCW2 key follow: 0 step 1 2 rate 99 00 (Same as DCW1) level 99 00 sus/end sus end DCA2 key follow: 0 step 1 2 3 4 5 rate 92 95 92 99 32 level 99 87 99 88 00 sus/end sus end Comments: "Reverb Strings" is a modification of the preset "Synth Strings". The "reverb" comes from playing the note not only when a key is pressed, but also when the key is released. Try holding a chord and then letting off the keys one at a time, and you will hear the effect. With a little practice on the timing of pressing and releasing the keys, you can get some interesting effects such as eight eighth notes when only when four eighth notes separated by eighth rests are played. --------------------------------------------------------------------- I hope you enjoy these patches. Please send me comments or questions to: David Coleman 539 North Grant West Lafayette, IN 47906 or k.cc.purdue.edu!ah5 --------------------------------------------------------------------- (A special note to Paul Boutin) Paul, Do these patches qualify me for the twelve "god-awesome" patches you are sending cz people? If so please rush me my twelve patches via electronic mail, or real mail. Thanks, David Coleman Article 200 of rec.music.synth: Path: bacchus!mit-eddie!genrad!decvax!tektronix!uw-beaver!cornell!rochester!seismo!mcnc!gatech!cuae2!ihnp4!houxm!mtuxo!mtune!ariel!caelum!io!granjon!daimler!cvm >From: cvm@daimler.UUCP Newsgroups: rec.music.synth Subject: CZ patches (attention Paul B!) Message-ID: <661@daimler.UUCP> Date: 6 Feb 87 14:20:28 GMT Organization: AT&T Bell Laboratories, Liberty Corner Lines: 124 Fellow Casio-holics, Pardons to all for posting this to the net, but I've been trying to contact Paul B for some time now with no luck. Anyway, here're some more CZ patches for all of you patch hoards to glom. ---------------------------------------------------------------- Paul B, Here are a couple of my patches. They're probably not the greatest in the world but they've been useful in various contexts. (I tend to use an SPX-90 *a lot*, so the sounds might loose translation w/out the effect.) Let me know what you think. In addition to your new patches, I'm still waiting on your previous batch of patches from some 4+ months ago. I thought I was on your mailing list for those (..at least you told me I was...). If I could get those too I'd appreciate it. Thanks! -Chris Malley -------------------------------------------------------------- UUCP: ..{allegra,ihnp4,princeton,vax135}!daimler!cvm ..ucbvax!ihnp4!daimler!cvm USmail: AT&T Bell Laboratories Room 4N-D17 184 Liberty Corner Road PO Box 4908 Warren, NJ 07060-0908 Phone: (201)580-4392 ************* Patch Hoarders of America, Unite! ************** -------------------------------------------------------------- ------------------------------------------------------------------ Name: Space Shots line mod detune vibrato octave 1+1' off/off - 0 00 06 3 0 35 93 (whatever you like best) DCO 1 wave 8 0 rate level 99 33 33 0 END DCW 1 key 0 rate level 99 99 46 99 37 52 SUS 26 0 END DCA 1 key 0 rate level 99 50 77 99 67 91 SUS 79 92 26 0 END Comments: This sounds kind of like the laser fire in a cheap video game. To change the number of shots fired each time you push a key, change the rate of DCA 1, STEP 5. To vary the speed at which shots are fired, vary the vibrato rate (most effective if you do this while playing.) ------------------------------------------------------------------ Name: Glissando Filter Sweep line mod detune vibrato octave 1+1' off/off - 0 00 06 1 0 0 6 - 1 DCO 1 wave 8 0 rate level 99 33 70 0 END DCW 1 key 0 rate level 99 99 46 99 37 52 SUS 26 0 END DCA 1 key 0 rate level 99 50 77 99 67 91 SUS 79 59 33 0 END Comments: This sound creates a "high-to-low" filter sweep in discrete increments (hence, glissando) each time a key is pressed. The sweep is most noticable in the lower range of the keyboard. For really gothic song intros, try setting DETUNE OCTAVE to -1 and playing single notes going slowly from high to low on the keyboard. (Notice that the parameter values of this sound are very similar to those of Space Shots. By tweaking the vibrato, DCO1, DCA1 it becomes a semi-musical sound.) ------------------------------------------------------------------ Article 703 of net.music.synth: Relay-Version: version B 2.10.3 4.3bsd-beta 6/6/85; site mit-trillian.MIT.EDU Path: mit-trillian!mit-eddie!rutgers!sri-unix!hplabs!hp-sdd!ncr-sd!milano!bruns >From: bruns@milano.UUCP Newsgroups: net.music.synth Subject: CZ patches Message-ID: <3043@milano.UUCP> Date: 24 Nov 86 03:58:51 GMT Date-Received: 24 Nov 86 18:02:17 GMT Sender: bruns@milano.UUCP Organization: MCC, Austin, TX Lines: 291 Here's 6 patches for Casio CZ's. You'll probably want to replace the lame names with something more dignified. Also note that some of the patches include a "parent patch" in the comments section. Name: Bushy line mod detune vibrato octave 1+2 + 0 00 03 0 00 00 00 0 DCO 1 wave 5 0 rate level 99 65 38 66s 00 00e DCW 1 key 2 rate level 99 99s 40 00e DCA 1 key 2 rate level 72 92s 45 00e DCO 2 wave 1 0 rate level 99 66 00 00e DCW 2 key 2 rate level 99 99s 40 00e DCA 2 key 2 rate level 72 92s 45 00e Comments: Reminds me of Kate Bush. Name: Spacious line mod detune vibrato octave 1+1' - 0 00 02 0 00 00 00 0 DCO 1 wave 2 6 rate level 00 00e DCW 1 key 4 rate level 99 60 30 75s 50 80 00 00e DCA 1 key 0 rate level 99 90 40 93s 45 30 60 00e Comments: Name: Wild Kingdom line mod detune vibrato octave 1+2 ring + 1 00 01 1 15 28 06 0 DCO 1 wave 2 0 rate level 99 33 68 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 90 99 36 91s 79 59 55 00e DCO 2 wave 5 0 rate level 99 33 68 00e DCW 2 key 2 rate level 63 99 66 96 37 52s 26 00e DCA 2 key 2 rate level 70 99 36 75s 79 55 55 00e Comments: I called this "Wild Kingdom" because it's sounds like a nature TV show patch. The patch is based on CZ-101 patch #1 (Brass ens. 1). The slow vibrato is critical for this patch. Name: Rising resonance line mod detune vibrato octave 1+2' + 0 00 04 0 00 00 00 0 DCO 1 wave 3 0 rate level 00 00e DCW 1 key 6 rate level 99 90s 40 00e DCA 1 key 9 rate level 72 92s 50 00e DCO 2 wave 6 0 rate level 99 95 27 66s 00 66 00 00e DCW 2 key 9 rate level 99 40s 40 00e DCA 2 key 0 rate level 80 80 60 90s 55 00e Comments: Try different waveforms, esp. on DCO 2. Name: Chunky Blocks line mod detune vibrato octave 1+1' ring - 3 03 08 1 00 38 15 -1 DCO 1 wave 2 1 rate level 99 62 76 00e DCW 1 key 0 rate level 99 83 51 00e DCA 1 key 6 rate level 99 99 52 00e Comments: Use tone mix if you're using this patch for bass line. Also, I'm not sure if the detune is supposed to be "-". Name: Electric bubbles line mod detune vibrato octave 1+2' ring + 2 00 08 3 00 75 99 0 DCO 1 wave 6 5 rate level 00 00e DCW 1 key 8 rate level 60 57s 00 00e DCA 1 key 0 rate level 99 36 70 91 59 99 12 93s 66 00e DCO 2 wave 1 8 rate level 00 00e DCW 2 key 8 rate level 60 57 00 00e DCA 2 key 1 rate level 99 36 70 91 59 99 12 93s 66 00e Comments: Strictly for special effects. High notes sound like a ray gun (don't ask what kind of ray); low notes sound like a helicopter. Based on CZ-101 patch #7 (flute) -- which explains the gratuitous detail in the DCA's. -- Glenn Bruns MCC, Software Technology Program arpa: bruns@mcc.com uucp: {seismo,harvard,gatech,pyramid}!ut-sally!im4u!milano!bruns NAME: background swell line mod detune vibrato octave 1+2 - + 0 00 07 1 11 51 23 0 DCO1 wave 1 0 rt lv 0 0e DCO1 key 2 rt lv 99 97s 40 00e DCA1 key 2 rt lv 72 15 31 93s 31 0e DCO2 wave 2 0 rt lv 00 00e DCW2 key 2 rt lv 99 99s 40 00e DCA2 key 2 rt lv 72 15 31 93s 31 00e Comments: turn down DCW1 sustain level if using without tons of processing ------------------------------------------------------------- NAME:Ministry horns line mod detune vibrato octave 1+2 - + 1 00 14 3 00 40 11 +1 DCO1 wave 4 1 rt lv 86 99 99 33 68 00e DCO1 key 2 rt lv 67 99 47 96 37 52s 26 00e DCA1 key 2 rt lv 82 99 36 91s 79 59 55 00e DCO2 wave 1 0 rt lv 97 99 89 00e DCW2 key 7 rt lv 97 87 43 79 50 74s 52 00e DCA2 key 0 rt lv 99 99 21 97 61 00e Comments: Again, use tons of chorus & reverb. Guaranteed to sound like Alain Jourgensen in short punches. Play parallel ocatves for bigger sound. ------------------------------------------------------------- NAME: popcorn line mod detune vibrato octave 1+2 ring + 1 00 00 4 00 97 27 -1 DCO1 wave 5 2 rt lv 95 91 99 00e DCO1 key 0 rt lv 99 78 47 79s 50 00 47 00e DCA1 key 4 rt lv 97 99 56 49 99 00e DCO2 wave 8 3 rt lv 99 99 93 00e DCW2 key 0 rt lv 99 81s 64 00e DCA2 key 0 rt lv 99 99 56 00e Comments: Great for adding attack to sequencer bass lines. ------------------------------------------------------------- NAME: Kick #1 (extender for TR505) line mod detune vibrato octave 1+1 noise - 3 00 06 4 00 53 90 -1 DCO1 wave 4 1 rt lv 98 67 99 00e DCO1 key 0 rt lv 99 99 99 00e DCA1 key 0 rt lv 99 99 45 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to TR505 bass drum, pick a low note (25-40). ------------------------------------------------------------- NAME:kick #2 (TR505 extender) line mod detune vibrato octave 1+1 - - 1 00 00 4 04 63 89 -1 DCO1 wave 5 4 rt lv 90 76 90 00e DCO1 key 0 rt lv 99 15s 50 00e DCA1 key 0 rt lv 99 99 49 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to TR505 bass drum, has different sounds in different octaves ------------------------------------------------------------- NAME: snare #1 (TR505 extender) line mod detune vibrato octave 1+1 noise + 2 04 08 3 00 56 88 -1 DCO1 wave 4 7 rt lv 99 62 76 00e DCO1 key 0 rt lv 00 00e DCA1 key 0 rt lv 99 99 38 51 53 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: MIDI to snare drum. I use notes in the lower half of the keyboard. ------------------------------------------------------------- NAME: Snare #2 line mod detune vibrato octave 1+2 noise + 1 10 0 - -1 DCO1 wave 1 4 rt lv 99 70 54 00s 50 00e DCO1 key 0 rt lv 99 99 99 00e DCA1 key 9 rt lv 99 99 51 00e DCO2 wave 1 4 rt lv 99 70 54 00s 50 00e DCW2 key 0 rt lv 99 99 99 00e DCA2 key 9 rt lv 99 99 43 00e Comments: For those of us without an SPX-90. ------------------------------------------------------------- NAME: Rayz line mod detune vibrato octave 1+2 - + 1 07 10 1 07 61 23 +1 DCO1 wave 1 4 rt lv 00 00e DCO1 key 0 rt lv 88 99s 47 25 44 00e DCA1 key 0 rt lv 93 87s 39 00e DCO2 wave 6 0 rt lv 00 00e DCW2 key 0 rt lv 99 99s 47 25 44 00e DCA2 key 0 rt lv 92 99 85 97 92 99 99 98s 32 00e Comments: Sounds even cooler if you use the pitch wheel for glissandi. (Did I really use the word "glissandi"?) ------------------------------------------------------------- NAME: Whistlin line mod detune vibrato octave DCO1 wave rt lv DCO1 key rt lv DCA1 key rt lv DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Take the preset "Whistle" and change the detune to + 0 0 20 ------------------------------------------------------------- NAME: Bowp/Industrial [Bass] line mod detune vibrato octave 1 +2 * + 3 05 00 - -1 DCO1 wave 6 * rt lv 0 0e DCO1 key 0 rt lv 72 53 52 00e DCA1 key 0 rt lv 99 99 44 00e DCO2 wave 4 0 rt lv 00 00e DCW2 key 2 rt lv 99 10 48 00e DCA2 key 0 rt lv 99 81 42 00e Comments: * This is one of my most-used sounds. There are four variations according to the following matrix: Bowp Industrial Regular ring mod noise mod DCO1 6 0 DCO1 6 0 Bass ring mod noise mod DCO1 6 2 DCO1 6 2 ------------------------------------------------------------- NAME:Pan Pipes / Danger Sound line mod detune vibrato octave DCO1 wave rt lv DCO1 key rt lv DCA1 key rt lv DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Take the "Internal #3" setting and change DCO1 to 2 0 for pan pipes 7 0 for Dangersound "Dangersound" on the low D note is something like Ministry opened their show with last time I saw them. Excuse me for making fun of those Casio Sound Data book names like "Dangerous Sound #2". ------------------------------------------------------------- NAME: Traffic Doppler (Barry Kirsch, modified by me) line mod detune vibrato octave 1+1 noise + 00 03 00 1 00 00 97 -1 DCO1 wave 7 0 rt lv 99 15s 16 00e DCO1 key 0 rt lv 00 00e DCA1 key 0 rt lv 35 99 00 00 30 00e DCO2 wave rt lv DCW2 key rt lv DCA2 key rt lv Comments: Hold the key down and wait. I like clusters of low notes best ------------------------------------------------------------- NAME: Sampled Snap line mod detune vibrato octave 1+2 noise + 1 07 00 1 00 67 09 0 DCO1 wave 5 0 rt lv 96 75 99 00e DCO1 key 0 rt lv 91 66 93 00e DCA1 key 0 rt lv 93 99 54 00e DCO2 wave 2 0 rt lv 97 74 93 00e DCW2 key 0 rt lv 93 41 64 00e DCA2 key 0 rt lv 94 99 49 00e Comments: Any resemblance to snare #1 is purely intentional. ------------------------------------------------------------- NAME: Kalimba #3,452,156 line mod detune vibrato octave 1+2 ring + 2 10 00 1 60 50 03 0 DCO1 wave 5 0 rt lv 96 75 99 00e DCO1 key 9 rt lv 97 24 88 00e DCA1 key 2 rt lv 95 99 43 00e DCO2 wave 2 0 rt lv 97 74 93 00e DCW2 key 9 rt lv 95 82 64 00e DCA2 key 0 rt lv 96 99 49 00e Comments: Yup, more Afro-percussion. This one has radically different timbres in different octaves (the second octave on the 101 keyboard is my favorite). Noise percussion makes some interesting sounds too. ------------------------------------------------------------- NAME: Helicopter (Glenn Bruns, modified) line mod detune vibrato octave 1+2 ring + 2 00 08 3 00 70 99 -1 DCO1 wave 6 5 rt lv 00 00e DCO1 key 8 rt lv 60 57s 00 00e DCA1 key 0 rt lv 99 93s 66 00e DCO2 wave 1 0 rt lv 00 00e DCW2 key 8 rt lv 60 57s 00 00e DCA2 key 1 rt lv 99 93 66 00e Comments: Noise modulation makse a meaner helicopter, and a machine gun in the upper range. ------------------------------------------------------------- Name: synth organ line mod detune vibrato octave 1+2 + (1,2) 00 06 +1 DCO 1 wave 2 4 rate level 99 33 33 00 e DCW 1 key 0 rate level 80 99 47 96 37 52 s 26 00 50 00 e DCA 1 key 0 rate level 99 90 78 65 83 95 70 75 70 99 s 79 59 33 00 e DCO 2 wave 3 5 rate level 99 33 33 00 e DCW 2 key 0 rate level 80 99 47 96 37 52 s 26 00 50 00 e DCA 2 key 0 rate level 99 90 78 65 83 95 70 75 70 99 s 79 59 33 00 e Comments: Boring but useful. Name: drum hit line mod detune vibrato octave 2 + 1 10 25 0 DCO 1 wave 5 2 rate level 50 00e DCW 1 key 0 rate level 99 99 99 99e DCA 1 key 0 rate level 93 55 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: If you don't have a drum machine, put some of this under your drum noise. I boost 200hz for extra umph. Name: drum wash line mod detune vibrato octave 1+1' noise + (1,2,3) 03 08 1 00 38 15 -1 DCO 1 wave 5 0 rate level 99 62 76 00e DCW 1 key 0 rate level 99 83 99 00e DCA 1 key 6 rate level 99 99 38 51 53 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I put the three different versions (different detune octave settings) on adjacent Internal memory keys , and by switching back and forth between beats (it takes practice) I got a "drum kit", and even gated off some of the hits by switching to the next sound before the note had died out. Primitive, but it got on the local college station a few times. This is one of those sounds that sounds really big on tape. Name: Simmons SDS-7 line mod detune vibrato octave 1+1 noise +1 03 00 -1 DCO 1 wave 1 5 rate level 99 70 42 00e DCW 1 key 0 rate level 99 99 99 00e DCA 1 key 9 rate level 99 99 43 00s 50 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I tried to duplicate the sound on Duran Duran's "Rio". Name: Phil-in-a-box line mod detune vibrato octave 1+1' noise + 0 10 00 -1 DCO 1 wave 1 4 rate level 99 70 54 00s 50 00e DCW 1 key 0 rate level 99 99 99 00e DCA 1 key 9 rate level 99 99 43 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I was trying to emulate the big crashes on "In the Air Tonight" and "I Don't Care Anymore". Having heard it on CD last week, there's no comparison. However, SOMEONE on the net (I lost the message) claims to have improved it. ??? Name: Trevor Horns line mod detune vibrato octave 1+1' - 0 02 24 3 06 02 99 +1 DCO 1 wave 3 0 rate level 99 33 33 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 82 99 36 91s 79 59 55 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Everybody likes this one, but you have to play it a certain way or it sounds stupid. Turn your reverb WAY up and playing three or four octaves in unison, tap short horn-punch chords. Ha ha ha, five people have mistaken it for a Fairlight on tape so far! Name: organ brass line mod detune vibrato octave 1+1' + 1 00 06 +1 DCO 1 wave 3 5 rate level 99 33 68 00e DCW 1 key 0 rate level 80 99 47 96 37 52s 26 00 50 00e DCA 1 key 0 rate level 99 90 78 65 83 95 70 75 70 99s 79 59 33 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I forget what this sounds like. I'll have to try it again. Probably an organ set to "brass". Name: Herbie Scratch line mod detune vibrato octave 1+1' + 0 02 00 1 00 54 88 +1 DCO 1 wave 3 4 rate level 47 99 99 00e DCW 1 key 0 rate level 80 99 47 96 38 85s 26 00e DCA 1 key 2 rate level 99 90 85 65 85 95 78 75 78 99 01 98 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: In lieu of having a record to scratch... Name: Fuzzy bass line mod detune vibrato octave 1+1' ring + 1 00 00 1 33 55 23 +1 DCO 1 wave 2 3 rate level 00 00e DCW 1 key 7 rate level 97 99 43 79 50 74s 52 00e DCA 1 key 0 rate level 99 99 21 00s 61 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Only so-so, but here it is. Name: fat synth bass line mod detune vibrato octave 1+1' ring + 0 07 04 1 33 55 23 0 DCO 1 wave 2 3 rate level 50 00e DCW 1 key 7 rate level 97 99 43 79 50 74s 52 00e DCA 1 key 0 rate level 99 99 21 89s 61 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Modified version of Casio "Electric bass" that sustains. I play Wham tunes on it -- drives my roommates *nuts*! Name: 1-Octave bass line mod detune vibrato octave 1+2 + 1 00 05 1 54 11 04 -1 DCO 1 wave 1 2 rate level 66 58 72 00 43 05 65 00e DCW 1 key 9 rate level 82 88 42 63 00 00e DCA 1 key 9 rate level 99 99 28 00 56 00 DCO 2 wave 5 4 rate level 00 00e DCW 2 key 7 rate level 92 80 44 62 00 00e DCA 2 key 0 rate level 90 99 30 86s 86 00e Comments: I put this under other bass patches (via tone mix) to get more bottom end. Name: 2-Octave bass (Tony Levin) line mod detune vibrato octave 1+2 + 0 00 05 1 54 11 04 -1 DCO 1 wave 1 2 rate level 66 58 72 00 43 05 65 00e DCW 1 key 9 rate level 82 83 42 63 00 00e DCA 1 key 9 rate level 99 99 28 00 56 00e DCO 2 wave 3 4 rate level 00 00e DCW 2 key 7 rate level 92 80 44 62 00 00e DCA 2 key 0 rate level 90 99 30 86s 86 00e Comments: I used this to add bottom to bass parts played in higher registers until someone pointed out that it sounds just like Tony Levin's Chapman Stick. "I wanna be.... your Sledgehammer..." It does have a nice voice of its own. Name: ArtoNoise Trumpet (#3) line mod detune vibrato octave 1+2 ring 1 27 49 11 +1 DCO 1 wave 3 0 rate level 00 00e DCW 1 key 4 rate level 67 79 00 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 56 00e DCO 2 wave 4 0 rate level 00 00e DCW 2 key 4 rate level 72 79 00 00e DCA 2 key 2 rate level 70 91 70 67 70 97 70 77 70 99s 48 00e Comments: Mix with Casio Preset turmpet. You can set Bend Range to 12 and go a whole octave higher still sounding great. Name: Lazy Trumpet (#4) line mod detune vibrato octave 1+1' + 0 00 07 0 DCO 1 wave 1 0 rate level 99 33 68 00e DCW 1 key 2 rate level 67 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 70 90 70 65 70 95 70 75 70 99s 50 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: I mix this with the Casio Trumpet, set Bend Range to 2, and get some pretty cool leads with this (a long echo helps). Name: snap percussion line mod detune vibrato octave 1+2 noise + 1 00 00 0 DCO 1 wave 1 0 rate level 99 82 99 00e DCW 1 key 0 rate level 99 99 28 00e DCA 1 key 0 rate level 99 99 99 00e DCO 2 wave 1 0 rate level 00 00e DCW 2 key 0 rate level 00 00e DCA 2 key 0 rate level 99 99 58 00e Comments: Four notes within an octave with a slapback echo make realistic handclaps. Name: Star Trek noise line mod detune vibrato octave 1+1' 1 00 60 98 + 1 DCO 1 wave 3 4 rate level 63 99s 99 00e DCW 1 key 0 rate level 80 99 47 96 38 85s 26 00 50 00e DCA 1 key 2 rate level 99 90 85 65 85 95 78 75 78 99 01 98s 99 00e DCO 2 wave rate level DCW 2 key rate level DCA 2 key rate level Comments: Just another stupid noise. Doesn't sound like anything on Star Trek per se, or does it? I guess it depends on how Trekkie you are... Name: Woh-Wow-Yeh FROM BARRY KIRSCH line mod detune vibrato octave 1+2' + 00 00 07 -1 DCO 1 wave 6 0 rate level 51 33 68 00e DCW 1 key 2 rate level 58 99 47 96 37 52s 26 00e DCA 1 key 2 rate level 62 71 36 91s 79 59 55 00e DCO 2 wave 7 0 rate level 53 33 68 00e DCW 2 key 2 rate level 33 99 47 96 37 52s 26 00e DCA 2 key 2 rate level 82 99 36 91s 79 59 55 00e Comments: "All at once, the clouds are parting, light streams down in bright unbroken beams..." Is this a Rush sound or WHAT, I ask? I love it anyway :) . Name: Flutelight ERIC PERSING, _KEYBOARD_ MAGAZINE line mod detune vibrato octave 1+2 noise - 1 00 00 1 46 52 17 +1 DCO 1 wave 1 0 rate level 52 50 15 00e DCW 1 key 9 rate level 72 88 99 53s 50 00e DCA 1 key 0 rate level 99 17 70 91 59 99 12 83s 65 00e DCO 2 wave 5 0 rate level 83 67 50 00e DCW 2 key 8 rate level 60 57 00 00e DCA 2 key 2 rate level 76 67 61 00e Comments: Yes, THAT sound again.... play happy major thirds and see. Article 1660 of rec.music.synth: Path: bloom-beacon!husc6!cmcl2!brl-adm!umd5!uvaarpa!virginia!uvacs!edison!cpc >From: cpc@edison.GE.COM (Chris Cuthbert) Newsgroups: rec.music.synth Subject: CZ Patch Keywords: Yo Message-ID: <1215@edison.GE.COM> Date: 29 Oct 87 18:43:04 GMT Organization: General Electric Company, Charlottesville, VA Lines: 40 Here's a good CZ bass patch that was spit out one day by my random patch generator: LINE RING NOISE +/- OCTV NOTE FINE WAVE DELAY RATE DPTH OCTV 1+2 OFF OFF + 0 00 07 1 00 00 00 -1 LINE 1 LINE 2 WAVEFORMS WAVEFORMS 3 0 4 0 PITCH ENVELOPE PITCH ENVELOPE RATE 50 50 RATE 50 LEVL 00 00 LEVL 00 S E E DCW KEYFOLLOW DCW KEYFOLLOW 0 0 WAVE ENVELOPE WAVE ENVELOPE RATE 72 20 RATE 87 56 33 89 72 57 LEVL 41 00 LEVL 98 76 58 61 30 00 S E E DCA KEYFOLLOW DCA KEYFOLLOW 0 0 AMPLITUDE ENVELOPE AMPLITUDE ENVLOPE RATE 99 50 RATE 99 50 LEVL 99 00 LEVL 99 00 S E E Try it. You know what they say, computers never lie! Want more ? I have tons of patches. Let me know. MOM SAYS: Ed Meese is a slime wevil Mar Tan Article 111 of rec.music.synth: Path: bacchus!mit-eddie!rutgers!im4u!milano!bruns >From: bruns@milano.UUCP Newsgroups: rec.music.synth Subject: Casio CZ patch Message-ID: <3516@milano.UUCP> Date: 23 Jan 87 15:02:39 GMT Sender: bruns@milano.UUCP Organization: MCC, Austin, TX Lines: 46 OK, Paul, here is a new patch. I just bought an EZ-CZ memory cartridge for my Casio - the $50 model that is supposed to be blank. My copy had about 16 patches in it, including one that was reminiscent of drilling. After making some changes I came up with this: Name: Drilling line mod detune vibrato octave 1+1' noise - 2 00 40 1 36 66 62 0 DCO 1 wave 1 2 rate level 55 82s 54 39 00 00e DCW 1 key 4 rate level 82 92s 26 45 00 00e DCA 1 key 0 rate level 63 99s 47 68 70 00e Comments: High notes sound like dentist's drill; low notes sound more like 3/8" drill into wood. -- Glenn Bruns MCC, Software Technology Program arpa: bruns@mcc.com uucp: {seismo,harvard,gatech,pyramid}!ut-sally!im4u!milano!bruns "A change is as good as a holiday" Name: synth organ line mod detune vibrato octave 1+2 ring + 0 00 12 1 27 49 11 (0,+1) DCO 1 wave 3 2 rate level 00 00e DCW 1 key 4 rate level 67 79 15 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 44 00r DCO 2 wave 3 2 rate level 00 00e DCW 1 key 4 rate level 72 79 15 00e DCA 1 key 2 rate level 70 91 70 67 70 96 70 77 70 99s 35 00r Comments: Tone mix one voice in octave 0 with one in octave +1 Article 1066 of rec.music.synth: Path: bloom-beacon!husc6!rutgers!rochester!pt!speech2.cs.cmu.edu!yamauchi >From: yamauchi@speech2.cs.cmu.edu (Brian Yamauchi) Newsgroups: rec.music.synth Subject: CZ-101 Patches Keywords: Casio CZ-101 Patches Message-ID: <1052@speech2.cs.cmu.edu> Date: 27 Jul 87 16:21:27 GMT Organization: Carnegie-Mellon University, CS/RI Lines: 171 Posted: Mon Jul 27 12:21:27 1987 Here are a few patches I created for the CZ-101. Comments and suggestions are welcome. -------------------- Tone Name: Brass Strings Line Select: 1+2' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +6 Vibrato: Wave = 1 Delay = 28 Rate = 52 Depth = 11 Octave: DCO1 DCO2 ---- ---- First = 1 Second = 5 First = 1 Second = 3 Rate: 99 99 Rate: 99 68 Level: 66 00 Level: 33 00 Sus/End: E Sus/End: E DCW1 DCW2 ---- ---- Key Follow: 0 Key Follow: 0 Rate: 99 00 Rate: 80 47 37 26 Level: 90 00 Level: 99 96 52 00 Sus/End: S E Sus/End: S E DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: 0 Rate: 92 95 92 99 45 Rate: 99 77 67 79 33 Level: 99 87 99 88 00 Level: 50 99 91 59 00 Sus/End: S E Sus/End: S E Comment: This patch started as a combination of the Synth Strings preset and Synth Brass 1. It works well for lead lines on the upper half of the keyboard. -------------------- Tone Name: Ice Blue Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = -7 Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0 Octave: DCO1 DCO2 ---- ---- First = 2 Second = 0 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 5 Key Follow: Rate: 99 50 Rate: Level: 85 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 50 50 40 Rate: Level: 80 99 50 00 Level: Sus/End: S E Sus/End: Comment: Sounds almost like a synth clarinet. -------------------- Tone Name: Pseudosilk Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +7 Vibrato: Wave = 1 Delay = 0 Rate = 0 Depth = 0 Octave: DCO1 DCO2 ---- ---- First = 1 Second = 0 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 7 Key Follow: Rate: 93 60 42 Rate: Level: 99 90 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 75 55 40 Rate: Level: 68 99 00 Level: Sus/End: S E Sus/End: Comment: This patch was designed to sound like the lead synth in Pseudosilk Kimono by Marillion. -------------------- Tone Name: Oracle Line Select: 1+1' Modulation: Ring = OFF Noise = OFF Detune: Octave = 0 Note = 0 Fine = +7 Vibrato: Wave = 2 Delay = 0 Rate = 60 Depth = 30 Octave: DCO1 DCO2 ---- ---- First = 2 Second = 7 First = Second = Rate: 00 Rate: Level: 00 Level: Sus/End: E Sus/End: DCW1 DCW2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 40 Rate: Level: 99 00 Level: Sus/End: S E Sus/End: DCA1 DCA2 ---- ---- Key Follow: 0 Key Follow: Rate: 99 30 Rate: Level: 99 00 Level: Sus/End: E Sus/End: Comment: An exotic-sounding tone. -- ______________________________________________________________________________ Brian Yamauchi INTERNET: yamauchi@speech2.cs.cmu.edu Carnegie-Mellon University Computer Science Department ______________________________________________________________________________ >From seismo!mcvax!kvvax4!truls@EDDIE.MIT.EDU Tue Mar 31 13:37:26 1987 Date: Thu, 8 Jan 87 09:11:11 -0100 >From: seismo!mcvax!kvvax4!truls@EDDIE.MIT.EDU (Truls Ellefsen) To: mit-athena!paul Subject: CZ-patches. Hei Paul!!! (Norwegian) Please mail those new patches to me. Thanks. Q: Have you got any other responses from Norway? Here is a patch edited from a piano-like sound recived earlier. Maybe useful. (I like it.) Truls. ********************************************************* Name: Woody metal. line mod detune vibrato octave 1+1' ring + 2 00 06 1 50 65 07 0 DCO 1 wave 1 0 rate level 00 00 end DCW 1 key 9 rate level 83 27 37 10 sus 88 00 end DCA 1 key 5 rate level 99 99 38 85 21 78 31 65 32 60 40 55 17 00 37 00 end ***************************************************************************** Comments: Detune, octave=3 also useful. Expriment with vibrato. ***************************************************************************** >From lansd@utcs.toronto.edu Tue Mar 31 13:37:59 1987 Date: Fri, 9 Jan 87 06:41:26 EST >From: Robert Lansdale To: mit-eddie!mit-trillian!paul, @mnetor, @rutgers, @seismo, @utzoo I read your offer of "FREE!" CZ-101 patches on the net a few days ago, and I offer the following three in return. My favorite is the "Reverb Flute" from E&MM, while the other two are originals. "Guitar with distortion" really is an unplayable patch, but it has 'built-in' distortion, so may come in handy as a guide as to how to do this. The "Mean Electric Guitar" is a cross between a motor bike at 800000 rpm and a guitar - it needs work, but with the right outboard signal processors it could become a good heavy metal guitar (I've used it occasionally for such). By the way, do you know of any people with a TR-707 or Jx8p? I would like to trade patches, or sequences for them. Name: Reverb Flute (September 1986 Electronics & Music Maker) Line: 1+2' Mod: Noise on Detune: +,0,0,0 Vibrato: Wave=1,delay=26,rate=55,depth=9 Octave: +1 DCO1: 1st wave = 2, 2nd wave = 0 Rate=70,level = 66 (sus) 00 00 (end) DCW1: Key follow = 0 Rate=60, Level = 35 (sus) 00, 00 (end) DCA1: Key follow =1 rate=82 Level = 99 (sus) 58 89 71 54 44 30 63 66 44 30 61 51 50 00 (end) DCO2: 1st wave = 1, 2nd wave = 0 rate = 00, level = 0 (end) DCW2: Key follow = 9 rate = 99, level = 00 (sus) 00 00 (end) DCA2: Key follow = 1 rate = 92, level = 64 56 00 (end) ---------------------------------------------------------------- Name: Guitar with distortion Detune: +, oct=2,note=7, fine=8 Vibrato: wave=1,delay=0,rate=99,depth=24 Octave=-1 Line: 1+1' mod: ring DCO1: 1st wave = 8, 2nd wave = 4 rate =00, level = 00 (end) DCW1: Key follow = 0 Rate = 99, level = 21 (sus) 33 00 (end) DCA1: Key follow = 0 rate = 99, level = 99 (sus) 31 83 52 00 (end) ------------------------------------------------------------------ Name: Mean Electric Guitar Detune: +,1,2,4 Vibrato: 1,53,0,0 Octave:+1 Line:1+1' Mod:Ring DCO1: 1st wave = 3, 2nd wave = 4 Rate = 19, Level = 00 (End) DCW1: Key follow = 1 Rate = 86, Level = 64 07 00 (End) DCA1: Key follow = 4 Rate = 94, Level = 96 (sus) 92 00 (End) Comments: Try small amount of glide or portamento to make it more of a realistic guitar sound. >From seismo!akgua!mtune!mtuxo!drutx!druak!mab@EDDIE.MIT.EDU Tue Mar 31 13:39:01 1987 Date: Mon, 12 Jan 87 12:10:30 EST >From: seismo!akgua!mtune!mtuxo!drutx!druak!mab@EDDIE.MIT.EDU To: mit-eddie!mit-trillian!paul Subject: CZ patches Content-Type: text Content-Length: 505 I'll trade the following original CZ patch for your latest set of patches (sounds like an even trade to me!). I hope I transcribed it properly. Alan Bland ...!ihnp4!druak!mab Name: Scratchy Trumpet line mod detune vibrato octave 1+2' + 0 00 00 1 19 50 14 0 DCO 1 wave 4 0 rate level 00 00e DCW 1 key 0 rate level 99 99s 27 00e DCA 1 key 4 rate level 70 99 20 89s 49 00e DC0 2 wave 3 5 rate level 00 00e DCW 2 key 0 rate level 51 77 39 00e DCA 2 key 4 rate level 99 79 32 00e Comments: >From wake@11lang.dec.com Tue Mar 31 13:39:23 1987 Date: 12-Jan-1987 1714 >From: wake@11lang.dec.com (RISC is like a backpack) To: cornell!rochester!seismo!rutgers!mit-eddie!mit-trillian!paul Subject: New CZ patch set Hi-- I'm interested in getting a copy of your new patch set. Here's your patch. This patch is not original with me; it was developed by a guy named Mark Schmeider here at DEC. There was a harpsichord #1 but this one's better. I'm at ever11%wake.dec@decwrl.dec.com Thanks in advance, Bill Wake TONE NAME harpsichord #2 CARTRIDGE NO. TONE NO. PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 3 | 6 | | 3 | 7 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | | | levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | | | s/e | | s | e | | | | | | s/e | | e | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 5 |(0-9) | 3 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | | | levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | | | s/e | s | e | | | | | | | s/e | | e | | | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 9 |(0-9) | 3 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |33 |57 |99 | | | | |0-99 rate|76 |94 |58 |44 |99 | | | | levl|90 |16 |00 |00 | | | | |0-99 levl|02 |99 |90 |00 |00 | | | | s/e | | | s | e | | | | | s/e | | | | s | e | | | | _____________________________________ _____________________________________ >From michaels%tekigm2.tek.com@RELAY.CS.NET Tue Mar 31 13:39:38 1987 Date: Tue, 13 Jan 87 12:19:42 PST >From: Michael Schaeffer To: paul%mit-athena.uucp@RELAY.CS.NET, paul@ATHENA.MIT.EDU Subject: Re: More Casio Patches, a A Year Later Newsgroups: rec.music.synth In-Reply-To: <1597@mit-trillian.MIT.EDU> Organization: Tektronix, Inc., Beaverton, OR. Here are six patches I have created or modified since I got my CZ in October. I have since sold my 1000 and am awaiting the arival of my 3000, after which I will begin creating more sounds than I can imagine, hopefully better than these: CZ PATCH NAME: swept reed COMMENT: modified casio reed ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 3.4-99.29-72e DCW1 (key-env): 9-74.93-93.86s-50e DCA1 (key-env): 1-86.99-63.93-65.94-29e DCO2 (wave-env): 6.4-99.66-73e DCW2 (key-env): 2-43.60-24.49-26e DCA2 (key-env): 0-62.94-18.85-24.77-26e DETUNE (+- oct - semi - fine): (-)0-0-7 MODULATION (1'or 2' - ring or noise): either 1' or 2' VIBRATO (wave-delay-rate-depth): 4-81-41-99 KEYBOARD OCTAVE (+ o -): 0 CZ PATCH NAME: minor vox chorus COMMENT: fairly modal based on casio human voice ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 1.4-55.65-40.66s-2e DCW1 (key-env): 0-99e DCA1 (key-env): 0-79.99-21.74s-31.75-60e DCO2 (wave-env): 5.0-50e DCW2 (key-env): 8-46.65-35.20s-54e DCA2 (key-env): 0-67.77-21.77-12.90s-35e DETUNE (+- oct - semi - fine): (-)0-7-10 MODULATION (1'or 2' - ring or noise): 2' VIBRATO (wave-delay-rate-depth): 1-72-46-19 KEYBOARD OCTAVE (+ o -): 0 CZ PATCH NAME: Synth Bass II COMMENT: modified casio ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 2.3-0e DCW1 (key-env): 7-97.99-43.79-50.74s-52e DCA1 (key-env): 0-99.99-21e DETUNE (+- oct - semi - fine): (-)1-0-3 MODULATION (1'or 2' - ring or noise): 1' - ring VIBRATO (wave-delay-rate-depth): 1-33-55-23 KEYBOARD OCTAVE (+ o -): 0 CZ PATCH NAME:swept mute ens. ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 2.1-67.55-42.60-54.6-50e DCW1 (key-env): 0-52.99-28.90-30.97-31.93-22.71s-50.52-50e DCA1 (key-env): 0-71.99s-38.82-30.75-49e DCO2 (wave-env): 2.4-53.15-49e DCW2 (key-env): 0-53.99-79.72-50.70s-50e DCA2 (key-env): 0-89.91-49.86-18.73(?s?)-20.70-22e DETUNE (+- oct - semi - fine): +1-0-2 MODULATION (1'or 2' - ring or noise): 2' ring VIBRATO (wave-delay-rate-depth): 1-42-31-20 KEYBOARD OCTAVE (+ o -): 0 CZ PATCH NAME: Bright electric piano COMMENT: I could really use some nice pianos ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8); DCO1 (wave-env): 5.2-99.66-99e DCW1 (key-env): 0-99.99s-0e DCA1 (key-env): 0-92.99-95.87-92.99-99.88s-43e DCO2 (wave-env):3.1-99.66-99e DCW2 (key-env): 0-99.99s-0e DCA2 (key-env): 0-92.99-95.87-92.99-99.88-44e DETUNE (+- oct - semi - fine):+0-0-10 MODULATION (1'or 2' - ring or noise): 2' VIBRATO (wave-delay-rate-depth): 1-45-52-11 KEYBOARD OCTAVE (+ o -): +1 >From ada-uts!wayne@EDDIE.MIT.EDU Tue Mar 31 13:40:01 1987 Date: Wed, 14 Jan 87 18:34:39 EST >From: ada-uts!wayne@EDDIE.MIT.EDU To: inmet!mit-trillian!paul Subject: CZ patches Hello Paul -- You say you have some patches to swap, eh? Well, I just recently purchased a CZ-101, so I don't have much. I only have two. Now don't laugh when you see what they are; they were for a project I was doing for someone. Enclosed are two "bird call" patches. (I had used a DX-100 wind chime patch plus an old PAIA wind generator to make an environmental ambiance.) I would appreciate leads to other patches as well. If I develop any, I'll send you a copy, if you're interested. One other thing, before I move on to the patches themselves: I am a member of the Computers and Music Group of the Boston Computer Society. My mind went on a bit of a journey and thought about the possibility of collecting patches (beg, borrow and steal among everyone) and if there is an interest, to possibly bind them into a book. The whole idea, though is the free exchange of patches and programming hints and techniques. Do you have any comments? Are you interested? Wayne Wylupski ...!{ihnp4,ima}!inmet!ada-uts!wayne -------------------------------------------------------------------------- Bird call #1 : Line Modulation Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range ------ ---------- -------------------- --------------------- --------- 1 off off 0 0 0 0 1 00 80 68 + 1 -- DCO 1 -- -- DCW 1 -- -- DCA 1 -- Wave Form Key Follow Key Follow First Second ---------- ---------- ------------ 4 0 4 0 ENV (pitch) ENV (wave) ENV (amp) ------------- ---------- ------------------ Step 1 2 Step 1 Step 1 2 3 Rate 99 40 Rate 00 Rate 69 46 64 Level 65 0 Level 00 Level 88 99 00 End End End NOTES : Built from the "whistle" preset. Play around with portamento, and quickly a notes followed by their third or fourth. -------------------------------------------------------------------------- Bird call #2 : Line Modulation Select Ring Noise +/- Octave Note Fine Wave Delay Rate Depth +/- Range ------ ---------- -------------------- --------------------- --------- 1 off off 0 0 0 0 1 00 48 49 + 1 -- DCO 1 -- -- DCW 1 -- -- DCA 1 -- Wave Form Key Follow Key Follow First Second ---------- ---------- ------------ 4 0 4 0 ENV (pitch) ENV (wave) ENV (amp) ---------------- ---------- ------------------ Step 1 2 3 Step 1 Step 1 2 3 Rate 52 00 00 Rate 00 Rate 69 46 64 Level 66 00 00 Level 00 Level 88 99 00 End End End NOTES : Built from the "whistle" preset. Vibrato can be taken off. Short repeated key strokes work well. >From benson@star.dec.com Tue Mar 31 13:40:35 1987 >From: Date: Tuesday, 20 Jan 1987 20:45:12-PST To: ames!rutgers!mit-eddie!bacchus!paul Subject: CZ patches ... OK, Paul, sounds like a good offer. Here are 3 patches... The best synth bass I've come up with, the best synth drums I've come up with, and a "bell organ," whatever that is. Anxiously awaiting your patches... - Tom PS... I sent you mail last year about the patches you were sending out via US mail... I got a response from you, but no patches... Still available? TONE NAME- MASSIVE BASS CARTRIDGE NO. TONE NO. PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| off | | + | 0 | 0 | 4 | | 1 |33 |23| 06| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 4 | 4 | | 3 | 4 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|50 | | | | | | | |0-99 rate|50 | | | | | | | | levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | | | s/e | e | | | | | | | | s/e | e | | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 7 |(0-9) | 7 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|97 |43 |50 |50 | | | | |0-99 rate|97 |43 |50 |50 | | | | | levl|99 |79 |87 | 0 | | | | |0-99 levl|99 |79 |87 | 0 | | | | | s/e | | | s | e | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 9 |(0-9) | 9 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |21 |61 | | | | | |0-99 rate|99 |21 |61 | | | | | | levl|99 |88 | 0 | | | | | |0-99 levl|99 |88 | 0 | | | | | | s/e | | s | e | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on Elec Guitar preset C-5. Play in the second octave. ***************************************************************************** TONE NAME- THWACK DRUMS CARTRIDGE NO. TONE NO. PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| on | | + | 0 | 10 | 0 | | 3 | 0 |55| 85| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 5 | 1 | | 6 | 4 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|92 |99 | | | | | | |0-99 rate|99 |99 |13 | | | | | | levl|93 | 0 | | | | | | |0-99 levl|99 |53 | 0 | | | | | | s/e | | e | | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 8 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |99 |99 | | | | | |0-99 rate|99 |94 |50 | | | | | | levl|99 |86 | 0 | | | | | |0-99 levl|99 |99 | 0 | | | | | | s/e | | | e | | | | | | s/e | | s | e | | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 1 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |41 |52 | | | | | |0-99 rate|99 |53 |52 | | | | | | levl|99 | 0 | 0 | | | | | |0-99 levl|81 |35 | 0 | | | | | | s/e | | s | e | | | | | | s/e | | | e | | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on "Tom toms 1" from Casio "Pro-tone data book." Play octaves 2+3. ***************************************************************************** TONE NAME- BELL ORGAN CARTRIDGE NO. TONE NO. PARAMETER LINE SELECT MODULATION DETUNE VIBRATO OCTAVE |1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range| | 12' | | off| off| | + | 3 | 07 | 08 | | 1 |49 |50| 10| | - | 1 | |___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____| ************************************ ************************************ (1) (2) DCO 1 DCO 2 WAVE FORM WAVE FORM |first|second| |first|second| | 2 | 5 | | 2 | 2 | |_____|______| |_____|______| (1-8) (0-8) (1-8) (0-8) ENV(PITCH) ENV(PITCH) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|50 | | | | | | | |0-99 rate|50 | | | | | | | | levl| 0 | | | | | | | |0-99 levl| 0 | | | | | | | | s/e | e | | | | | | | | s/e | e | | | | | | | | _____________________________________ _____________________________________ DCW 1 DCW 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 7 |(0-9) |___________| |___________| ENV(WAVE) ENV(WAVE) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 | | | | | | | |0-99 rate|99 |50 |52 |50 | | | | | levl| 0 | | | | | | | |0-99 levl|70 |68 |97 | 0 | | | | | s/e | e | | | | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ DCA 1 DCA 2 KEY FOLLOW KEY FOLLOW | 0 |(0-9) | 0 |(0-9) |___________| |___________| ENV(AMP) ENV(AMP) step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| rate|99 |55 |31 |31 | | | | |0-99 rate|99 |81 |31 |31 | | | | | levl|99 |89 |65 | 0 | | | | |0-99 levl|90 |86 |29 | 0 | | | | | s/e | | | s | e | | | | | s/e | | | s | e | | | | | _____________________________________ _____________________________________ ***************************************************************************** COMMENT: Based on "fairy tale" preset, B-8. ***************************************************************************** >From seismo!philabs!bunker!msr@EDDIE.MIT.EDU Tue Mar 31 13:41:34 1987 Date: Thu, 29 Jan 87 08:39:59 est >From: Return-Path: To: mit-eddie!mit-athena!paul Subject: third try Paul, I'd sure like to get a copy of your CZ patches, so here's one that I use often. I didn't come up with it from scratch; it's a sight modification of one of the existing patches, I don't remember which one. ------------------------------------------------------------------------------ Line Select Modulation Detune Vibrato Octave +/- Octave Note Fine Wave Delay Rate Depth +/- Range 1+1' + 1 8 1 38 60 4 0 DCO 1 Wave Form First Second 2 3 Step 1 2 Rate 99 68 Level 33 0 END DCW 1 Key Follow 9 Step 1 2 3 4 Rate 73 99 99 00 Level 88 96 99 00 SUS END DCA 1 Key Follow 0 Step 1 2 3 4 Rate 82 99 88 62 Level 81 99 96 00 SUS END * Use it at the extreme low end for a fat slightly distorted deep organy sound. I don't know how else to explain it. Mike Romaniw - Bunker Ramo/Olivetti, Shelton, CT - (203)337-1407 uucp address: ...decvax!ittatc!bunker!msr >From munnari!latcs1.oz!john@seismo.CSS.GOV Tue Mar 31 13:42:18 1987 Date: Mon, 2 Feb 87 17:46:37 est >From: munnari!latcs1.oz!john@seismo.CSS.GOV (John Pritchard) To: paul@athena.mit.edu Subject: free CZ patches Hello! I am responding to the offer you made in rec.music.synth. Please mail me your set of CZ patches in return for my "marimba" patch. - John Pritchard. ACSNET/CSNET: john@latcs1.oz UUCP: {seismo,hplabs,mcvax,ukc,nttlab}!munnari!latcs1.oz!john ARPA: john%latcs1.oz@seismo.css.gov ------------------------------------------------------------- line mod detune vibrato octave 1+2 + 2 00 01 1 51 60 05 -1 DCO 1 wave 1 0 rate level 50 00e DCW 1 key 5 rate level 99 27 48 00e DCA 1 key 6 rate level 94 99 32 00s 45 00e DCO 2 wave 2 0 rate level 50 00e DCW 2 key 1 rate level 99 12 12 00e DCA 2 key 3 rate level 95 99 54 36 28 00s 60 00e >From rutgers!allegra!daimler!cvm@EDDIE.MIT.EDU Tue Mar 31 13:43:24 1987 >From: rutgers!allegra!daimler!cvm@EDDIE.MIT.EDU Date: Wed, 18 Feb 87 08:36:28 EST To: allegra!rutgers!mit-eddie!mit-trillian!paul Subject: CZ sounds Paul, (I've been trying to get this to you for awhile now. uucp keeps coughing it back up in my face. Please let me know if you get it.) Here are a couple of my patches. They're probably not the greatest in the world but they've been useful in various contexts. (I tend to use an SPX-90 *a lot*, so the sounds might loose translation w/out the effect.) Let me know what you think. In addition to your new patches, I'm still waiting on your previous batch of patches from some 4+ months ago. I thought I was on your mailing list for those (..at least you told me I was...). If I could get those too I'd appreciate it. Thanks! -Chris Malley -------------------------------------------------------------- UUCP: ..{allegra,ihnp4,princeton,vax135}!daimler!cvm ..ucbvax!ihnp4!daimler!cvm USmail: AT&T Bell Laboratories Room 4N-D17 184 Liberty Corner Road PO Box 4908 Warren, NJ 07060-0908 Phone: (201)580-4392 ************* Patch Hoarders of America, Unite! ************** -------------------------------------------------------------- ------------------------------------------------------------------ Name: Space Shots line mod detune vibrato octave 1+1' off/off - 0 00 06 3 0 35 93 (whatever you like best) DCO 1 wave 8 0 rate level 99 33 33 0 END DCW 1 key 0 rate level 99 99 46 99 37 52 SUS 26 0 END DCA 1 key 0 rate level 99 50 77 99 67 91 SUS 79 92 26 0 END Comments: This sounds kind of like the laser fire in a cheap video game. To change the number of shots fired each time you push a key, change the rate of DCA 1, STEP 5. To vary the speed at which shots are fired, vary the vibrato rate (most effective if you do this while playing.) ------------------------------------------------------------------ Name: Glissando Filter Sweep line mod detune vibrato octave 1+1' off/off - 0 00 06 1 0 0 6 - 1 DCO 1 wave 8 0 rate level 99 33 70 0 END DCW 1 key 0 rate level 99 99 46 99 37 52 SUS 26 0 END DCA 1 key 0 rate level 99 50 77 99 67 91 SUS 79 59 33 0 END Comments: This sound creates a "high-to-low" filter sweep in discrete increments (hence, glissando) each time a key is pressed. The sweep is most noticable in the lower range of the keyboard. For really gothic song intros, try setting DETUNE OCTAVE to -1 and playing single notes going slowly >from high to low on the keyboard. (Notice that the parameter values of this sound are very similar to those of Space Shots. By tweaking the vibrato, DCO1, DCA1 it becomes a semi-musical sound.) ------------------------------------------------------------------ >From rutgers!liberty!swatsun!thebes!obrien@EDDIE.MIT.EDU Tue Mar 31 13:44:19 1987 Date: Mon, 2 Mar 87 14:23:58 EST >From: rutgers!liberty!swatsun!thebes!obrien@EDDIE.MIT.EDU (Tom O'Brien) To: liberty!rutgers!mit-eddie!mit-athena!paul Paul: Here are some of my patches for your CZ exchange. I'd appreciate seeing as many patches as you're willing to send. ========= Name: Diva Harmonic An ethereal third harmonic fades in as the fundamental fades out. Play slowly & hold down the keys for several seconds for full effect. Reminiscent of some of the music in the film _Diva_. Line 1+2' Octave 0 Detune + OCT 1, NOTE 7 FINE 0 Vibrato: Wave 1 Delay 0 Rate 0 Depth 0 Modulation: None DCO 1 Wave 1 Env 0/0/END DCW 1 Key 0 Env 53/5 37/0/END DCA 1 Key 0 Env 38/99 30/0/END DCO 2 Wave 1 Env 0/0/END DCW 2 Key 0 Env 32/5 25/0/END DCA 2 Key 0 Env 32/99 30/0/END ========= Name: Landing 747 The best sound comes from keys at the low end of the keyboard, I think. Hold down the key to let the effect complete its cycle. Holding several adjacent keys works well, too. Line 1+2' Octave -1 Detune - OCT 1, NOTE 0 FINE 0 Vibrato: Wave 1 Delay 31 Rate 36 Depth 0 Modulation: Noise DCO 1 Wave 5 Env 99/95 9/43/SUS 8/0/END DCW 1 Key 0 Env 99/73/SUS 9/62 9/0/END DCA 1 Key 6 Env 56/88/SUS 10/28 37/0/END DCO 2 Wave 5 Env 99/80 24/43/SUS 8/0/END DCW 2 Key 0 Env 99/81/SUS 9/62 9/0/END DCA 2 Key 2 Env 53/81/SUS 10/37 30/0/END ======== Name: Thompson Bass Similar to the plucked bass sound used on several Thompson Twins records. After an initial transient, the note fades to a muted drone. Line 1+2' Octave -1 Detune - OCT 0, NOTE 0 FINE 0 Vibrato: Wave 1 Delay 0 Rate 0 Depth 0 Modulation: None DCO 1 Wave 3 Env 0/0/END DCW 1 Key 9 Env 99/94 55/23/SUS 37/0/END DCA 1 Key 0 Env 99/99 63/70/SUS 50/0/END DCO 2 Wave 3 Env 0/0/END DCW 2 Key 9 Env 99/94 55/23/SUS 37/0/END DCA 2 Key 0 Env 99/99 63/70/SUS 50/0/END ========== Happy listening. Tom O'Brien Math Department Swarthmore College ...cbosgd!bpa!swatsun!obrien -Paul